Georgina Pazcoguin

Georgina Pazcoguin is an American ballet dancer who is a soloist with the New York City Ballet. She has originated featured roles in the ballet productions of Romeo + Juliet, Lifecasting and Ocean's Kingdom. She has also performed featured roles in a variety of ballet revivals, including productions of The Nutcracker, A Midsummer Night's Dream, The Sleeping Beauty and West Side Story Suite. Being of Filipino descent, Pazcoguin has advocated for better Asian representation in the ballet community.

Georgina Pazcoguin
Born
Georgina Pazcoguin

1984/1985 (age 34–35)[1]
NationalityAmerican
Other namesThe Rogue Ballerina[2][3]
EducationSchool of American Ballet
OccupationBallet dancer
EmployerNew York City Ballet
Websitegeorginapazcoguin.com

Pazcoguin has also branched out into musical theater. She made her Broadway debut in 2015 in a short stint as Ivy Smith in On the Town. She went on to play the role of Victoria the White Cat in the 2016 Broadway revival of Cats.

Early life

Pazcoguin was born and raised in Altoona, Pennsylvania.[2] She is biracial; her father is a retired surgeon[4] who immigrated from the Philippines after medical school, and her mother is Italian.[2] Growing up as a middle child with five siblings,[2] Pazcoguin would try to get noticed by being "really weird", such as putting on performances of The Nutcracker with her siblings in the family's basement.[5] She began training at the Allegheny Ballet Academy when she was four years old.[6] Growing up, Pazcoguin also took classes in other dance styles besides ballet, including African, tap and jazz.[7]

She graduated from the Professional Children's School with a high school diploma.[8]

Ballet

In 2001, Pazcoguin enrolled in the School of American Ballet, the associate school of the New York City Ballet (NYCB). The following year, she started an apprenticeship with NYCB, and in 2003 became a member of its corps de ballet.[6] She became a soloist following a promotion in 2013,[6] which Pazcoguin says makes her the first Asian American female soloist in NYCB's history.[2][9]

With NYCB, Pazcoguin performed featured roles in the original productions of Romeo + Juliet (as the Nurse, 2007), Lifecasting (2009), Ocean's Kingdom (as Scala, 2011). She has also had featured roles in numerous NYCB revivals, including George Balanchine's The Nutcracker, Balanchine's A Midsummer Night's Dream (as Hippolyta), The Sleeping Beauty (as Carabosse) and West Side Story Suite (as Anita).[6] The role of Anita, which Pazcoguin first played in NYCB's 2008 American Songs and Dances program,[10] was the first that required her to sing on stage.[7][11]

Pazcoguin also appeared in the 2010 film adaptation of N.Y. Export: Op. Jazz,[2][6] directed by Jody Lee Lipes and Henry Joost.[12]

Branding and advocacy

Pazcoguin considers herself the "complete antithesis" of the stereotypical ballet dancer.[13] During her early days at NYCB, she struggled with body image issues, noting in a 2013 interview with Time Out New York that she "will never be that super, super thin, skeletal [dancer]".[14] She has since styled herself as "The Rogue Ballerina" as a means of embracing the qualities that make her stick out as a dancer, such as her body type and ethnicity.[3]

Pazcoguin is a proponent of greater diversity and inclusion within the ballet community.[2] With former dancer Phil Chan, she started "Final Bow for Yellowface" in 2017,[15] a campaign to combat Asian stereotypes in ballet productions such as The Nutcracker.[2][3]

Theater

After years as a corps de ballet dancer, Pazcoguin felt her career was stagnating and began to explore opportunities in theater.[8] In 2012,[16] she joined American Dance Machine for the 21st Century (a reboot of the American Dance Machine), a dance company that performs Broadway theater dance numbers.[8] Pazcoguin made her Broadway debut in August 2015 for a two-week stint as a replacement for Megan Fairchild in the role of Ivy Smith in the revival of On the Town.[17][18] Her next Broadway role came when she was asked to audition for Victoria the White Cat in the 2016 Broadway revival of Cats. She got the part and took a leave of absence from NYCB for the role.[1][4] Pazcoguin noted that playing Victoria pushed her beyond her comfort zone, as the ingénue character was a departure from her usual roles and the part required her to sing and hip-hop dance.[1][19] Cats officially opened in July 2016 and Pazcoguin eventually left the production in March 2017.[17]

Accolades

  • 2002 Mae L. Wien Award for Outstanding Promise – won[20]
  • 2017 Chita Rivera Award for Outstanding Female Dancer in a Broadway Show – nominated for Cats[17]

References

  1. Kourlas, Gia (August 1, 2016). "Georgina Pazcoguin on Her First Broadway Opening Night, in 'Cats'". The New York Times. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  2. Lugay, Elton (December 8, 2018). "NY City Ballet's 'Rogue Ballerina' challenges stereotypes". Philippine Daily Inquirer. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  3. Lansky, Chava (November 30, 2018). "NYCB's Georgina Pazcoguin on Her New Initiative to Eliminate Asian Stereotypes in Ballet". Pointe. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  4. Blackmore-Dobbyn, Andrew (July 21, 2016). "City Ballet's Georgina Pazcoguin: From Ballet To Broadway's Cats". HuffPost. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  5. Kourlas, Gia (September 12, 2013). "Georgina Pazcoguin talks about coming to terms with her body as she turns a new page at NYCB". Time Out New York. p. 2. Archived from the original on March 29, 2019. Retrieved March 28, 2019.
  6. "Georgina Pazcoguin". New York City Ballet. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  7. Koffler, Helice (2016). "Putting Back the Heart and Soul: The American Dance Machine of the 21st Century as a "Living Archive"" (PDF). Society of American Archivists. p. 5. Archived (PDF) from the original on March 31, 2019. Retrieved March 31, 2019.
  8. Woods, Astrida (June 1, 2013). "A Flair for the Dramatic". Dance Magazine. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  9. Pazcoguin, Georgina (July 18, 2016). "Introduce Yourself(ie): 10 Questions with Cats Star Georgina Pazcoguin". BroadwayBox.com. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  10. Dunning, Jennifer (February 11, 2008). "Inspired by America, Then Brought Onto the Stage". The New York Times. Archived from the original on January 4, 2013. Retrieved March 31, 2019.
  11. Kourlas, Gia (September 12, 2013). "Georgina Pazcoguin talks about coming to terms with her body as she turns a new page at NYCB". Time Out New York. p. 4. Archived from the original on March 31, 2019. Retrieved March 31, 2019.
  12. "About the Film". PBS. Archived from the original on March 28, 2019. Retrieved March 29, 2019.
  13. "About Georgina". Official website. Archived from the original on March 29, 2019. Retrieved March 29, 2019.
  14. Kourlas, Gia (September 12, 2013). "Georgina Pazcoguin talks about coming to terms with her body as she turns a new page at NYCB". Time Out New York. p. 3. Archived from the original on March 29, 2019. Retrieved March 29, 2019.
  15. Fisher, Jennifer (December 11, 2018). "'Yellowface' in 'The Nutcracker' isn't a benign ballet tradition, it's racist stereotyping (op-ed)". Los Angeles Times. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  16. Gold, Sylviane (July 26, 2012). "On Broadway: Tapping a Legacy". Dance Magazine. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  17. "Georgina Pazcoguin". Playbill. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  18. Gans, Andrew (August 4, 2015). "Megan Fairchild to Depart Broadway's On the Town; Replacements Named". Playbill. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  19. Perron, Wendy (July 18, 2016). "Inside 'Cats': Georgina Pazcoguin Becomes the White Cat". Dance Magazine. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
  20. "The Mae L. Wien Awards: Past Awardees". School of American Ballet. Archived from the original on March 28, 2019. Retrieved March 28, 2019.
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