Kon'

According to Matvienko, the song was originally written for another music project that he was producing, Ivanushki International, and only at the last moment the idea came to remake it for Lyube.

... those are Shaganov’s lyrics. But the idea was mine, and Shaganov unfolded it into a brilliant work with such a climax, with pathos. Pure Shaganov-style. Only he can do such a thing. And by the way, it was almost made for the "Ivanushki". There should have been drums, but then for some reason we made a song for the choir out of this. Ah, I've recalled why! Because, may he rest in the Kingdom of Heaven, the late Anatoly Kuleshov worked for us, and he suggested it. (...) He sang in a church ... (...) He was a choirmaster and rehearsed all the choral parts. And we decided to make such a choir, and we got an a-capella piece

— Игорь Игоревич Матвиенко. Интервью // Вечный Зов

The corresponding fragment from the musical film Zona Lyube, which accompanied the album of the same name, functions as the song's music video.[3]

In a sociological study conducted in 2015 by the Russki Reporter magazine, the lyrics of Kon' came to the 32nd place in the list of the most popular poetic lines in Russia, ahead of the Anthem of the Soviet Union, which achieved the 39th place in the same rating.[4]

The Russian writer Dmitry Sokolov-Mitrich calls the song "Russia's unofficial anthem", writing:[5]

In just a few years, the "Horse" achieved crazy popularity. Without much effort on the part of the producer, tens and then hundreds of different artists sang it. It paralyzed millions of souls in every corner of the planet, where they speak at least a little Russian. Although, if you think of it, well, what is this sort of thing in this song? Why does it "catch the throat" of a Russian, a Tatar, a Chechen or a Ukrainian?

The regent of the choir of the Sretensky Monastery male monastery Nikon Zhila indicates that this is the most popular song from the choir's repertoire among listeners throughout Russia.

Matvienko calls Kon' the most important song he wrote in his life.

The words of the song use archetypal motives of Russian lyrical poetry. For example, the line "there is grace in the night stars" (Ночью в поле звёзд благодать) corresponds to "grace of flying stars" (летающих звёзд благодать) from Sergei Yesenin's poem “Leaves are falling, leaves are falling...”.

Sokolov-Mitrich especially notes the verse saying "let me go out and seek where does the field give birth to the dawn" (Дай-ка я пойду посмотрю, / Где рождает поле зарю): "Tere it is, the 'national idea'. Unheard of simplicity. Get to the horizon. Going towards the sun forever in the naïve hope of catching it. The mission is stupid and at the same time great. Because it doesn’t matter whether that place exists or not. It is important that for this nation there is an endless task source. Go, ride, race towards the emerging light, to the East. There, where everything starts and nothing dies. Where does the new day come from, a new world, a new life".[5]

The song begins unaccompanied, a capella, in folk traditions, in which the lead singer begins the chanting. The male choir is joining gradually, as if from a distance. The third verse is an octave higher, intensifying the performance and overwhelming the emotions, and the final phrase, in the best traditions of the genre, leaves room for reflection, and a sort of incompleteness.[6]