Lauren Cornell

Cornell was born and raised in New York City. She started her career in the arts as the Executive Director of Ocularis, a now-closed cinema in Brooklyn, New York.[3] She joined the New Museum in 2005, where she worked on the inaugural Generational show, Younger Than Jesus, and became the Executive Director of Rhizome, an organization that commissions, exhibits, and preserves art engaged with technology.[4][5] She stepped down from her role at Rhizome in July 2012 to curate the New Museum's third Generational Triennial, Surround Audience, in 2015.[6]

Cornell and Ed Halter co-edited the anthology Mass Effect: Art and the Internet in the Twenty-First Century (2016).[7]

She has contributed to publications including Aperture,[8] Art in America,[9] ArtReview, Frieze,[10][11] and Mousse,[12][13] and written on artists for monographic catalogues.

In 2016, Artsy named Cornell one of "The 20 Most Influential Young Curators in the United States."[14] In 2017, Cornell was the recipient of ArtTable's New Leadership Award.[15] In 2017, she was named an Apollo 40 under 40.[16]

In 2010, Cornell founded Rhizome's Seven on Seven conference, which bridges contemporary art and technology fields by pairing technological innovators with visual artists and challenging them to develop something over the course of a day.[17] Seven on Seven was inspired by Experiments in Art and Technology (E.A.T.), a project launched by Billy Klüver and Robert Rauschenberg in 1967, which organized collaborations between artists and engineers at Bell Labs.[18]

“It’s important to consistently interrogate what exact freedoms or limitations structure our information environment.”[19]

"Good curators don’t just show established artists or reiterate well-trodden art histories but work to expand, complicate and critique these narratives and open the doors of art to lesser-known or new voices."[20]

• Young-Hae Chang Heavy Industries Black on White, Gray Ascending, December 2007 – March 2008 (co-curated with Laura Hoptman)[21]
• New Museum Triennial: Younger Than Jesus, April–July 2009 (co-curated with Massimiliano Gioni and Laura Hoptman)[22]
• Free, October 2010-January 2011[23]
• Walking Drifting Dragging, January–February 2013[24]
• New Museum Triennial: Surround Audience, February–May 2015 (co-curated with Ryan Trecartin)[25]
• Song, Strategy, Sign: Beatriz Santiago Munoz (co-curated with Johanna Burton and Sara O’Keeffe)[26]
• Invisible Adversaries at CCS Bard, June–September 2016 (co-curated with Tom Eccles)[27]
• Daniel Steegmann Mangrane: A Transparent Leaf Instead of the Mouth at CCS Bard [28]

• The Intensity and Integrity of Ian White, Frieze[29]
• Mass Effect, Mousse Magazine[30]
• Self-Portraiture in the First-Person Age, Aperture[31]
• In the Studio: Dara Birnbaum, Art in America[32]
• Techno-animism, Mousse Magazine[33]
• Down the Line, Frieze[34]

• Cornell, Lauren, Massimiliano Gioni, and Laura Hoptman, eds. Younger Than Jesus: The Reader (New York: New Museum / London: Steidl & Partners, 2009
• Cornell, Lauren, ed., Free. New York: New Museum, 2010[35]
• Cornell, Lauren and Helga Christoffersen, eds. 2015 Triennial: Surround Audience. New York: New Museum / Rizzoli Skira, 2015[36]
• Cornell, Lauren and Ed Halter, eds. Mass Effect: Art and the Internet in the 21st Century. New York: New Museum / Cambridge, MA: the MIT Press, 2015[37]
• Cornell, Lauren and Eccles, Tom, eds. Invisible Adversaries. New York: Hessel Museum, 2016[38]