Meryl McMaster

In her work, McMaster explores "tensions surrounding understanding one's personal identity and heritage, especially her own as a woman of Indigenous (Plains Cree) and European (British/Dutch) descent".[1] She adopts a performative approach in which she blurs the boundaries between performance, sculpture, and photography by incorporating elaborate costumes and props in order to create staged images.[1] McMaster considers these elements to be tools of personal transformation that become extensions of her body.[1][4] McMaster's first major series, Ancestral from 2008, "appropriates ethnographic portraits, which she then projects onto her photographic subjects: herself and her father,"[5] noted artist and curator Gerald McMaster.

She makes use of such elaborate props in works such as Winged Callings (animal costumes) or Aphoristic Currents (collar "fashioned out of hundreds of twisted newspapers") in order to examine the tensions between cultural and personal memory as well as how they interact with imagination.[1][6] Both works are part of her In-Between Worlds series (2010-2013).[1] With regards to her artistic practice, McMaster states: "I'm really interested in exploring questions of our sense of self and how we really come to construct that sense of self through land and lineage, history and culture".[7]

McMaster studied photography at the Ontario College of Art and Design University, graduating in 2010.[1] The same year, she won the Canon Canada Prize[1], the Ontario College of Art and Design Medal in Photography[1] as well as the Spoke Club Membership Prize[1] and the Vistek Photography Award[1]. In 2013 she was a recipient of the Eiteljorg Contemporary Art Fellowship[1] [8] and, in 2016, she was longlisted for the Sobey Art Award.[1][9] In 2017, she was awarded the REVEAL Indigenous Art Award[1][10]. In 2018, she was one of the three winners of the Scotia Bank New Generation Photography Award[1] Other distinctions she received include the Charles Pachter Prize for Emerging Artists[11], and the Doris McCarthy Scholarship. In March 2018, she was named one of three inaugural winners of the New Generation Photography Award, which supports the careers of young artists working in lens-based media.[12]

McMaster's first solo exhibition, In-Between Worlds, opened at Project Space, Harbourfront Centre, in 2010 before traveling to the Station Gallery, the Peterborough Art Gallery, the Art Gallery of Hamilton's Design Annex, and the Montreal Museum of Fine Arts until 2017.[1] A survey of her work was organized by the Carleton University Art Gallery (CUAG) and curated by Heather Anderson.[1][13][14] The exhibition was on view at CUAG from May 2 - August 28, 2016 and subsequently travelled to other venues including the Doris McCarthy Gallery[1], the Richmond Art Gallery (RAG)[1], the Thunder Bay Art Gallery[1], the Art Gallery of Southwestern Manitoba[1], the Lethbridge University Art Gallery, and The Rooms.[15] Her work was prominently featured in Every. Now. Then: Reframing Nationhood at the Art Gallery of Ontario during the summer of 2017.[16]

McMaster's work has been acquired by various public collections within Canada and the United States, including the Canadian Museum of History, the Art Gallery of Ontario, the Canada Council Art Bank, the Eiteljorg Museum, the National Museum of the American Indian, the Ottawa Art Gallery, the Nelson-Atkins Museum of Art and the Art Gallery of Greater Victoria[1] as well as by Indigenous and Northern Affairs Canada.

• Walker, Ellyn, The Fifth World, RACAR: revue d'art canadienne / Canadian Art Review Vol. 42, No. 2, Continuities Between Eras Indigenous Art Histories / Continuité entre les époques Histoires des arts autochtones (2017), pp. 124–126.
• Jurjans, Katrina, "ʻMaterial Self: Performing the Other Withinʼ Speaks of the Liminal Space Between Physical, Mental, and Cultural States", Opus Magazine
• Meryl McMaster: Confluence, exhibition catalogue with essays by Heather Anderson, Gabrielle Moser, and cheyanne turions, (Ottawa: Carleton University Art Gallery, 2016) ISBN 0770905951, 9780770905958
• Every. Now. Then. Reframing Nationhood, exhibition catalogue edited by Andrew Hunter, Toronto: Art Gallery of Ontario, 2017. ISBN 9781894243957
• Manon Gaudet, "Crossovers: Meryl McMaster", Border Crossings, 141, vol. 36, no. 1 (March 2017).