Googoosh

Googoosh began singing and acting at a young age with her father, Saber

4-year-old Googoosh with her mother Nasrin Atashin

Googoosh was born Faegheh Atashin on 5 May 1950[15] in Sarcheshmeh Street, Tehran, to parents Nasrin and Saber Atashin, Saber being an Iranian Azerbaijani and Nasrin being an Azerbaijani immigrant from the Azerbaijan Soviet Socialist Republic.[16]

Even though her birth certificate has recorded her date of birth as 7 February 1950, Googoosh has said that her mother has told her she was actually born on 5 May.[15]

At the age of three, Googoosh began doing stage performances after her father saw her doing impersonations of singers while they were on the road together.[6]

Googoosh performing on stage in Tehran

During the 1970s, Googoosh began a meteoric rise to fame and success as she drove the edge of Iranian pop music further and further. Known for her flamboyant outfits and fashion sense, Googoosh wowed her pop-culture-hungry fans in Iran and abroad with her trademark hairdos and hip-elegant style, inspiring many Iranian women to copy her hairdos. Her music ranged from upbeat 1960s and 1970s pop, given a traditional-tinged edge,[17] to declamatory, emotional ballads dealing with love and loss, comparable to the chanson style of music by artists like Édith Piaf. Her music was popular among non-Persian-speaking audiences as well. The Spanish singer Julio Iglesias covered the song Bavar Kon.[18] She starred in over 25 movies, one of which was to be the most commercially successful Iranian motion picture of all time. Googoosh performed many times for the royal family and was a favorite of Shah Mohammad Reza Pahlavi's wife and children. She performed at the party given for the 17th birthday of Reza Pahlavi, Crown Prince of Iran.[19]

At the time of the Iranian Revolution in 1979, Googoosh was in Los Angeles. However, feeling homesick, she decided to return to Iran. In response to why she remained in Iran after the revolution, she said that it was "out of love of her for her homeland".[20] Despite being a symbol of many things that the revolution tried to overturn, especially related to perceptions of excessive Westernization, Googoosh remained in Iran for years afterward.[21] After the revolution, Googoosh, like other artists, was forbidden from performing and her material was banned. She would not perform again until Mohammad Khatami's presidency, during which she was allowed to tour outside of the country.

Googoosh in at the Air Canada Centre in Toronto

Googoosh left Iran for Canada in 2000, after 21 years being in Iran, after the Iranian revolution.[9] BMusic's Taghinia, says "Googoosh is the siren of that era [Pre-revolution] and important in that she's really a direct link to Iran's past."[22] Chicago Tribune considers the return of Googoosh to be "more than just a pop milestone" but instead "a cultural marker, a measure of the way change occurs in a society that for more than two decades has tried to resist the tide of globalization by living in self-imposed isolation."[4]

In 2000, Googoosh sang in public, away from her homeland, for the first time after 21 years of silence to the acclaim of many long-time fans.[23][24] The Googoosh Comeback Tour was a series of concerts starting in July 2000. She began with a sold-out concert at the Air Canada Centre in Toronto on 29 July 2000 (with an audience of more than 12,000),[20] and eventually brought the tour to a conclusion in Dubai on 21 and 24 March 2001 on the occasion of the Iranian New Year, Nowruz. Her concert in Dubai was considered a homecoming for her, and out of the more than 20,000 members of the audience, seventy percent of them were Iranians who had crossed the Persian Gulf to hear her.[25][26] The two Dubai concerts held special importance: it was the tour finale, and Googoosh was rumored to be planning to return to Iran. Therefore, many people believed it might be their last chance to see her. She later claimed that she felt like singing at home.

In 2000, a feature-length documentary called Googoosh: Iran's Daughter was released which chronicled the singer's life and her icon-status while detailing the socio-political turmoil that led to the 1979 Revolution in Iran. Made by Iranian-American filmmaker Farhad Zamani, the documentary began production in 1998 and was made at a time when Googoosh was still forbidden to give interviews.[27]

In January 2009, she ended her work and career with Mehrdad Asemani, citing "creative differences," and in March 2009 began a new work relationship with her current management team. On 21 and 24 March of that year, during Nowruz, Googoosh performed in Dubai.

Googoosh and other speakers participated in a 22 July 2009 protest at the United Nations which attracted exiles from Iran. They stood in front of a banner with names of Iranian protestors whom they believed were still incarcerated and of other protestors, written in red, who had been killed. During this protest, Googoosh made a speech stating that she entered politics because of the outcome of the 2009 Iranian presidential election. She said, "I have come here to be the voice for the sad mothers who lost their loved ones in peaceful demonstrations. I have come here to be the just voice of the grass-roots and spontaneous movement among my compatriots and to show my solidarity."[28]

Googoosh in one of her concerts, 2006

Beginning in 2011, she served as head-of-academy and head-judge alongside Hooman Khalatbari and Babak Saeedi for the widely popular talent show/singing competition Googoosh Music Academy, which was broadcast on the London-based Iranian satellite channel Manoto 1 and was their most watched program.[29] Googoosh Music Academy lasted three seasons. In December 2010, Googoosh held a very notable concert in the Kurdish region of Iraq, to which tens of thousands of Iranians came from Tehran and beyond.

In March 2011, Googoosh released a snippet of a new song she was working on, titled Bedrood, via YouTube. In April 2011, she debuted her latest project. The singer launched her own cosmetic collection sold online, titled Googoosh Cosmetics. In April 2011, she held a concert at the Nokia Theatre in Los Angeles, as well as a record breaking performance at the same venue on 27 October 2012, as a part of her worldwide Ejaz Tour.[30] Also on 26 March 2013 she performed at London's Royal Albert Hall for the first time,[31] where other notable Persian vocalists such as Elaheh, Ebi and Marzieh have performed memorable concerts in the past.

In 2012, Googoosh released her 6th studio album since her comeback, titled Ejaz. The album consisted of 10 tracks, featuring collaborations with Hassan Shamaizadeh (Hayahoo) and three songs wherein she collaborated with her fellow Googoosh Music Academy judge Babak Saeedi and with Raha Etemadi (Nagoo Bedrood and Noghteye Payan and Hese Mobham). She also collaborated with Alireza Afkari and Roozbeh Bemani on three songs (E'jaz and Baraye Man and Behesht). Another single Bi Manoto was a musical rendition of a poem by the Persian poet Rumi. The poem came to Googoosh's attention while she was banned from singing at the time of the Iran–Iraq War. She stated that she felt inspired by the lyrics and therefore created her own melody and was finally presented with the opportunity to record it as she had long hoped to do.[32]

In February 2014, she released a music video of the song Behesht, in support of the gay and lesbian community in Iran, which faces significant challenges in its struggle for equal rights, including the ongoing threat of the death penalty for convictions related to sexual orientation.[33] This made her the first prominent Iranian with a huge following to speak out against homophobia in Iran.

On 21 March 2015, Googoosh released her 7th album titled Akse Khosoosi (Private Portrait) including 11 tracks from different songwriters and composers such as Babak Sahraee, Nickan Ebrahimi, Babak Amini (Googoosh band leader). The first song of this album is Che Ziba Bood, which is also the last song that was composed by Varujan.

Despite the political and personal hardships she has endured, Googoosh has continued to be a beloved figure over the last half century.[34]