Eithne Strong

Strong was born in Glensharrold, Co. Limerick to school teachers, John and Kathleen (Lennon) O'Connell.[1] She went to the Irish speaking school Colaiste Muire Ennis. Strong moved to Dublin but was not able to afford college at the time. She worked in the Civil Service for a year.[2]

She met her husband while in Dublin. Psychoanalyst Rupert Strong was twelve years her senior and though against the wishes of her family she stayed there and married him on 12 November 1943.[1][3] She founded Runa Press, a small poetry press and worked there. They had nine children the last of whom required full-time care due to a mental handicap.[4]

She went to college in Trinity College, Dublin in her forties where she got a B.A in 1973.[1] She was encouraged and admired in her poetry by Brendan Kennelly, Padraic Colum, Hilton Edwards and Kevin Casey. She taught creative writing and did lecture tours in the USA.[5]

Author and poet Mary O'Donnell in her foreword-essay[6] to Strong's poems suggested that “diversity of thought and impulse makes these poems radiate humanity, belief and a revelatory sense of justice.” The editor of Poethead Wordpress, Christine Elizabeth Murray has linked the poetry of Patrick Kavanagh, Padraic Colum and Eithne Strong,[7] describing their work "as an example of the triumph of art and literature providing an amazing root-system for new writers in terms of earthly estate, land and language".

In 1991 she won the Kilkenny Design Award for Flesh – The Greatest Sin. She was a member of Aosdána. She died in Monkstown, Dublin in 1999.[8][9]

The Dún Laoghaire Annual Book Festival,'Mountains to the Sea' awards the Rupert & Eithne Strong Poetry Prize now the Strong/Shine Award made possible by the generous support of Shine, the national organisation dedicated to the needs of those affected by mental ill health.[10] On International Women's Day 2000, an event was held to commemorate the life and work of Eithne Strong at the Irish Writer's Centre, Parnell Square, Dublin and a room was named in her honour in 2012. Her manuscripts are stored un-cataloged at the National Library of Ireland.

http://irishwriterscentre.ie/collections/our-venue-your-event

• List of her work and works about her
• Aherne Tom, 'Memory of Poet Still 'Strong' in Limerick Leader, 25th august, 2019. "Limerick-born poet Eithne Strong led an Incredibl Life".
• Brady, Anne M. and Cleeve, Brian. eds. A Biographical Dictionary of Irish Writers, The Lilliput Press, 1985, p. 229
• Buck, Clare. ed. Guide to Women's Literature, Bloomsbury Publishing, 1992, p. 1052.
• Buckley Megan. "Midwives to Creativity", A Study of Salmon Publishing, 1981–2007.NUI Galway Aran-access to research,item record; http://hdl.handle.net/10379/3598 , 2012.
• Canadian Journal of Irish Studies,'Women and Irish Politics', Poems by Eithne Strong, pp. 146–150, July 1992, http://www.jstor.org/stable/25512904
• Casey Kevin. ed. Winter Tales from Ireland No 2. 1972. Gill and Macmillan
• Chapman 92: Irish Issue (1999) pp. 11–13
• Conlon, Evelyn & Oeser, Hans-Christian. ed. Cutting the Night in Two, Short Stories by Irish Women Writers, 'Thursday to Wednesday' by Eithne Strong, New Island, 2001, pp. 75–88.
• Conlon, Evelyn. ed. An Cloigeann Is a Luach, What Worth the Head, Co. Limerick Anthology. An Cloigeann is a Luach by Eithne Strong, 196–204, published by Limerick County Council (1998) ISBN 9780953329908.
• Cowman, R.. (1997). [Review of Women Creating Women: Contemporary Irish Women Poets]. The Poetry Ireland Review, (52), 107–110. Retrieved from https://www.jstor.org/stable/25578747
• Crowe,Thomas Rain et al. eds. Writing The Wind: A Celtic Resurgence: The New Celtic Poetry, New Native Press, 1997, pp. 154–55.
• Dunne, Sean. ed. Poets of Munster. London Anvil Press, 1985.
• Fallon,Peter. The Penguin Book of Contemporary Irish Poetry, Hardmonsworth Penguin Books, 1990.
• Fitzmaurice, Gabriel and Kiberd, Declan. eds. An Crann Faoi Blath / TheFlowering Tree, Wolfhound Press 1991, pp. 110–113.
• Hartman Mark,'Poetry Publications of the Runa Press', The Dublin Magazine (formerly The Dubliner), Vol.8, No.8, 1971, New Square Publications.
• Heffernan, Valerie. "Mending the Torn Fragments of a Relationship" in Women: a Cultural Review, special issue, "Imagining Motherhood in the Twenty-First Century", Spring 2018, Volume 29, Number 1, ISSN 0957-4042
• Hogan, Robert. ed . The Macmillan Dictionary of Irish Literature, The Macmillan Press Ltd. 1980 pp. 630–31.
• Housen Severin. ed. Feathers & Bones, Ten Poets of the Irish Earth, Halcyon Press, 1981, ISBN 0-87961-120-0.
• Jeffries, A. Norman. ed. Irish Love Poems, O'Brien Press, Dublin, 1997.
• Kiely Benedict. ed. 'The Penguin book of Irish Short Stories', 'Red Jelly' by Eithne Strong, 1981.
• Lawlor Brian, ed. Encyclopedia of Ireland, Gill and Macmillan 2003.'Red Jelly ' by Eithne Strong in The Penguin Book of Irish Short Stories, 1981
• Means Wright Nancy and Hannan Dennis.Irish Literary Supplement,Vol.13, Number 1, 1 March 1994.'An Interview with Eithne Strong'. Boston College Libraries.
• "Poetry in the Archive: Reflections of a Former Archivist on the Manuscripts of Twentieth-century Irish Poets in the National Library of Ireland" by Eilis Ni Duibhne in Irish University Review, Vol. 42, Issue 1, May 2012, 155–168. Describes process of acquiring one poetry archive, that of Eithne Strong . Available on-line. www.eupjournals.com/iur
• Kelly, Angeline A. ed. The Pillars of the House: An Anthology of Verse by Irish Women from 1690 to the Present. Wolfhound, 1997. p. 114.'Necessity for Reverence'from the Irish.
• Morgan, Jack. New World Irish: Notes on 100 Years of Lives and Letters in American Culture:The Celtic Carnivalesque'by 'Muriel Rukeyser's 'Irish Journey of Passion and Transformation.' Palgrave Macmillan, 2011, Chap. 13.
• Nic Congail Riona, Nic Eoin Marin.(2018) 'Writing in Irish" 1900–2013, chap.18, pp. 334–364,in 'A History of Modern iirish women's Literature', Ed; Heather ingman TCD, Cliona O'Gallchoir UCC.
• Nic Thaidhg, Andrea. The German translation of A Cheile na Triocha mBliain in Und Sucht Meine Zunge Ab ach Worten, Edition Druckhaus, Neunsehn, 1996.
• Strong, E.. (1992). Poems. The Canadian Journal of Irish Studies, 18(1), 146–150. http://doi.org/10.2307/25512904
• Harmon, M.. (1985). [Review of The Non-Aligned Storyteller; A Crack in the Ice; A Bright Mask. New and Selected Poems; The Restless Factor; After Thunder; New and Selected Poems; Raven Introductions 3. New Writing from Ireland; Age of Exploration; Collected Poems, Volume I; My Darling Neighbour; The Táin; Blas Meala. A Sip from the Honey-Pot; Thomas Tranströmer, the Wild Marketplace; Collected Poems 1960-1984]. Irish University Review, 15(2), 234–243. Retrieved from https://www.jstor.org/stable/25477596
• Weekes, Ann Owens, ed. Unveiling Treasures: The Attic Guide to Irish Literary Writers, Attic Press, Dublin 1993, pp. 331–3.
• Welch, Robert. The Concise Oxford Companion to Irish Literature, Oxford University Press, 2000.
• Wilson/Somerville-Arjat. Sleeping With Monsters: Conversations with Scottish and Irish women poets, Polygon, 1990, pp. 109–119.
• The White Page/An Bhileog Bhan: Twentieth Century Irish Women Poets. Salmon Publishing 1999, reprinted 2000, 2007.

FILM: The Irish Language: A Day of Literature, Film and Song. 21 January 2017 with The Institute of Irish Studies and the University of Liverpool, London. http://www.lancepettitt.com/s/Irish-Language-and-Film-ProgrammeBriefNotes.doc%5B%5D also under News heading of http://www.lancepettit.com/projects-2017 Seachtain na Gaeilge http://snag.ie/en/about/language-resources/irish-short-films /. Sarah Strong: I Hear Fish Drowning http://www.paulowniapictures.com/about.