Kate Daudy

Kate Daudy (born 1970) is a British artist who lives and works in London. Her work is inspired by an ancient Chinese literati tradition of inscribing poems on to objects.[1]

Her techniques include the composition of poetry that reflects or contrasts with the nature of the object of her choosing.[2] The letters that form these poems are cut from felt fabric and applied in different techniques, depending on the object.[2] Through her scholarly examination of the memory of objects Daudy explores concepts of communication and language, spirituality, solitude and East/West relations.[1]

Themes

The concept of writing on objects originates in the beginning of Chinese civilization, when tortoise shells and scapulae were used to predict the future. These 'oracle bones' would go through a process of being burnt in the embers of a fire; Chinese shamans would divine the future from the manner in which the bones and shells cracked and would subsequently inscribe their predictions on them.[3] This was a practice particularly prevalent in the Shang Dynasty(1600-1046 BC).[4] The calligraphic writing or inscribing of poems onto objects became an elevated art form in itself, perpetuated by the ruling Emperors, who would compose poems to be inscribed onto paintings or works of art of special significance to them.[4] By perpetuating this literary tradition as a contemporary plastic art form Daudy's work has brought these ancient concepts back to mainland China itself, where the tradition had been lost.

Kate Daudy also creates written interventions, mostly in public spaces in nature, on walls and with fabric, based on an ancient Chinese literary practice of seeking to understand the universe through art and nature. Daudy's Chinese studies have driven an interest in calligraphy and Chinese philosophy, and have led to her working in a variety of mediums, including using felt fabric to create her writings.[5]

She uses felt as her medium, which is for her a symbol of redemption, as it is made from the rubbish of the fabric industry.

I felt that What I Could not See or Record Would Cease to Exist - by Kate Daudy


Career

Her first show "Written in Water" (2009) with Grant White at the Galerie Marie Victoire Poliakoff [6] in Paris examined the memories associated with items of clothing, inscribing vintage dresses with poems that reflected their identity. Le Figaro compared Daudy's and White's work to that of Jean Cocteau and Elsa Schiaparelli.[6]

Yellow Mountains, Red Letters exhibited at Bonham's London 2010 [4] featured her calligraphic works on photographs by Chinese art specialist Daniel Eskenazi.

"Night Shining White" by Han Gan (Tang Dynasty)

Daudy is a committed peace advocate. One of her most celebrated works, the "War Dress" was commissioned by the Southbank Centre, London for the Poetry International festival.[4] It featured Wilfred Owen's Dulce et Decorum est inscribed in khaki letters down the train of a wedding dress.

She has since collaborated with Lemn Sissay, Glyndebourne Opera, Yang Lian, House of Voltaire[6], Grant White, the Southbank Centre, Poetry International, other artists and poets.[4] Her work features in museums and major private collections throughout the world.[4]

2016/2017

Astronauts of Inner Space (2016) at 50 GOLBOURNE represented a collaboration with Italian designer Paola Petrobelli and Swiss sound artist Philippe Ciompi, evoking William Burroughs' 'inner space', where the conscious and the unconscious combine to provoke memories and thoughts from the observer and to celebrate a full absorption into the living of everyday life.[7]

In 2016 she was designated by ONUART and commissioned to work on a used UNHCR refugee tent provided to her, through their introduction, by the United Nations High Commission for Refugees (UNHCR).[4] The tent has since travelled and has been shown (as "Am I my brother's keeper?") in venues around continental Europe and the United Kingdom, including the Flagey Building in Brussels, the Iglesia del Seminario and the Hay Festival in Segovia[8], the Chiesa Santa Rosalia in Palermo, the Migration Museum[9], the School of Oriental and African Studies[10], the Saatchi Gallery, and St Paul's Cathedral[11] in London, and the Edinburgh Festival.[12]

The research in which Daudy engaged for the purpose of the refugee tent led to a series of new chapters in her work, inspired by the people she encountered - both refugees and those individuals connected to them. Daudy embarked upon a prolific campaign of written interventions in public and private places, across Europe, the UK and the Middle East, conveying positive, thought-provoking messages and ideas. She has written across more than 250 places, from tree stumps to prestigious museums, rubbish bins, fire hydrants, world-famous restaurants, bus shelters, greasy spoons, grocery shops, a refugee registration centre, youth centres, libraries, schools and street corners.[13]

With the support of UNHCR, Daudy has written messages of bravery and hope that come directly from the Syrian refugee camps in Jordan. Her writing is impermanent.[14]

In 2016/2017 her show, This is Water, an open air display at Yorkshire Sculpture Park, referred to an essay by David Foster Wallace which alludes to how easy it is to forget what is ‘hidden in plain sight all around us.[15]

Psychological Map of London, by Kate Daudy

2018/2019

In 2018/2019 Daudy embarked on “Everything is Connected”, a global art and science collaboration with Konstantin Novoselov, the Nobel Prize laureate in Physics in 2010.[16]

"We can talk about it in the car", a city-wide exhibition programme, was commissioned from Daudy by Artreach as part of Journeys Festival International in Manchester in 2018.[17]

From November 2019 Daudy was appointed by the Saatchi Gallery in London as one of two artists-in-residence, with a brief to respond to its exhibition, “Tutankhamun: Treasures of the Golden Pharaoh”. Her show (“It wasn’t that at all”) explored issues of death, family, home, identity, absence and loss.[18][19]

Sun - by Kate Daudy

References
  1. Intelligence Squared Contributor 'Kate Daudy on the importance of objects at 5X15' Archived 2011-01-08 at the Wayback Machine, 'Intelligence Squared', September 27, 2010, accessed 4 September 2011
  2. Michael Hoppen Contributor “Kate Daudy and Daniel Eskenazi”, "Michael Hoppen Contemporary", accessed on 4 September 2011
  3. Morton, G “Lemn Sissay and Kate Daudy”(video file) Archived 2011-10-09 at the Wayback Machine, "5XI5", accessed 4 September 2011
  4. Skyswright, V, “Daniel Eskenazi and Kate Daudy Present Selling Exhibition of Their Collaborative Work at Bonhams” Archived 2011-05-03 at the Wayback Machine, "BONHAMS 1793" accessed 4 September 2011
  5. http://www.ysp.co.uk/exhibitions/kate-daudy-this-is-water
  6. A. Bavelier, A. Bellon, E. Frois, A. Grandjanin, A. Héliot, T. Hilleriteau, C. Monsatir, O. Nuc, S.de Santis, MN.Tranchant, V. Sasportas “Summer in Paris What to do during the second half of July?” "Le Figaro", accessed 4 September 2011
  7. http://www.50golborne-artdesign.com/astronauts-of-inner-space-press-release
  8. El Adelantado, Segovia acoge la obra conceptual de Kate Daudy, 29 December 2017
  9. Migration Museum web-site, Am I my Brother's Keeper?, accessed on 10 June 2020
  10. School of Oriental and African Studies web-site, SOAS hosts UNHCR art installation of Syrian refugee tent, accessed on 10 June 2020
  11. Gareth Harris, Global refugee crisis brought to the fore in United Nations installation, The Art Newspaper, 7 June 2019
  12. UNHCR web-site, Kate Daudy, accessed on 8 June 2020
  13. http://www.fundaciononuart.es/en/portfolio-item/kate-daudy-2/
  14. http://maestroarts.com/artists/kate-daudy
  15. Yorkshire Sculpture Park's web-site, accessed on 8 June 2020
  16. Katie Law, Why an artist and a Nobel Prize-winning physicist are inviting the public to think inside a glass tank, Evening Standard, 15 January 2019
  17. Journeys Festival International web-site announcement, 13 September 2018
  18. Saatchi Gallery web-site, accessed on 8 June 2020
  19. Joanne, Shurvell, Enter The Tomb Of King Tut Through An Astonishing Virtual Reality Experience, Forbes Magazine, 27 November 2019
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