JoWonder

JoWonder, born Joanna Woodward, has a multidisciplined artistic practice, she is a British painter, avant-garde stopmotion animator, performance artist and writer. She is noted for being from a generation of British avant-garde animators such as Brothers Quay and David Anderson. They made/make work which brings concepts from postmodern literature, the surrealist movement, and contemporary art to cinema. Her films, which use collage, textured painting, and text, provide counterpoint between the metaphysical and the playful. Lilliputian characters are often introduced to an apocalyptic realm ruled by giants.

Jowonder
Born
Joanna Woodward
NationalityBritish
EducationSt Martins School of Art, National Film and Television School
Known forVisual art, painting, film, animation, performance
MovementPostmodern
AwardsBritish Animation Awards 1990 (Best Direction), Animafest 1990 (Grand Prize), Time Out Film Award
Dog Licks Baby by JoWonder

She made her first commissioned short film, Sawdust for Brains and the Key of Wisdom, for Channel 4 Television in the 1990s.

Education

She was educated at St Martins School of Art and National Film and Television School.

Animated films

In 1990 her animated film The Brooch Pin and the Sinful Clasp[1] using stop frame animation won the Grand Prize at Zagreb World Festival of Animated Film, the Direction Award for best first animated film at the British Animation Awards[2] and the Time Out Film Award. It was also a part of Between Imagination and Reality,[3] a programme of film and video selected by Tilda Swinton.

Video installation

In 2007, her video installation Flatlanders, expressing a judgement of the scale of ambition of science at CERN,[4] was featured in Guildford Cathedral in connection with a science debate organised by Surrey University called Is science the new religion? attended by Jim Al-Khalili and Dr Brian Cox. The subject was based around the nuclear experiment at the European Organization for Nuclear Research (CERN).

One of her ongoing projects is 6 Days Goodbye Poems Of Ophelia,[5] research funded by The Wellcome Trust[6] and with a microbiology input by Dr Simon Park[7] of Surrey University. Under The Microscope[8] is an interpretation of Ophelia painted out of bacteria that incorporates messages to Ophelia from the public as part of the soundscape.[9]

Performance

She has also been active as a performer. Her avant-garde performance art has included working within the experimental the Washroom Collective,[10] which typically involves improvisation and audience interaction.

2012, May 2012,JoWonder and the Psychic Tea Leaves a site-specific 45-minute performance in the tradition of a Victorian seance, using the supernatural as subject performed at the belfry of St Johns on Bethnal Green, part of First Thursdays organised by Whitechapel Art Gallery.[11]

2019, September, The Woven Plait of Beatrice a part of a site-specific event The Woven with seven multidisciplinary artists and musicians inspired by the unique heritage of St. Leonard's, Shoreditch and, 2020 further developed as an experimental performance video.[12]

Filmography
  • 1980 The Grid
  • 1985 The Hump Back Angel[13]
  • 1986 Two Children Threatened by a Nightingale
  • 1989 The Brooch Pin and the Sinful Clasp (short) - NFTS[14]
  • 1991 The Weatherhouse with IOU Theatre
  • 1992 Sawdust for Brains and the Key of Wisdom[15] (short) - Channel 4 Television[16]
  • 1997 The Cat
  • 1998 Don't Submit to a Moments Passion with a Stranger
  • 2004 Walking
  • 2006 6 Days Goodbye Poems of Ophelia
  • 2007 Flatlanders
  • 2020 The Storyteller

Activism

In 2008, she set up British Women Artists (BWA), without government or arts establishment funding, using the scope of the internet to form an online portfolio of both known and unknown artists. In 2019 BWA became a (2008-2019) archive for women artists any nationality working in the UK; forming an alternative grassroots record of UK artistic practice establishing the group within reach of history.

Media appearances

Selected exhibitions
  • 2020 - Dear Christine (a Tribute to Christine Keeler), Arthouse 1, London[18][19][20][21][22][23]- Dear Christine (a Tribute to Christine Keeler), Elysium Gallery, Swansea, UK[18]<ref name=":23 *2019 - ''The inaugural Wales Contemporary Exhibition, showcasing painting, drawing and original prints by national and international artists)'', Waterfront Gallery, Wales, UK">Mall Galleries, London

References
  1. The Brooch Pin and the Sinful Clasp
  2. British Animation Awards
  3. Between Imagination And Reality
  4. The New Future blog article on Flatlanders
  5. 6 Days Goodbye Poems Of Ophelia
  6. "The Wellcome Trust Sciart 2006". Archived from the original on 2013-01-03. Retrieved 2013-01-11.
  7. Dr Simon Park
  8. Under The Microscope
  9. Microbial Art
  10. The Washroom Collective
  11. Jowonder And The Psychic Tea Leaves
  13. The Hump Back Angel
  14. https://www.youtube.com/watch?v=pFg9wNbbp7g
  15. Sawdust for Brains And The Key Of Wisdom
  16. https://www.youtube.com/watch?v=2a8_83oihB4
  17. State of the art - Channel 4 - 1993
  18. Wilson, Fionn (2018). "Dear Christine". Garageland. 22: 52–53. ISSN 1749-9267.
  19. Fionn Wilson (2019-04-12), Dear Christine (a tribute to Christine Keeler), retrieved 2019-04-12
  20. Kelly, Mike (25 May 2019). "Reframing our society's cruel portrait of Christine Keeler". The Journal. ncjMedia. ISSN 0307-3645.
  21. Gold, Tanya (28 May 2019). "Christine Keeler is being reframed - about time". The Daily Telegraph. Telegraph Media Group Ltd. p. 19. ISSN 0307-1235.
  22. Woolf, Jan (30 May 2019). "Exhibition Review: Image Restoration". Morning Star. People's Press Printing Society. ISSN 0307-1758.
  23. Woolf, Jan (2019). "Dear Christine". Cite journal requires |journal= (help)
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.