Laurence Sterne

Laurence Sterne by Joseph Nollekens, 1766, National Portrait Gallery, London

Sterne was born in Clonmel, County Tipperary on 24 November 1713.[1] His father, Roger Sterne, was an ensign in a British regiment recently returned from Dunkirk, which was disbanded on the day of Sterne's birth.[2] Within six months the family had returned to Yorkshire.[3] His great-grandfather Richard Sterne had been the Master of the Jesus College, Cambridge as well as the Archbishop of York.[4] Roger Stern was the youngest son of Richard Sterne's youngest son and consequently, Roger Sterne inherited little of Richard Sterne's wealth.[4] Roger Sterne left his family and enlisted in the army at the age of 25; he enlisted uncommissioned, which was unusual for someone from a family of high social position. Despite being promoted to an officer, he was of the lowest commission and lacked financial resources.[5] Roger Sterne married Agnes Hobert, the widow of a military captain.[6]

The first decade of Laurence Sterne's life was spent moving from place to place as his father was reassigned throughout Ireland. During this period Sterne never lived in one place for more than a year.[7] In 1724, Roger took Sterne to his wealthy brother, Richard, so that Laurence could attend Hipperholme Grammar School near Halifax[8]; Laurence never saw his father again as Roger was ordered to Jamaica where he died of malaria in 1731.[9] Laurence was admitted to a sizarship at Jesus College, in July 1733 at the age of 20.[10] He graduated with a degree of Bachelor of Arts in January 1737 and returned in the summer of 1740 to be awarded his Master of Arts degree.[11]

Sterne was ordained as a deacon on 6 March 1737[12] and as a priest on 20 August 1738.[13] His religion is said to have been the "centrist Anglicanism of his time", known as "latitudinarianism".[14] A few days after his ordination as a priest, Sterne was awarded the vicarship living of Sutton-on-the-Forest in Yorkshire.[15] Sterne married Elizabeth Lumley on 30 March 1741, despite both being ill with consumption.[16] In 1743, he was presented to the neighbouring living of Stillington by Rev. Richard Levett, Prebendary of Stillington, who was patron of the living. Subsequently Sterne did duty both there and at Sutton.[17] He was also a prebendary of York Minster.[18] Sterne's life at this time was closely tied with his uncle, Jaques Sterne, the Archdeacon of Cleveland and Precentor of York Minster. Sterne's uncle was an ardent Whig[19], and urged Sterne to begin a career of political journalism which resulted in some scandal for Sterne and, eventually, a terminal falling-out between the two men.[20]

Jaques Sterne was a powerful clergyman but a mean-tempered man and a rabid politician.[21] In 1741–42 Laurence Sterne wrote political articles supporting the administration of Sir Robert Walpole for a newspaper founded by his uncle but soon withdrew from politics in disgust. His uncle became his arch-enemy, thwarting his advancement whenever possible. Despite the friction with his uncle, Laurence's Whig sympathies remained with him throughout his life.[22] Laurence lived in Sutton for twenty years, during which time he kept up an intimacy which had begun at Cambridge with John Hall-Stevenson, a witty and accomplished bon vivant, owner of Skelton Hall in the Cleveland district of Yorkshire.[23]

Shandy Hall, Sterne's home in Coxwold, North Yorkshire

In 1759, to support his dean in a church squabble, Sterne wrote A Political Romance (later called The History of a Good Warm Watch-Coat), a Swiftian satire of dignitaries of the spiritual courts. At the demands of embarrassed churchmen, the book was burnt.[24] Thus, Sterne lost his chances for clerical advancement but discovered his real talents; until the completion of this first work, "he hardly knew that he could write at all, much less with humour so as to make his reader laugh".[25]

Having discovered his talent, at the age of 46, he turned over his parishes to a curate, and dedicated himself to writing for the rest of his life. It was while living in the countryside, having failed in his attempts to supplement his income as a farmer and struggling with tuberculosis, that Sterne began work on his best-known novel, The Life and Opinions of Tristram Shandy, Gentleman, the first volumes of which were published in 1759. Sterne was at work on his celebrated comic novel during the year that his mother died, his wife was seriously ill, and his daughter was also taken ill with a fever.[26] He wrote as fast as he possibly could, composing the first 18 chapters between January and March 1759.[27] Due to his poor financial position, Sterne was forced to borrow money for the printing of his novel, suggesting that Sterne was confident in the prospective commercial success of his work and that the local critical reception of the novel was favourable enough to justify the loan.[28]

The publication of Tristram Shandy made Sterne famous in London and on the continent. He was delighted by the attention, famously saying "I wrote not [to] be fed but to be famous."[29] He spent part of each year in London, being fêted as new volumes appeared. Even after the publication of volumes three and four of Tristram Shandy, his love of attention (especially as related to financial success) remained undiminished. In one letter, he wrote "One half of the town abuse my book as bitterly, as the other half cry it up to the skies—the best is, they abuse it and buy it, and at such a rate, that we are going on with a second edition, as fast as possible."[30] Indeed, Baron Fauconberg rewarded Sterne by appointing him as the perpetual curate of Coxwold, North Yorkshire in March 1760.[31]

In 1766, at the height of the debate about slavery, the composer and former slave Ignatius Sancho wrote to Sterne[32] encouraging him to use his pen to lobby for the abolition of the slave trade.[33] In July 1766 Sterne received Sancho's letter shortly after he had finished writing a conversation between his fictional characters Corporal Trim and his brother Tom in Tristram Shandy, wherein Tom described the oppression of a black servant in a sausage shop in Lisbon which he had visited.[34] Sterne's widely publicised response to Sancho's letter became an integral part of 18th-century abolitionist literature.[34]

Sterne painted in watercolour by French artist Louis Carrogis Carmontelle, ca. 1762

Sterne continued to struggle with his illness, and departed England for France in 1762 in an effort to find a climate that would alleviate his suffering. Sterne was lucky to attach himself to a diplomatic party bound for Turin, as England and France were still adversaries in the Seven Years' War. Sterne was gratified by his reception in France, where reports of the genius of Tristram Shandy had made him a celebrity. Aspects of this trip to France were incorporated into Sterne's second novel, A Sentimental Journey Through France and Italy.[35]

Early in 1767, Sterne met Eliza Draper, the wife of an official of the East India Company, then staying on her own in London.[36] He was quickly captivated by Eliza’s charm, vivacity, and intelligence, and she did little to discourage the attentions of such a celebrated man.[37][38] They met frequently, exchanged miniature portraits, and Sterne’s admiration seems to have turned into an obsession which he took no trouble to conceal. To his great distress, Eliza had to return to India three months after their first meeting, and he died from consumption a year later without seeing her again. At the beginning of 1768, Sterne brought out his Sentimental Journey which contains some extravagant references to her, and the relationship, though platonic, aroused considerable interest. He also wrote his Journal to Eliza part of which he sent to her, and the rest of which came to light when it was presented to the British Museum in 1894. After Sterne’s death, Eliza allowed ten of his letters to be published under the title Letters from Yorick to Eliza and succeeded in suppressing her letters to him, though some blatant forgeries were produced, probably by William Combe, in a volume entitled Eliza's Letters to Yorick.[39]

Less than a month after Sentimental Journey was published, early in 1768, Sterne died in his lodgings at 41 Old Bond Street on 18 March, at the age of 54.[40] He was buried in the churchyard of St George's, Hanover Square on 22 March.[41] It was widely rumoured that Sterne's body was stolen shortly after it was interred and sold to anatomists at Cambridge University. Circumstantially, it was said that his body was recognised by Charles Collignon, who knew him[42][43] and discreetly reinterred back in St George's, in an unknown plot. A year later a group of Freemasons erected a memorial stone with a rhyming epitaph near to his original burial place. A second stone was erected in 1893, correcting some factual errors on the memorial stone. When the churchyard of St. George's was redeveloped in 1969, amongst 11,500 skulls disinterred, several were identified with drastic cuts from anatomising or a post-mortem examination. One was identified to be of a size that matched a bust of Sterne made by Nollekens.[44][45]

The skull was held up to be his, albeit with "a certain area of doubt".[46] Along with nearby skeletal bones, these remains were transferred to Coxwold churchyard in 1969 by the Laurence Sterne Trust.[47][48][49] The story of the reinterment of Sterne's skull in Coxwold is alluded to in Malcolm Bradbury's novel To the Hermitage.[50]

• René Bosch, Labyrinth of Digressions: Tristram Shandy as Perceived and Influenced by Sterne's Early Imitators (Amsterdam, 2007)
• W. M. Thackeray, in English Humourists of the Eighteenth Century (London, 1853; new edition, New York, 1911)
• Percy Fitzgerald, Life of Laurence Sterne (London, 1864; second edition, London, 1896)
• Paul Stapfer, Laurence Sterne, sa personne et ses ouvrages (second edition, Paris, 1882)
• H. D. Traill, Laurence Sterne, "English Men of Letters", (London, 1882)
• H. D. Traill. "Sterne". Harper & Brothers Publishers. Retrieved 22 March 2018 – via Internet Archive.
• Texte, Rousseau et le cosmopolitisme littôraire au XVIIIème siècle (Paris, 1895)
• H. W. Thayer, Laurence Sterne in Germany (New York, 1905)
• P. E. More, Shelburne Essays (third series, New York, 1905)
• L. S. Benjamin, Life and Letters (two volumes, 1912)
• Rousseau, George S. (2004). Nervous Acts: Essays on Literature, Culture and Sensibility. Basingstoke: Palgrave Macmillan. ISBN 1-4039-3454-1