International Federation of Television Archives

FIAT/IFTA is chaired by a president (elected every 2 years with one possible re-election) and a general-secretary. The President, the General-Secretary, the Treasurer and the Commission Chairs are ex-officio members of the Executive Council. Next to these, the other Executive Council members, accumulating to a maximum of 12, are elected every 4 years, by groups of 6 alternating every 2 years.

Next to the Executive Council, FIAT/IFTA has got 4 commissions, each with 6 à 12 members and a chair:

• Media Management Commission: the only commission existing since the founding of the organisation. It started off in 1977 as the 'Commission Systèmes Documentaires'. In 1981 the name was changed to 'Documentation Commission' and in 2001 to 'Media Management Commission'.
• Preservation & Migration Commission: called into existence in 1982 as the 'Technical Commission' it existed up until 2000. In 2007 it was restarted as the Preservation & Migration Commission.
• Value, Use and Copyright Commission: initiated in 2018.
• Media Studies Commission: started off in 1998 as a bridge towards the academic research world in the field of television studies. It was called the 'Academic Research Work Group' and in 2000 renamed as the 'Television Studies Working Group'. From 2003 it grew to a true commission calling itself the 'Television Studies Commission'. In 2016 the current name 'Media Studies Commission' was adopted.

The FIAT/IFTA World Conference is held each year, usually in October. The evening programme includes an opening cocktail, a gala dinner and the annual FIAT/IFTA Archive Achievement Awards gala. The 2017 World Conference was held in Mexico City, the 2018 edition took place in Venice, hosted by RAI. The 2019 edition took place in Dubrovnik and was hosted by HRT. On 25 October 2019, FIAT/IFTA President Bríd Dooley announced that the 2020 edition will be a joint conference of FIAT/IFTA and the International Association of Sound and Audiovisual Archives in Dublin. Both associations will organise a General Assembly including elections for their Presidency and Executive Council at their 2020 conference.

In the even years the World Conference also holds a General Assembly, during which the new president and a part of the Executive Council is elected. The Conference features keynotes speakers, panels discussions, workshops, masterclasses, case study presentations, social events, and networking opportunities.[2]

Next to this, FIAT/IFTA organises regional seminars around the globe, in order to focus on regional television archiving challenges. Recent editions were held in Rio de Janeiro (Regional Media Management Seminar, 2016), Bucharest (Regional Television Studies Seminar, 2015) and Dubai (Regional Preservation & Migration Seminar, 2008).

The Media Management Commission also organises a biannual seminar called 'Media Management Seminar' since 1998. The proceedings of these seminars are published and printed and freely available online via the FIAT/IFTA website. Recent editions where held in Stockholm (2019), Lugano (2017), Glasgow (2015), Hilversum (2013) and Toronto (2011).

FIAT/IFTA Archive Achievement Awards is a series of three annual awards given for the best use of archival material, the best archive preservation project and the most innovative use of archival material. Several other categories have come up and disappeared over the course of the nineties and 2000s. Occasionally also a Lifetime Achievement Award is attributed to a person with exceptional and enduring merits in the field of audiovisual archiving.

Save Your Archive is a program designed to help saving endangered audiovisual collections. The ambition is to save the world audiovisual heritage, starting with a few collections. The Program does so by various means, including by providing financial support, training and/or technical assistance. The program speaks to FIAT/IFTA’s core mission – designing useful policies and tools to serve the archival community and developing cooperation among its members. The program works under the umbrella of the Archives at Risk campaign by the Coordinating Council of Audiovisual Archives Associations (CCAAA). In the past projects in East Timor, Madagascar, Zimbabwe, Romania, Colombia, ... have received help from the programme.