Gregory B. Lee

Lee received his undergraduate degree in modern and classical Chinese at the University of London's School of Oriental and African Studies (SOAS) in 1979, and his PhD in Chinese poetry from the same institution in 1985.[6] He also studied political economy and Chinese literature at Peking University (1979–83) as a British Council Scholar, and held a British Academy Postdoctoral Fellowship (1985–86) at the Chinese Academy of Social Sciences's Institute of Literature, whose then director was Liu Zaifu.

Lee formerly taught in the United Kingdom at the University of Cambridge (1983-1984) and the School of Oriental and African Studies (1987-1988), before occupying posts as an assistant professor in East Asian Languages and Civilization at the University of Chicago (1990–1994) and associate professor at the University of Hong Kong (1994–1998), where he taught comparative literature. A specialist in Chinese and comparative literary and cultural studies, his more recent work is in the realm of comparative cultural history, specifically in the fields of Chinese diaspora, transcultural studies, and intellectual decolonization.[3] He joined the University of Lyon in 1998.[4][7]

In tune with the 1980s academic tendency towards the single-author monography,[8] Lee's first book analysed the work and career of an important but, until then, neglected poet. Dai Wangshu: The Life and Poetry of a Chinese Modernist, published by the Chinese University Press (Hong Kong, 1985), was singled out for its "fastidious scholarship".[9] His second book, Troubadours, Trumpeters, Troubled Makers: Lyricism, Nationalism and Hybridity in China and Its Others (C. Hurst & Co. and Duke University Press, 1996), discusses the controversy surrounding the "Chineseness" of modern Chinese writers following the 1989 Tiananmen Square protests.[7] His third book was Chinas Unlimited: Making the Imaginaries of China and Chineseness (Routledge and Hawai'i UP, 2003).[10] His China's Lost Decade: The Politics and Poetics of the 1980s (Tigre de Papier, 2009; 2011) was republished as a revised edition in 2012 by Zephyr Press. His Un Spectre hante la Chine : Les fondements de la contestation actuelle was published in April 2012 (Tigre de Papier, 2009; 2011). His China Dreaming: Exit 13 or China and the World in 2030 followed by China's Spectacular-oneiric Society (Tigre de Papier, 2015) and The Eighth Chinese Merchant and the Disappeared Chinese Seamen (Tigre de Papier, 2015) are both published in the iBooks platform.

Lee's China Imagined: From European Fantasy to Spectacular Power was published in 2018 by C. Hurst & Co.[11]

Lee has also been a frequent radio broadcaster on China and the Chinese diaspora. In 2005 he wrote and presented BBC Radio 3's Sunday Feature "Liver Birds and Laundrymen"[12] in which he revisited the story of Europe's oldest Chinatown, in Liverpool (UK), and interrogated dominant British perceptions of the Chinese. He has also translated a variety of Chinese works, including those of contemporary poet Duo Duo (Looking Out From Death Bloomsbury, 1989; The Boy Who Catches Wasps Zephyr, 2002),[13] Dai Wangshu, and Nobel laureate Gao Xingjian ("Fugitives", a controversial 1989 play). Duo Duo was awarded the 2010 World Literature Today's Neustadt International Prize for Literature ("widely considered to be the most prestigious international literary prize after the Nobel Prize in Literature").

Lee is the General Editor of the journal Transtext(s)s-Transcultures.[14] Lee also writes for the media on Hong Kong issues.[15]

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