Mary Whateley

Mary Darwall (née Whateley; 1738 – 5 December 1825), who sometimes wrote as Harriett Airey, was an English poet and playwright. She was a member of the Shenstone Circle of writers that gathered around William Shenstone in the English Midlands. She later explored subjects that included the nature of female friendship and the place of women writers.

Life and work

Born in Beoley, Worcestershire into the prosperous farming family of William Whateley (1694–1763), Mary Whateley was the youngest of nine children, of whom seven survived infancy.[1] She had little formal education, but by 1759 she was having poems published in The Gentleman's Magazine as Harriett Airey or Airy.[2]

In 1760 Whateley moved to Walsall in Staffordshire to work as a housekeeper to her brother. There her poetry was noticed in 1761 by William Shenstone, who was impressed: "That she has generous and delicate sentiments, as well as ingenuity, may, I think, be fairly concluded from the whole tenor of her Poetry."[1]

Her first volume of Original Poems on Several Occasions appeared from Robert Dodsley in 1764. It held 30 works, including odes and hymns and a satire, "The Power of Destiny", which considers how different her existence would have been had she been born male.[2] It went through several editions in London, Dublin and Walsall.[3] She stands up in a Dedication for the place of women in literature, saying she looks down "with a just contempt on the invidious reflections... of Prejudice" against that.[4] She presents herself also as a foe to negativism: "Nought I condemn but that Excess which clouds/The mental Faculties, to soothe the Sense:/Let Reason, Truth, and Virtue, guide thy Steps,/And ev'ry Blessing Heav'n bestows be thine."[5]

In 1766 Whateley married the widowed clergyman John Darwall, a father of five or six, by whom she had six further children.[3] Despite her family responsibilities and helping her husband to run a printing press, she continued to write, producing hymns for her husband's congregation,[6] and writing a play for a local theatre.[1] At least five of her poems appeared in miscellanies between 1770 and 1785. Liberty: An Elegy, for example, appeared in that form in 1775 and again in 1783.[7] Her poem "Female Friendship", which appeared in The Westminster Magazine in April 1776, puts this in a context of self-sacrificing heterosexual friendship.[8]

On the death of her husband in 1789, Mary Darwall moved to Deritend, Birmingham, and then in 1793 to Newtown in Montgomeryshire, from where she published in 1794 a second collection, Poems on Several Occasions.[1] This included some work by others, probably two of her daughters, one of whom, Elizabeth, would publish The Storm, with Other Poems in 1810, to which Mary in turn is thought to have contributed four poems.[3][9]

Mary Darwall died in Walsall on 5 December 1825.[1]

Publications

External sources

  • "The Pleasure of Contemplation by Miss Whateley", from Original Poems..., online Retrieved 10 January 2016
  • "On the Author's Husband Desiring her to Write Some Verses", reprinted in Deborah Kennedy: "Literary Women. Book Review", Eighteenth-Century Studies 35.2 (2002), pp. 320–323. This points out the time constraints on a busy housewife.
  • "Written on Walking in the Woods of Gregynog in Montgomeryshire", from Poems on Several Occasions, online Retrieved 10 January 2016
  • Scholarly assessment: Ann Messenger: Woman and Poet in the Eighteenth Century: The Life of Mary Whateley Darwall, 1738–1825 (New York: AMS Press, 1999)

References

  1. Breen, Jennifer, "Whateley (married name Darwall), Mary", Oxford Dictionary of National Biography (Oxford, UK: OUP) Retrieved 10 January 2016, pay-walled
  2. Baines, Paul; Ferraro, Julian; Rogers, Pat, eds. (2011), "Whateley, Mary, later Darwall", The Wiley-Blackwell Encyclopedia of Eighteenth-Century Writers and Writing, Oxford: Blackwell Publishing, ISBN 9781405156691, retrieved 27 October 2012
  3. The Feminist Companion to Literature in English, eds Virginia Blain, Patricia Clements and Isobel Grundy (London: Batsford, 1990), p. 266.
  4. Quoted in Paula R. Backscheider: "Eighteenth-century women poets", The Cambridge History of English Literature 1660–1780, ed. John Richetti (Cambridge, UK: CUP, 2005), p. 221 Retrieved 10 January 2016.
  5. The final four lines of "The Pleasures of Contemplation" (1764) Retrieved 10 January 2016.
  6. Perhaps best known is the tune Darwall, usually sung to "Rejoice, the Lord is King". This appears in 221 hymnals. Retrieved 10 January 2016.
  7. Digital Miscellanies Index Retrieved 10 January 2016. Archived 4 March 2016 at the Wayback Machine
  8. E. W. Pitcher: "Mary Whateley Darwall's poem on 'Female Friendship' (1776)", Notes and Queries 45.4 (1998). Gale Academic OneFile Retrieved 10 January 2016.
  9. Introductory matter in Eighteenth-Century Women Poets, ed. Roger Lonsdale (Oxford, UK: OUP, 1990 [1989], p. 257 Retrieved 10 January 2016.
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