Jeffrey Cyphers Wright

In the late 1970s Wright performed at PS122's avant-garde-arama. He read often at St. Mark's Poetry Project between 1979 and 1990 and served a three-year term on the Project Board of Directors. In 1996, Wright performed in two Museum of Modern Art's poetry series events curated by the late philanthropist and poetry activist Lita Hornick. In the millennial years, he hosted poetry events at the Bowery Poetry Club, La MaMa E.T.C., KGB and other Village venues. In 2013, Wright wrote the poetry-play Clubhouse on East 13th Street, which was performed at La MaMa E.T.C. and elsewhere. In 2014 he and Lily White completed a 40-minute video about a community garden issue that documented his eponymous performance The Key Ceremony.

Wright is the author of 13 books of poetry. His poems also appear in six anthologies including Out of This World from Crown Press and Thus Spake the Corpse from Black Sparrow Press. He is well known for collaborative activities, including his postcard series. In 2012, he participated in One Hundred Thousand Poets for Change. He is also a long-time member of Brevitas, a community of invited poets who email one to two original poems (14 lines maximum) to the group on the 1st and 15th of each month and publish a periodic selection. The Brooklyn Rail published a suite of his poems in 2011.

In 1978 Wright started Hard Press, where he published three books, including the anthology 3-Zero, Turning Thirty, and 100 postcards by different artists and poets. A selection of the postcards were included in the book A Secret Location on the Lower East Side, and were displayed at New York Public Library.

From 1986 until 2001 Wright published 80 issues of Cover Magazine, The Underground National, with the help of estimable artist and writer contributors including Timothy Greenfield-Sanders, Steve Mumford, Sue Scott, Judd Tully, and John Yau. The magazine covered a broad range of arts and culture, profiling many important artists in advance of their heyday. Among others, Wright and Cover editors covered Steve Buscemi, Penny Arcade, Chakaia Booker, Andrea Zittel, Dawoud Bey, Sarah McLachlan, The Cranberries, and artists such as Andres Serrano, Vik Muniz and Doug and Mike Starn. The magazine's interviews with Paul Bowles, William Burroughs, and Rufino Tamayo are among the last. Cover is archived at Fales Library at New York University.

Wright started Live Mag! in 2007 in response to an invitation from Bob Holman to create an event at the Bowery Poetry Club. Wright's idea was to unite poetry publication in multiple forms: performance, electronic, and print. The magazine is primarily Wright's curation of current poetry and visual art.[2]

Wright's art criticism has appeared in ARTnews, Art and Antiques, ArtNexus and The Brooklyn Rail. In 2008 the monthly Rail instituted his column of poetry reviews called "Rapid Transit".[3] Cover and Wright's Live Mag! host arts reviews by Wright and other contributors.

After 2007, Wright exhibited collages in group shows at Tribes Gallery, 532 Gallery (Thomas Jaeckel, Director) Turtle Point Press, and others. He has a collage in The Unbearables Big Book of Sex (Autonomedia, 2011) and has contributed poems and collages to online venues, including Bicycle Review, Beet, Reading Dance, and Tool: A magazine. In 2010, his visual and performance work was the subject of the solo, participatory exhibit The Good Outlaw at AC Institute. In an A-List preview of the show, The Villager described Wright as a "master collagist."[4] A brief video documentary of the opening event encapsulates the performative and visual experience. Wright showed collages in "Paper View," a two-person exhibit with sculptor Ga Hae Park at Tribes Gallery in 2011.[5] Capital One Bank extended the run by hanging Wright's work in its East 3rd Street branch during the Occupy Wall Street protests. Wright co-curated "Occupy the Walls" at AC Institute in Chelsea, NYC. Savitra D., Bob Holman, and others participated in readings and events associated with the December two-week show of protest posters.[6] Steve Dalichinsky published Wright's collage in his 2013 curated online exhibit "Visual Poetry".

In 1980, a Village Voice article labeled Wright's poetry "street smart."[7] His performance carried crowds and the words had sticking power with which he won a following. Two decades later, Wright is still performs frequently at Bob Holman's Bowery Poetry Club. Holman has stated that "Jeff did not just read poems, he lived them.".[8] Joe Maynard devoted a page in Beet to Wright, including a collage, several poems, and a mini review, claiming that "Wright is a terrific poet." Steve Dalachinsky in reviewing the volume in the Brooklyn Rail writes "Jeff Wright’s book of sonnets, Triple Crown (Spuyten Duyvil), replete with Wright’s collages, offers us a panoramic peek into the sometimes-hyper brain of a mad poet."[9] And among the accolades for Triple Crown,[10] in Rain Taxi, "While most contemporary New York School poetry seems aimed at like-minded, coterie hipsters, Wright’s poems ostensibly are directed (as were Shakespeare’s sonnets) to a single ear."[11]

• Translust. Five Fingers Press, 1977.
• Employment of the Apes (ISBN 093887800X), Chronic Editions, 1981.
• Charges. Remember I Did This For You Press, 1982.
• Two (with Yvonne Jacquette). Toothpaste Press 1982.[12]
• Take Over (introduction by Allen Ginsberg). Toothpaste Press, 1983.[13]
• All in All (preface by Alice Notley). Gull Press, 1986.[14]
• Walking on Words. Vendetta Press, 1996.
• Drowning Light. New York: Soncino Press,1992.[15]
• Flourish. New York: Soncino Press, 2004.[16]
• The Name Poems. New York: Sisyphus Press, 2005.
• October Centerfold. New York: Dummy Books, 2009.[17]
• Triple Crown Sonnets (ISBN 978-1-881471-23-3). New York: Spuyten Duyvil, 2013
• Blue Lyre (ISBN 978-1-939929-96-9). New York: Dos Madres Press, 2018