Giovanni Ruffini

Ruffini had been condemned to death as an enemy of the state and was living in exile in Paris in 1842 when it was suggested to him by Jules Janin (newly appointed director of Théâtre-Italien) that he might offer his services to Donizetti as a librettist . Donizetti told him exactly what he required for his latest opera project, Don Pasquale, but not that he intended to re-use music already written for other purposes. Ruffini duly wrote the draft libretto from the original text dating back to 1810, but Donizetti changed so much of Ruffini's version that librettist became angry and refused to allow his name to be mentioned in the programme for the première at the Théâtre Italien in Paris 3 January 1843.

Although Ruffini refused acknowledgement of his work for the libretto, Donizetti paid him 500 francs, which was competitive for both the length and the genre at the time. Ruffini also reportedly enjoyed working with Donizetti in the early stages of their collaboration, though he wrote to family and friends that the composer continually pressed him to work faster.[1]

Ruffini wrote several novels which were published in English by Thomas Constable & Company in Edinburgh, including Lorenzo Benoni Or Passages in the Life of an Italian (1853), The Paragreens on a Visit to the Paris Universal Exhibition (1856) and Doctor Antonio: A Tale (1858). These novels sought to raise the sympathy of people in England and France for the struggles of the Italian people during the Risorgimento.

Notes

Sources

• Allitt, John Stewart (1991), Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr, Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA)
• Ashbrook, William (1982), Donizetti and His Operas, Cambridge University Press. ISBN 0-521-23526-X
• Ashbrook, William (1998), "Donizetti, Gaetano" in Stanley Sadie (Ed.), The New Grove Dictionary of Opera, Vol. One. London: Macmillan Publishers, Inc. ISBN 0-333-73432-7 ISBN 1-56159-228-5
• Ashbrook, William and Sarah Hibberd (2001), in Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam. ISBN 0-14-029312-4. pp. 224 – 247.
• Osborne, Charles, (1994), The Bel Canto Operas of Rossini, Donizetti, and Bellini, Portland, Oregon: Amadeus Press. ISBN 0-931340-84-5
• Sadie, Stanley, (Ed.); John Tyrell (Exec. Ed.) (2004), The New Grove Dictionary of Music and Musicians. 2nd edition. London: Macmillan. ISBN 978-0-19-517067-2 (hardcover). ISBN 0-19-517067-9 OCLC 419285866 (eBook).
• Weinstock, Herbert (1963), Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century, New York: Pantheon Books. LCCN 63-13703