Lex Barker

Barker made it to Broadway once, in a small role in a short run of Shakespeare's The Merry Wives of Windsor in 1938.[5] He also had a small role in Orson Welles's disastrous Five Kings, which met with so many problems in Boston and Philadelphia that it never made it into New York City.[6]

In February 1941, ten months before the attack on Pearl Harbor, Barker left his fledgling acting career and enlisted in the United States Army. He rose to the rank of major during the war.[7] He was wounded in action (in the head and leg) fighting in Sicily.[8]He was awarded the Purple Heart twice.

Back in the US, he recuperated at a military hospital in Arkansas, then upon his discharge from service, traveled to Los Angeles. Within a short time, he landed a small role in Doll Face (1945), his first film.[9]

A string of small roles followed, in films such as Two Guys from Milwaukee (1945) and Cloak and Dagger (1946).

Barker signed a contract at RKO. He had small roles in The Farmer's Daughter (1947), Crossfire (1947), and Under the Tonto Rim (1947).[9]

Barker went to Paramount for Unconquered (1947). Back at RKO he was in Dick Tracy Meets Gruesome (1947), Berlin Express (1948), Mr. Blandings Builds His Dream House (1948), The Velvet Touch (1948), and Return of the Bad Men (1948), playing Emmett Dalton.[9]

In Tarzan's Magic Fountain (1949), Barker became the tenth official Tarzan of the movies. His blond, handsome, and intelligent appearance, as well as his athletic, now 6'4" frame, helped make him popular in the role Johnny Weissmuller had made his own for 16 years. His Jane was Brenda Joyce who had been in Weissmuller's last three films.[10]

Barker's second Tarzan was Tarzan and the Slave Girl (1950), where Jane was played by Vanessa Brown. In Tarzan's Peril (1951), Barker's Jane was Virginia Huston, with African location footage. Dorothy Hart was Jane in Tarzan's Savage Fury (1952), directed by Cy Endfield.[11][12]

Barker got the chance to play a non-Tarzan role in Battles of Chief Pontiac (1952), a Western.[13] He returned to the role one last time in Tarzan and the She-Devil (1953).[11][12]

Barker supported Randolph Scott in Thunder Over the Plains (1953).[14]

At Universal he starred in the Western The Yellow Mountain (1954) and The Man from Bitter Ridge (1955). He went to Columbia to make Duel on the Mississippi (1955).[9]

Barker had a rare non-Western role in The Price of Fear (1956), a film noir with Merle Oberon. He was in the war movie Away All Boats (1956)[9] and the thriller The Girl in the Kremlin (1957).[15]

Barker made two films for Howard W. Koch: War Drums (1957)[9] and Jungle Heat (1957),[16]. He went to 20th Century Fox for The Deerslayer (1957),[9] then did The Girl in Black Stockings (1957).[17]

In 1957, as he found it harder to find work in American films, Barker moved to Europe (he spoke French, Italian, Spanish, and some German),[18] where he found popularity and starred in over 40 European films, including two movies based on the novels by Italian author Emilio Salgari (1862–1911).[19]

He started his European career with a British thriller The Strange Awakening (1958). He went to Italy to star in Captain Falcon (1959), Son of the Red Corsair (1959), The Pirate and the Slave Girl (1959), and Terror of the Red Mask (1960).[20]

Barker had a short but compelling role as Anita Ekberg's fiancé in Federico Fellini's La Dolce Vita (1960).[21]

He went back to swashbucklers: Knight of 100 Faces (1960), Pirates of the Coast (1960), Robin Hood and the Pirates (1960), and The Secret of the Black Falcon (1961).[20]

In Germany, he had his greatest success. There he starred in movies based on the "Doctor Mabuse" stories (formerly filmed by Fritz Lang), in the movies The Return of Doctor Mabuse (1961).[22] He was in Doctor Sibelius (1962).

Barker then played Old Shatterhand in an adaptation of the novel by German author Karl May (1842–1912), Treasure of the Silver Lake (1962).[23] It was a huge hit, 11 movies adapting stories by Karl May were following until 1968.[24] Barker did the comedy Breakfast in Bed (1962), then the adventure movie Storm Over Ceylon (1963). He returned to Italy for The Executioner of Venice (1963)[25][26] and Kali Yug: Goddess of Vengeance (1963).[9]

Barker reprised his role as Old Shatterhand in Apache Gold (1964), Old Shatterhand (1964) and Last of the Renegades (1965).[9][16] He went to South Africa for Harry Alan Towers' German-British international co-production Victim Five (1964),[16][27] then returned to Germany for other adaptations of May books: The Treasure of the Aztecs (1965), The Pyramid of the Sun God (1965) .[28] 24 Hours to Kill (1965) was a British movie.[27] The Hell of Manitoba (1965) and The Desperado Trail (1966) were Westerns.[29]

In 1966, Barker was awarded the "Bambi Award" as Best Foreign Actor in Germany, where he was a very popular star.[30] He even recorded two songs in German: "Ich bin morgen auf dem Weg zu dir" ("I'll be on the way to you tomorrow", composed by Martin Böttcher, the composer of some of the soundtracks of the Karl May movies) and "Mädchen in Samt und Seide" ("Girl in Silk and Velvet", composed by Werner Scharfenberger).[31]

Later films included Killer's Carnival (1966), and Winnetou and the Crossbreed (1967). In the same year, he starred in a Eurospy film Spy Today, Die Tomorrow, a horror film The Blood Demon, and appeared in the anthology film Woman Times Seven (1967).[16]

He returned to the United States occasionally and made a handful of guest appearances on American television episodes, but Europe, and especially Germany, was his professional home for the remainder of his life.