Jordan Tannahill

Tannahill was born and raised in the suburbs of Ottawa, where he attended Canterbury High School. He moved to Toronto at the age of eighteen, and began making short films and staging experimental plays, often with non-traditional collaborators like night-shift workers, frat boys, preteens, and employees of Toronto's famed Honest Ed's discount emporium.[1][2][3][4]

Tannahill's work frequently draws on queer and feminist politics, postdramatic theatre, autobiography, and mythology.[5] His plays have been translated into nine languages and honoured with a number of international prizes.[6] In 2016 he was described by the Toronto Star as being "widely celebrated as one of Canada’s most accomplished young playwrights, filmmakers and all-round multidisciplinary artists."[7]

In 2012, in collaboration with his then-partner William Christopher Ellis, Jordan founded and ran Videofag, an alternative arts space operated out of a defunct barbershop in Toronto's Kensington Market. The space doubled as the couple's home and became an influential hub for counterculture in the city, until its closure in 2016.[8][9]

Tannahill's production of Sheila Heti's play All Our Happy Days Are Stupid, which he directed with collaborator Erin Brubacher, premiered in 2014 at Videofag, more than a decade after Heti first began the script. Heti's struggle to write the play is one of the central plot-lines in her bestselling novel How Should a Person Be?.[10] The production, which featured original music by Dan Bejar, was later remounted at Toronto's Harbourfront Centre and The Kitchen in New York City in 2015.

In 2017, Tannahill's play Late Company transferred to London's West End.[11][12][13] In the same year, his virtual reality performance Draw Me Close, co-produced by London's National Theatre and the National Film Board of Canada, premiered at the Venice Biennale.[14]

Tannahill's debut novel Liminal, a work of autofiction, was published by House of Anansi in January 2018. In her review of the novel, Martha Schabas of The Globe and Mail said "Liminal captures something illuminating and undefinable about the present moment; it speaks in the code and cadences of the late 2010s and paints an incisive portrait of the demographic we call millennial", and compared it to the work of authors Ben Lerner, Rachel Cusk and Karl Ove Knausgaard.[15] The book was named one of the best Canadian novels of 2018 by CBC Books. [16] Tannahill's non-fiction book Theatre of the Unimpressed: In Search of Vital Drama, published in 2015 by Coach House Books,[17] was called "essential reading for anybody interested in the state of contemporary theatre and performance".[18]

As a filmmaker and media artist, Tannahill's work has been presented in galleries and festivals across Canada and internationally, including the Art Gallery of Ontario, Toronto International Film Festival, and the Tribeca Film Festival. Tannahill's work in contemporary dance includes choreographing and performing with Christopher House in Marienbad for the Toronto Dance Theatre in 2016; and writing the text for Xenos in 2018, and Outwitting the Devil in 2019, two shows by choreographer Akram Khan, which have toured internationally to venues including the Edinburgh International Festival, Sadler's Wells Theatre, Festival d'Avignon, and the Lincoln Center for the Performing Arts.

Jordan's forthcoming second novel, The Listeners, forms the basis of a new opera by composer Missy Mazzoli and librettist Royce Vavrek, premiering at the Norwegian National Opera in 2021.[19]

Tannahill has been described as "the enfant terrible of Canadian Theatre" by multiple publications including The Walrus[20], Le Devoir[21], and Libération[22]. He has also been called "one of Canada's most extraordinary artists" by CBC Arts[23], "the future of Canadian theatre" by Now,[24] "the hottest name in Canadian theatre" by the Montreal Gazette,[25] and "the posterchild of a new generation for whom 'interdiscplinary' is not a buzzword but a way of life" by The Globe and Mail.[26] In 2014, Tannahill was named one of the 'Canadian Artists of the Year' by The Globe and Mail.[27] In June 2019, CBC Arts named Tannahill as one of sixty-nine LGBTQ Canadians, living or deceased, who has shaped the country's history [28].

Tannahill is an anti-monarchist, and has written about the need for Canada to sever ties with the British Crown.[29] He is also a critic of Brexit.[30]

On November 23, 2018, Tannahill read the entirety of Judith Butler's Gender Trouble outside the Hungarian Parliament Building in protest of Hungarian Prime Minister Viktor Orbán's decision to revoke accreditation and funding for gender studies programs in the country.[31] [32]

On April 4, 2019, Tannahill and three collaborators staged a protest action during high tea at The Dorchester Hotel[33]. The action was in response to Brunei's introduction of laws that make homosexual sex and adultery punishable by stoning to death[34]. The Dorchester Collection is a luxury hotel operator owned by the Brunei Investment Agency. Video documentation of the protest action, and Tannahill's forceful removal from the hotel, went viral soon after it was posted online[35].

On April 21, 2019, Tannahill was arrested while participating in the occupation of Waterloo Bridge as part of ongoing Extinction Rebellion protests in London.

• Is My Microphone On?, 2020
• Declarations, 2018
• Botticelli in the Fire, 2016
• Sunday in Sodom, 2016
• Concord Floral, 2014
• Late Company, 2013
• rihannaboi95, 2013
• Peter Fechter: 59 Minutes, 2013
• Post Eden, 2010
• Get Yourself Home Skyler James, 2010

• Liminal, 2018

• The Videofag Book, 2018
• Theatre of the Unimpressed: In Search of Vital Drama, 2015

Tannahill won the Governor General's Award for English-language drama in 2014 for Age of Minority: Three Solo Plays,[36] and again in 2018 for his plays Botticelli in the Fire & Sunday in Sodom.[37] He was also a finalist for the award in 2016 for Concord Floral. He is the youngest winner of a Governor General's Award for English-language drama and the youngest two-time winner of a Governor General's Literary Award in any category.[38]

His plays Botticelli in the Fire & Sunday in Sodom jointly won the 2016 Toronto Theatre Critics Award for Best New Canadian Play, while Concord Floral won the 2015 Dora Mavor Moore Award for Outstanding New Play and the 2015 Carol Bolt Award.[39] In 2013, Tannahill won a Dora Mavor Moore Award for his play rihannaboi95, a monologue performed entirely over Internet live-stream.

• Official website
• Suburban Beast
• Jordan Tannahill on IMDb