Martin Wickramasinghe

Wickramasinghe was born on 29 May 1890, in the town of galle of Koggala,[6] and Magalle Balapitiya Liyanage Thochchohamy. Koggala was bounded on one side by a reef, and on the other by Koggala Lagoon, a large coastal lake into which the numerous tributaries of the Koggala Oya drained. The landscapes of the sea, Koggala Lagoon studded with little islands, the flora and fauna, the forested hinterland, and the changing patterns of life and culture of the people of the village would later influence his work.[3][4][7]

At the age of five Wickramasinghe was taught the Sinhala alphabet, at home and in the village temple, by a monk, Andiris Gurunnanse. He also learned the Devanagari script and could recite by memory long sections of the Hitopadesa. After two years he was taken to a vernacular school where he prospered until 1897 when he was sent to an English school in Galle called Buona Vista . In the two years spent at the school Wickramasinghe became fluent in English as well as Latin. When his father died, he returned to a vernacular school in Ahangama and subsequently lost interest in schooling.[3][4][5]

His literary career with the novel Leela (1914) and an anthology of essays on literary criticism, Shastriya Lekhana (1919). Shortly thereafter he began a campaign to raise literary standards for the Sinhalese reading public with work such as Sahityodaya Katha (1932), Vichara Lipi (1941), Guttila Geetaya (1943) and Sinhala Sahityaye Nageema (1946) in which he evaluated the traditional literally heritage according to set rules of critical criteria formed by synthesising the best in Indian and western traditions of literary criticism.[2][3][8][9][10] He is a proude to Sri Lanka.

Through the 1940s Wickramasinghe dabbled with the double role of literary critic and creative writer. Gamperaliya (1944) is widely held as the first Sinhalese novel with a serious intent that compares, in content and technique, with the great novels of modern world literature. The novel depicts the crumbling of traditional village life under the pressure of modernisation. The story of a successful family in a Southern village is used to portray the gradual replacement of traditional economic and social structure of the village by commercial city influence.[3][5]

Wickramasinghe followed Gamperaliya with Yuganthaya (1948) and Kaliyugaya (1957) forming a trilogy. After the decay of the traditional life, the story details the rise of the bourgeoisie, with its urban base and entrepreneurial drive, ending with the formation of the labour movement and socialist theology and rise of hopes for a new social order. The trilogy was made into film by the renowned Sri Lankan director Dr. Lester James Peries.[4][8]

With the development of a literary criticism movement in the early-'50s, Wickramasinghe presented the works Sahitya Kalava ('The Art of Literature' 1950) and Kawya Vicharaya ('The Criticism of Poetry' 1954). He received an MBE around this time.[8]

Wickramasinghe's most heralded work came in 1956 with Viragaya. Due to the significance of its theme and the sophistication of its technique, the novel has come to be hailed as the greatest work of Sinhalese fiction. It follows the spiritual problems of a fragile Sinhalese youth raised in a traditional Buddhist home after being confronted with the spectre of adulthood and the responsibilities that come with it all made more complex with the modernisation of society. First-person narrative is used to put forth the autobiographical story of the anti-hero in impressionistic vignettes rather than in chronological order. It is a seminal work and spawned a spew of imitators, some good on their own right.[2]

Wickramasinghe was an early practitioner of the genre of poetry called nisandas, which ignored the restrictions placed on poetry by the traditional prosodic patterns. It drew inspiration from the work of Eliot, Pound, Whitman and other western poets and was part of a movement called Peradeniya School. Wickramasinghe's work was Teri Gi (1952).

The movement dissolved in the 1960s prompted by Wickramasinghe's contention that other writers of the Peradeniya School were not sensitive to cultural traditions and the Buddhist background of Sinhalese society. He accused Ediriweera Sarachchandra, Gunadasa Amarasekara and others of imitating "decadent" western and post-war Japanese literature and of supporting a nihilistic look on life with cyncial disregard for national tradition.

In 1973, Wickramasinghe wrote a new biography of Lord Buddha titled Bava Taranaya. In it the great teacher's change from royal heir in-waiting to philosopher-mendicant is portrayed as being a result of his sympathy to the poor and the downtrodden of society. Wickramasinghe died on 23 July 1976 and his home is now a folk museum.[5]

• Appointed Member of the Radio Broadcasting Commission – 1953
• Appointed Member of the Order of the British Empire, by Her Majesty Queen Elizabeth II in person – 1954
• Award for the best news paper article for the year "The fall of the Brahmin Class" – 1956
• The novel "Viragaya" wins the Don Pedric Award for the best novel of the year – 1957
• Awarded a Honorary PhD by the Vidyodaya University – 1960
• Awarded a DLitt by the University of Ceylon – 1963
• UNESCO Award for his book "The Rise of the Soviet Land" – 1964
• Awarded a DLitt by Vidyalankara University −1964
• Awarded a DLitt by the University of Ceylon, Colombo – 1970
• Receives the first Presidential Award for Literature – 1974

A comprehensive list of publications of Martin Wikramasinghe,[11]

Novels

Collections of short stories

Plays

Literary criticism

Evolution and Anthropology

Philosophy

Autobiography

Biography

Books in English

History

Travel

Books translated in to other languages,[12]

Films and television productions, based on Martin Wikramasinghe's books,[13]

Feature films

Television

• Official website of Martin Wickramasinghe – www.martinwickramasinghe.info
• A writer of many facets