Jacqueline Bobo

Jacqueline Bobo is Chair and Associate Professor of Women's Studies at the University of California, Santa Barbara.[1]

Education

She earned her undergraduate degree from the University of California, Los Angeles in 1971, her masters in 1980 at San Francisco State University, and her PhD in film and television at the University of Oregon in 1989.[1]

Career

Bobo has worked on studying the response of Black women for films such as Daughters of the Dust, The Color Purple, Gone with the Wind, Civil Brand, To Kill a Mockingbird, and Claudine. She interviewed a group of selected Black women and asked them how they felt about their portrayal in the 1985 film The Color Purple.[2][3] She has analyzed the language used in media representing Black women and how it's changed within the last century.[4] Bobo's observations contextualize the historical aspects perceived in these media outlets.[4]

Selected works

Articles

  • Bobo, Jacqueline (Spring 1989). "Sifting Through the Controversy: Reading The Color Purple". Callaloo (39): 332–342. doi:10.2307/2931568. JSTOR 2931568.
  • Bobo, Jacqueline (Summer 1991). ""The Subject is Money": Reconsidering the Black Film Audience as a Theoretical Paradigm". Black American Literature Forum. 50 (4): 421–432. doi:10.2307/3041699. JSTOR 3041699.
  • Bobo, J.; Seiter, E. (Fall 1991). ""Black feminism and media criticism: "The Women of Brewster Place"". Screen. 32 (3): 286–302. doi:10.1093/screen/32.3.286 via Oxford University Press Journals.
  • "Civil Brand (2002) and the Prison Industrial Complex". Communication, Culture & Critique. 1 (1): 63–71. March 2018 via EBSCOhost Communication & Mass Media Complet.

Books

  • Articulation and hegemony: Black women's response to the film The Color purple (PhD thesis). University of Oregon. 1989. OCLC 21321579.
  • Black women as cultural readers. New York: Columbia University Press. 1995. ISBN 9780231083942.[5][6][7]
  • Black women film and video artists. New York: Routledge. 1998. ISBN 9780415920414.[8][9]
  • Black feminist cultural criticism. Maiden, Massachusetts: Blackwell. 2001. ISBN 9780631222392. OCLC 44683443.

References

  1. "Jacqueline Bobo (faculty profile)". Department of Feminist Studies. University of California Santa Barbara. Retrieved February 21, 2020.
  2. Bobo, Jacqueline (Spring 1989). "Sifting Through the Controversy: Reading The Color Purple". Callaloo (39): 332–342. doi:10.2307/2931568. JSTOR 2931568.
  3. Penrice, Ronda Racha (2010-12-17). "'The Color Purple' 25 years later: From controversy to classic". TheGrio. Retrieved 2020-02-20.
  4. Bobo, Jacqueline (1998). Black Women as Cultural Readers. pp. 91–97.
  5. Weissenberg, Clare (August 1996). Journal of American Studies. 30 (2): 318–320. doi:10.1017/S0021875800027389. JSTOR 27556148.CS1 maint: untitled periodical (link)
  6. Pinson, Hermine (1998). Signs. 23 (4): 1066–1068. doi:10.1086/495302. JSTOR 3175204.CS1 maint: untitled periodical (link)
  7. Pamaggiore, Maria (1996). NWSA Journal. 8 (2): 130. JSTOR 4316446.CS1 maint: untitled periodical (link)
  8. Mask, Mia L. (1998). Cinéaste. 24 (1): 91. JSTOR 41689127.CS1 maint: untitled periodical (link)
  9. Foster, Gwendolyn (1999). Film Quarterly. 53 (1): 46–47. doi:10.2307/3697215. JSTOR 3697215.CS1 maint: untitled periodical (link)
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