David Conway (music historian)

David Allen Conway (born 17 February 1950) is a British music historian. Born in London, and educated at Haberdashers' Aske's Boys' School, he studied economics and psychology as an undergraduate at King's College, Cambridge[1] and later obtained a PhD degree under the supervision of John Klier at University College London,[2] where he has been since 2008 an Honorary Research Fellow.[3] He is the brother of the journalist Barbara Conway (1952–1991).

This article is about the British music historian. For the British academic philosopher, see David Conway (academic). For the Irish novelist, see David Conway (author).
David Conway

In 2012 his book Jewry in Music was published by Cambridge University Press. It "analyses why and how Jews, virtually absent from western art music until the end of the eighteenth century, came to be represented in all branches of the profession as leading figures – not only as composers and performers, but as publishers, impresarios and critics."[4] The book was positively reviewed by musicologist Tina Frühauf and on the BBC Radio programme Music Matters.[5][6]

In the academic year 2019–20 Conway was a Polonsky Visiting Fellow at Oxford University.[7][8] He contributes to journals including Slavonic and East European Review, The Wagner Journal and Jewish Renaissance.[9]

In the 1980s, he and his Czechoslovak-born wife Nadia were elected councillors of the London Borough of Enfield.[10] From 1991 to 2016 Conway acted as a Senior Expert for the European Commission in development aid projects in the countries of the former Soviet Union.[3] He is a founder and director of the music festival Levočské babie leto in Levoča, Slovakia,[11] and since 2018 Chair of the opera company HGO (formerly Hampstead Garden Opera).[12]

Publications

Conway's publications include:

  • Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner (2012). Cambridge: Cambridge University Press. ISBN 9781316639603.
  • "A New Song" in The Cambridge Companion to Jewish Music, ed. Joshua Walden (2015). Cambridge: Cambridge University Press. ISBN 9781107623750.[13]
  • "The Real Faust: Heine's Faust Ballet Scenario 1846–1948", in The Oxford Handbook of Faust in Music, ed. Lorna Fitzsimmons and Charles McKnight (2019). Oxford: Oxford University Press. ISBN 9780199935185.[14]
  • "Spontini's Complaint", in Judaism in Opera, ed. I. Schmid-Reider and A. Cahn, Regensburg: Conbrio Verlag (2017).ISBN 9783940768681.[15]

References

Notes

  1. Campbell (1998), p. 561.
  2. Thesis precis, University College London. Retrieved 10 May 2017.
  3. Institute of Jewish Studies, University College London. Retrieved 10 May 2017
  4. Conway (2012), p. i.
  5. Frühauf, Tina (2013), "Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner by David Conway (review)", Notes, 69 (3): 535–537, doi:10.1353/not.2013.0006
  6. BBC Music Matters, 18 February 2012 (at 27' 25"). Retrieved 9 May 2017.
  7. "Current Visitors", website of Oxford University Centre of Hebrew and Jewish Studies (on Wayback Machine). Retrieved 21 May 2020.
  8. "Oxford Seminar: Between Sacred and Profane - Jewish Musical Cultures in Early Modern Europe", academia.eu website, accessed 21 May 2020].
  9. Publications list at UCL Discovery. Retrieved 9 May 2017.
  10. Gove (1995), p. 107
  11. "About us", Levočské babie leto website. Retrieved 10 May 2017.
  12. "Hampstead Garden Opera - About Us - People". Retrieved 21 May 2020.
  13. The Cambridge Companion to Jewish Music, Cambridge University Press. Retrieved 9 May 2017.
  14. The Oxford Handbook of Faust in Music, Oxford University Press. Retrieved 9 May 2017.
  15. Judaism in Opera, Conbrio Verlag. Retrieved 29 June 2017

Sources

  • Campbell, A. E. (1998). A Register of Admissions to King's College Cambridge 1919–1990. Cambridge: King's College. OCLC 45572209.
  • Conway, David (2012). Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner. Cambridge: Cambridge University Press. ISBN 9781107015388.
  • Gove, Michael (1995). Michael Portillo: The Future of the Right. London: Fourth Estate. ISBN 9781857023350.
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