List of compositions by Christoph Willibald Gluck
This is a list of compositions by Christoph Willibald Gluck.
Gluck, detail of a portrait by Joseph Duplessis, dated 1775
Wq. Number by Alfred Wotquenne (1867-1939).
Opera
- Wq.1 – Artaserse (1741)
- Wq.2 – Demetrio – or Cleonice (1742)
- Wq.3 – Demofoonte (1743)
- Wq.4 – Artemene (1743), 1st Version
- – Il Tigrane (1743)
- Wq.5 – La Sofonisba – Siface (1744)
- Wq.6 – La finta schiava (1744)
- Wq.7 – Ipermestra (1744)
- Wq.8 – Poro (1744)
- Wq.9 – Ippolito – Fedra (1745)
- Wq.10 – La caduta dei giganti (1746)
- Wq.11 – Artemene (1746), 2nd Version
- Wq.12 – Le nozze d’Ercole e d’Ebe (1747)
- Wq.13 – La Semiramide riconosciuta (1748)
- Wq.14 – La contesa dei numi (1749)
- Wq.15 – Ezio (1749), 1st Version; Revised in 1763
- Wq.16 – La clemenza di Tito (1752)
- Wq.17 – Issipile (1751-1752)
- Wq.18 – Le cinesi (1754)
- Wq.19 – La danza (1755)
- Wq.20 – L’innocenza giustificata (1755), Revised as La vestale (1768)
- Wq.55 – Les amours champêtres (1755)
- Wq.21 – Antigono (1756)
- Wq.22 – Il rè pastore (1756)
- Wq.23 – L’île de Merlin, ou Le monde renversé (1758)
- Wq.24 – La fausse esclave (1758)
- Wq.25 – L’arbre enchanté, ou Le tuteur dupé (1759), 1st Version
- Wq.26 – La Cythère assiégée (1759)
- – Le diable à quatre, ou La double métamorphose (1759)
- Wq.27 – Tetide (1760)
- Wq.28 – L’ivrogne corrigé (Der bekehrte Trunkenbold) (1760)
- Wq.29 – Le cadi dupé (Der betrogene Kadi) (1761)
- – Arianna (Pasticcio) (1762)
- Wq.30 – Orfeo ed Euridice (1762), Italian Version
- Wq.31 – Il trionfo di Clelia (1763)
- – Ezio (1763), 2nd Version
- Wq.32 – La rencontre imprévue – Les pèlerins de la Mecque (1764)
- – Enea e Ascanio (1764)
- Wq.33 – Il Parnaso confuso (1765)
- Wq.34 – Telemacco, ossia L’isola di Circè (1765)
- Wq.35 – La corona (1765)
- Wq.36 – Il prologo (1767)
- Wq.37 – Alceste, Italian Version of Alceste, Wq.44 (1767)
- – La vestale (1768), Revision of L’innocenza giustificata, Wq.20 (1755)
- Wq.38 – Le feste d’Apollo (1769)
- Prologue
- Bauci e Filemone
- Aristeo
- Orfeo (Early version of Orfeo ed Euridice)
- – Philémon et Baucis, Opéra-Ballet
- Wq.39 – Paride ed Elena (1770)
- – Die unvermuthete Zusammenkunft (1772), German Version of La rencontre imprévue, Wq.32 (1764)
- Wq.40 – Iphigénie en Aulide (1774)
- Wq.41 – Orphée et Eurydice (1774), French Version of Orfeo ed Euridice, Wq.30 (1762)
- Wq.42 – L’arbre enchanté, ou Le tuteur dupé (1775), 2nd Version
- Wq.43 – La Cythère assiégée, Opéra-Ballet (1775), Revision of the 1759 Opera
- Wq.44 – Alceste (1776), French Version of Alceste, Wq.37 (1767)
- Wq.45 – Armide (1777)
- Wq.46 – Iphigénie en Tauride (1779), French Version
- Wq.47 – Echo et Narcisse (1779), 1st Version
- – Echo et Narcisse (1780), 2nd Version
- – Iphegenie auf Tauris (1781), German Version of Iphigénie en Tauride, Wq.46 (1779)
Ballet-Pantomime
- Wq.51 – L’Orfano della china (1761), [doubtful work]
- Wq.52 – Don Juan, ou Le festin de Pierre (1761)
- – La Citera assediata (1762), Dance version of La Cythère assiégée, [music lost]
- – Alessandro (Les amours d’Alexandre et de Roxane) (c.1755)
- Wq.56 – Semiramis (1765)
- – Iphigénie (1765), [music lost]
- – Marche in G Major
Orchestral
- – Sinfonia No.1 in F Major
- – Sinfonia No.2 in D Major
- – Sinfonia No.3 in D Major
- – Sinfonia No.4 in D Major
- – Sinfonia No.5 in D Major
- – Sinfonia No.6 in E Major
- – Sinfonia No.7 in F Major
- – Sinfonia No.8 in G Major
- – Sinfonia No.9 in F Major
- About 18 Sinfonias total, some doubtful works
- – Flute Concerto, in G major, [doubtful work]
- – Violin Concerto, in G major, arr of the flute concerto
Chamber
- (Wq.53) – mis-attributed to Gluck[1] - Six Trio Sonatas for 2 Violins and Basso continuo, publ. 1746
- in C Major
- in G Minor
- in A Major
- in B♭ Major
- in E♭ Major
- in F Major
- (Wq.54) – mis-attributed to Gluck[2] - Trio Sonata in E Major for 2 Violins and Basso continuo
- GluckWV 5.2.1 - athenticated Trio Sonata in F Major for 2 Violins and Basso continuo
Sacred Vocal
- – Miserere (1744-1745), [music lost]
- – 2 Motets (1779)
- Wq.59 – Almæ sedes, Motet for Solo and Orchestra (c.1785)
- Wq.59 – Voces cantate
- Wq.50 – De profundis, Motet for Chorus and Orchestra (1787)
Vocal
- Wq.48 – Morceaux de chant détachés
- Oh Dei che dolce incanto, for Soprano and Orchestra
- Per tutto il timore, for Soprano and Orchestra
- Benchè copra al sole il volto (1749), for Soprano and Orchestra
- Và, ti sarò fedele, for Soprano and Orchestra
- Pace, Amor, torniamo in pace, Cantate de Métastase
- Che legge spietata, for Soprano, Flute Solo and Orchestra
- Berenice, ove sei; Ombre che pallida, Scene and Aria for Soprano and Orchestra
- Ah pietà se di me senti, Duetto for Soprano, Alto and Orchestra
- Nò, che non ha la sorte; Si, vedrò quell'alma ingrata, Recitativo and Aria for Soprano and Orchestra
- Wq.49 – 7 Oden und Lieder (c.1773~1785, published 1786)
- Vaterlandlied
- Wir und Sie
- Schlachtgesang
- Der Jüngling (2nd version)
- Die Sommernacht
- Die frühen Gräber
- Die Neigung
- Wq.57 – Der Jüngling,1st version (1775), [doubtful work]
- Wq.60 – Amour en ces lieux for Voice, 2 Violins and Bass (c.1780)
- Wq.61 – Quand la beauté lance for Voice, 2 Violins and Bass (c.1780)
- Wq.58 – Ode an den Tod (c.1783, Published 1792)
- Wq.62 – Die Sommernacht, 2nd version (1785)
- Wq.63 – Minona lieblich und hold haucht reine Liebe, Duet (Published 1795)
- – Siegsgesang für Freie (Published 1795)
- – I lamenti d’amore, Cantata arranged from Alceste, Act III
- – Blütenmai herbei!
- – Einem Bach der fließt
- – In einem kühlen Grunde
Works without Wq number
- Hoch tut euch auf
References
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