Fawn Rogers

Rogers' non-traditional exhibition, "Jewels, Gods, and Dust," was a three-story site-specific installation displayed in Pune, India in 1993. Other works also include, "Kokoro" in Tokyo in 1995, and "Earth to Hand" in Marche, Italy, in 1999.[4]

In 2002 Rogers was co-curator of a group exhibition titled, "The Good, the Bad and the Ugly." Seven of her paintings were featured along with works by Joseph Bueys, Roger Herman, Robert Longo, and Chris Newman; the exhibition was held at Miauhaus Studio 12 in Los Angeles. Following "The Good, The Bad and The Ugly," Rogers exhibited her installation "I Like the Dark, It's Friendly" in Los Angeles.

In 2013 her artwork was selected by Dawit Yohannes of the World Bank for an ongoing corporate exhibition in Juba, South Sudan.

Rogers was commissioned for eleven original works from her "Secret Nirvanas" and "Assassination and the Exchange Rate" for First Capitol Consulting, Inc., Los Angeles in February, 2012. In 2014 Rogers' works from "Visible Light" and paintings from "I Love You And That Makes Me God," were on view at HATCH,[5] while a version of "I Love You And That Makes Me God," was displayed as a 50-story LED public installation on the American Eagle building in Time Square, New York.[6]

In January 2015 two of Rogers' original works from the "Visible Light" series titled "V135459-V1211495AB" went on display at the American Airlines Admirals Club collection, located inside the Miami Airport. In February four more works from the series were added to the Embraer Executive Jets private showroom.

In May 2015 Rogers debuted "Court" at NADA (New Art Dealers Alliance) Art Fair and at Select Art Fair in New York City during Frieze Art Week.[7][8][9][10]

In 2016, Rogers debuted "SUBJECT" at MOAH (Museum of Art and History) in Lancaster, California.[11][12]

Rogers' first solo gallery exhibition, "Violent Garden", opened on September 9, 2017 at The Lodge Gallery in Los Angeles.[13][14]

Rogers video work, "I LOVE YOU AND THAT MAKES ME GOD" was featured in a group show at Young Projects Gallery in West Hollywood, California entitled "Vulnerability: The Space Between" from October 5 to December 29, 2017.

In 2018, site specific installation, "Repairs in the Sky" in Uyuni, Bolivia.

In 2018, Rogers's work was featured in a group exhibition titled "The Mecca California" at the Lodge in Los Angeles, California.

In 2018 Rogers's work was featured in a group exhibition titled "Fun on the Floor" at Soft.Core Gallery in Los Angeles, California.

In 2018, Rogers's work "The Thrill and the Sorrow" was featured through the Chimento Contemporary Gallery in the Seattle Art Fair.

In 2018, Rogers's work was featured in a group exhibition at Fullerton College titled "Luz: Exploring Light" in partnership with Alicia Houtrouw from the Getty Research Institute.

Violent Garden was an installation of "spirit caskets," sculptures composed of wood, nails, soil, deconstructed photographs of natural light, mirrors, urban ash, ostrich eggshells, and other natural and artificial materials. Through a mixture of elements, the installation mirrored the delicacy and prevailing determinacy of nature. Using materials that invoke both conflict and construction, Violent Garden invited the viewer to consider notions of autonomy and evolution. Informed by the social, religious, and political history of suicide, the project highlighted themes of individual power and the primal self. Through these sculptures, Rogers questioned the dynamic between spirit, body, and matter, and examined the interplay between industrial progress and the violence of the natural world.

"SUBJECT" was inspired by a produce truck driveshaft and the most fertile soil (Terra Petra) found in California. The installation created a propositional composition of a closed system with man-made objects, nature and the by-product of biotechnology. Rogers invited viewers to watch super weeds grow from the soil under the resurfaced produce truck drive shafts where organic and inorganic compounds slowly reach chemical equilibrium through the sedimentation of time, as nature gradually re-established its ecological balance beyond our existence. As part of the installation Rogers had invited 52 California artists to represent produce currently farmed in California as works of art on a deck of oversized playing cards.[15][16][17]

Fawn Rogers Orange Shafts Installation - Private Collection

"Hero", a live stream video installation from July 31 through August 6, 2015 featured a live rat in a glass tank chewing on a pile of $20 bills, with a coalescence of digital imagery in the background. The work questioned how America creates heroes, and drew on Jackson as the force behind the Native American Removal Act and his extreme wealth accrued through slavery.[18]

"Court" is a series of 54 original acrylic and graphite paintings featuring images of art collectors chosen at random from ARTnews "Top 200" list. Each collector is presented as a playing card. "Court" debuted as both standard decks of playing cards and oversized playing cards at NADA Art Fair and Select Art Fair during the 2015 Frieze Art Week in New York City.[19] ARTNet declared that "Court" was a "really cool, interactive thing to do". Artist Michael Zelehoski commented to VICE Magazine's Creators Project, "It's refreshing to see an immersive environment in the context of an art fair".[20] Huffington Post reported that collector Martin C. Liu described "Court" as "very clever... better than I've seen at the fair.[21]

"I Love You And That Makes Me God" is video art exploring the themes of convictions, power, and intimacy. The project includes vast range of participants who are filmed as they each state the expression, "I love you and that makes me god."[22]

In 2014 Rogers presented a text version of "I Love You And That Makes Me God" on a 50-story LED light installation in Times Square using the facade of the American Eagle Building. KCET reported the words lit up Time Square, "taking this very intimate statement and giving a powerful public presence."[23]

I LOVE YOU AND THAT MAKES ME GOD, Installation, American Eagle Building TImes Square, NYC, 2014

"The "Visible Light" series are images created by natural projection of electromagnetic light through purified water using a 4-foot vertical prism, then photographed with a high-powered lens.[24] Each image represents a few millimeters of light taken from the original photographs, then enlarged up to 25 feet onto various archival substrates.[25] Rogers created site specific works from the series for the Alexandria Care Center, which houses Medicare patients, in order to provide a more uplifting and beneficial environment for the elderly patients and to "inspire awareness and volunteer action on behalf of the elderly and terminally ill demographic who have little to no voice...help to promote a more egalitarian understanding of what art is really for early. In 2015, works from "Visible Light" were added to the Embraer Executive Jets private showroom and at the Admiralty Lounge Miami Airport.

"Violent Garden", The Lodge Gallery, Los Angeles, California, 2017

"SUBJECT", Museum of Art and History, Lancaster, California, 2016

"COURT", Select Art Fair, New York, New York 2015

"Visible Light" and "I Love You And That Makes Me God", HATCH, Los Angeles, California, 2014

"Untitled" Siite-Specific Installation, Dawit Yohannes/World Bank, Juba, South Sudan, 2013[26]

"Violent Garden" Installation at The Lodge in Hollywood, California.

"Violent Garden" Installation at The Lodge in Hollywood, California.

• "The World is Your Oyster", TZProjects, Los Angeles, California 2020
• "Yes Yes it is Burning Me", Mykonos Biennale, Mykonos, Greece 2019
• "X: A Value Not Yet Known" - Scenarios Of Desires II - Emergent Gallery in Veurne, Belgium 2019
• "Contemplating the Mind of A thousand Strangers" The vision Board - Kopeikin Gallery in Los Angeles, California, 2019
• "Get a Loom", CGU, Los Angeles, CA 2019
• "Repairs in the Sky", Uyuni, Bolivia, 2018
• "Untitled Casket", the Lodge in Los Angeles, California, 2018
• "Fun on the Floor", Soft.Core Gallery in Los Angeles, California, 2018
• "Visible Light", Fullerton College in partnership with Alicia Houtrouw from the Getty Research Institute, 2018
• "The Thrill and The Sorrow", Chimento Contemporary Gallery at the Seattle Art Fair, 2018
• "I Love You And That Makes Me God", Young Projects Gallery, West Hollywood, California, 2017
• "Violent Garden", The Lodge Gallery, Los Angeles, California, 2017
• "Annual Bi Coastal Group Show", Superchief Gallery, Los Angeles, California, 2016
• "SUBJECT", MOAH, Lancaster, California, 2016
• "Eye In the Sky", NADA Art Fair, New York, New York, 2015
• "V135459-V1211495AB", Miami Airport American Airlines Admirals Club, Miami Florida, 2015
• "The Spirits That Lend Strength Are Visible (SP)", Embraer Executive Jets Private showroom, Melbourne, Florida, 2015
• "I Love You And That Makes Me God", Public installation, American Eagle Building, Time Square, New York, 2014
• Public installation of site-specific original work, Jean-Louis Bartoli, Los Angeles, 2014
• "Visible Light", Humanefits, Los Angeles, California, 2014
• "Secret Nirvanas" and "Assassination and the Exchange Rate", First Capitol Consulting, Inc., Los Angeles, California, 2012
• "Equus Fueris Caballus", 844, Los Angeles, California, 2003
• "The Good, the Bad and the Ugly", Miauhaus Studios, Los Angeles, California, 2002
• "Earth to Hand", Marche, Italy, 1999
• "I Like the Dark, It’s Friendly - The Back House", Los Angeles, California, 1998
• "Everything I Need", Tokyo, Japan, 1997
• "Kokoro", Shiyoka Love Hotel, Tokyo, Japan, 1995
• "Jewels, Gods, and Dust", Three-Story Site-Specific Installation, Koregaon Park, Puna, India, 1993[27]

• "Empathy Through Technology: Re-Examining Vulnerability", Artillery December 2017
• "The High-Tech Dialectic of Vulnerability", Whitehot Magazine December 2017
• "Vulnerability: The Space Between", Riot Material December 2017
• "Violent Garden the Art of Fawn Rogers", ArtNowLA September 2017
• "Fawn Rogers Violent Garden", Whitehot Magazine September 2017
• "Meet Fawn Rogers of Jefferson", VoyageLA September 2017
• "To LA Artist Fawn Rogers Everything is Nature, and Everything Has a Cost, LA Weekly September 2017
• "Virtuoso Master Series: Artist Spotlight: Fawn Rogers", Idiotsguides August 2017
• “Contemporary Art Playing Cards” Hypebeast, February 2016
• "My Favorite Taco --Artist Fawn Rogers" LA Taco, February 2016
• "Finally, Playing Cards Fit For The Art Collector" Opening Ceremony, February 2016
• "Hero: Fawn Rogers Confronts Andrew Jackson and America's Treatment of Native Americans" August 2015
• "Price Ranges And Studio Images Of 19 Contemporary Artists", Forbes July, 2015
• "The Visible Light Paintings of Fawn Rogers", KCET, Mar. 2015
• "Frieze Week Kicks Off With Art World Poker Night,", The Creators Project, May 2015
• "Obtaining Self-Mastery At Frieze Week NYC" Huffington Post, May 2015
• "Things To Do At Select Fair, Art Net"
• "In Heaven", The Grawn, Sep. 2014, Vol. 4, No. 9, pp. 7–8
• "Foreign Exchange", Fashion Rocks (supplement to Wired Magazine), Sep. 2006
• "Goldsign", Italian Vogue, Feb. 2006
• Editorial, Elle, Jul. 2006, No. 251, p. 151
• "News & Photos", People Magazine, Jan. 16, 2006, p. 10
• "ANTI-", Neo2, Oct. 2004
• "Do the Hip Thing", Glamour, Jan. 2003
• "Where Can I Find It?" InStyle, May 2001, p. 282
• Editorial, People Magazine, Mar. 26, 2001
• "The Tao of Sex", Notorious Magazine, Jun./Jul. 1998, pp. 88–93[28]