Lee Holdridge

Holdridge was born in Port-au-Prince, Haiti, of a Puerto Rican mother and an American father, Leslie Holdridge, a botanist and climatologist.[2]

While living in Costa Rica, at age ten, he studied the violin with Hugo Mariani, who was at the time the conductor of the National Symphony Orchestra of Costa Rica. He then moved to Boston, where he finished high school and studied composition with Henry Lasker.[2]

As an adult, Holdridge moved to New York City to continue his music studies and begin his career as a professional composer.[2] There, he composed chamber works, rock pieces, songs, theater music and background scores for short films, and eventually came to Neil Diamond's notice. Diamond then brought Holdridge with him to Los Angeles to write arrangements for his forthcoming albums. After several gold and platinum hits, the two collaborated on the Grammy Award winning film score for Jonathan Livingston Seagull.[2] Neil Diamond sued Bartlett for cutting much of his music from the film. Diamond was also upset when Lee Holdridge wanted to share credit with him. Bartlett was ordered to reinstate the five minutes of Diamond's music score and three of his songs, “Anthem,” “Prologue” and “Dear Father,” and that the onscreen credits were to state “Music and songs by Neil Diamond,” “Background score composed and adapted by Neil Diamond and Lee Holdridge” and “Music supervision by Tom Catalano.”

Holdridge has composed and orchestrated for many films,[2] including:

• Jeremy (1973)[3]
• Mustang Country (1976)
• The Pack (1977)
• The Other Side of the Mountain Part 2 (1978)
• Like Mom, Like Me (1978)
• Moment by Moment (1978)
• Tilt (1979)
• French Postcards (1979)
• American Pop (1981)[4]
• The Day the Loving Stopped (1981)
• The Beastmaster (1982)
• Mr. Mom (1983)
• Splash (1984)
• Micki & Maude (1984)
• Transylvania 6-5000 (1985)
• The Men's Club (1986)
• A Tiger's Tale (1987)
• Big Business (1988)
• Old Gringo (1989)
• The Adventures of Pinocchio (1996)
• The Secret of NIMH 2: Timmy to the Rescue (1998)
• Into the Arms of Strangers: Stories of the Kindertransport (2000)
• Puerto Vallarta Squeeze (2004)
• Brothers at War (2009).[5]

He composed for several television series,[2] including:

• Sara
• East of Eden
• I'll Take Manhattan
• Atomic Train
• The Mists of Avalon
• American Family
• The Brooke Ellison Story
• Moonlighting
• Beauty and the Beast.

Holdridge has performed and recorded in several concerts, including The Golden Land, the Jefferson Tribute, his suite from the opera Lazarus and His Beloved, the Concerto for Viola and Chamber Orchestra, the Concertino for Violoncello and Strings, the Serenade for Oboe and Strings, the Fantasy Sonata for ‘Cello and Piano, the Elegy for Strings and Harp, and Sonnet for soprano and orchestra.[2]

Primetime Emmy awards:

• Nominated, 1985, Outstanding Achievement in Music and Lyrics for: Moonlighting theme song
• Nominated, 1988, Outstanding Achievement in Main Title Theme Music for: Beauty and the Beast
• Won, 1988, Outstanding Achievement in Music Composition for a Series (Dramatic Underscore)for: Beauty and the Beast pilot episode
• Won, 1989, Outstanding Achievement in Music and Lyrics for: Beauty and the Beast song "The First Time I Loved Forever"
• Nominated, 1990, Outstanding Achievement in Music Composition for a Miniseries or a Special (Dramatic Underscore) for: "Do You Know the Muffin Man"?
• Nominated, 1993, Outstanding Individual Achievement in Music Composition for a Miniseries or a Special (Dramatic Underscore) for: "Call of the Wild"
• Nominated, 1993, Outstanding Individual Achievement in Main Title Theme Music for: Bob
• Nominated, 1995, Outstanding Individual Achievement in Music Composition for a Miniseries or a Special (Dramatic Underscore) for: Buffalo Girls Part I
• Nominated, 1996, Outstanding Individual Achievement in Music Composition for a Miniseries or a Special for: The Tuskegee Airmen
• Nominated, 1999, Outstanding Music Composition for a Miniseries or a Movie (Dramatic Underscore) for: Mutiny
• Nominated, 2002, Outstanding Music Composition for a Miniseries, Movie or a Special (Dramatic Underscore) for: The Mists of Avalon

Daytime Emmy awards:

• Won, 2000, Outstanding Achievement in Music Direction and Composition for a Drama Series for: One Life to Live
• Nominated, 2002, Outstanding Achievement in Music Direction and Composition for a Drama Series for: One Life to Live
• Nominated, 2004, Outstanding Achievement in Music Direction and Composition for a Drama Series for: One Life to Live
• Won, 2005, Outstanding Achievement in Music Direction and Composition for a Drama Series for: One Life to Live
• Nominated, 2006, Outstanding Achievement in Music Direction and Composition for a Drama Series for: One Life to Live

Sports Emmy awards:

• Won, 1998, Outstanding Achievement in a Craft: Music Composition/Direction/Lyrics for: Atlanta's Olympic Glory

News and Documentary Emmy awards:

• Won, 1988, Outstanding Individual Achievement in Music for: The Explorers: A Century of Discovery
• Won, 1991, Outstanding Individual Achievement in a Craft: Music Composition for: World of Discovery episode "Beautiful Killers"

Grammy awards:

• Won, 1974, Best Original Score Written for a Motion Picture or a Television Special for: Jonathan Livingston Seagull soundtrack (shared with Neil Diamond, Tom Catalano and others).
• Nominated, 1988, Best Song Written Specifically for a Motion Picture or for Television for: Moonlighting theme song.

ASCAP Awards:

• Won, 1988, Top TV Series for: Moonlighting (1985)

• New York Theatre Critics' Reviews: Index, 1940-1960. Original from the University of Michigan.
• Of Love & Hope - Selections Form Beauty and the Beast By Lee Holdridge, Don Davis, Milton Okun, Larry Kenton, Edwin McLean. Published 1990, Cherry Lane Music. ISBN 0-89524-484-5

• List of music arrangers

• Official website
• Lee Holdridge on IMDb
• Lee Holdridge at the Internet Broadway Database
• Lee Holdridge at Internet Off-Broadway Database
• PBS biography as composer for American Valor