Charles-Honoré Lannuier

Charles-Honoré Lannuier was born outside of Paris in Chantilly, France, on June 27, 1779, son to Michel-Cyrille Lannuier, an innkeeper, and his wife, Marie-Geneviève Malice. From childhood, Lannuier was influenced by his older brother, Nicolas-Louis-Cyrille Lannuier, and an uncle, Jean-Baptiste Cochois, successful cabinetmakers selling furniture in pre-Revolutionary Paris. Both relatives contributed to Lannuier's training as an ébéniste (furniture maker). The social unrest and disruption of the economy by the French Revolution caused Lannuier to emigrate to the young American republic in 1803. Though the French Revolution brought the disbandment of the furniture guilds, and the associated fashionable practice of labeling pieces with a maker's label, Lannuier continued that tradition in the U.S. despite its lack of guilds.

Center table guéridon, c. 1810, mahogany, satinwood, rosewood, and possibly sycamore veneers, gilded brass, and marble. Located in the Red Room of the White House.

In Paris, Lannuier worked primarily in mahogany, with limited amounts of satinwood and rosewood veneer inlays. Early pieces show the influence of late Louis XVI-style furniture. After moving to the United States, Lannuier benefitted from the more stable economy and access to exotic hardwoods, which allowed him to work on a larger scale using solid pieces of precious woods.

Lannuier's furniture is characterized by its use of architectural motifs–-columns, brackets, pediments, and pilasters; Greek and Roman motifs including anthemions, lyres, caryatids, dolphins, laurel wreaths, and winged figures. Federal motifs associated with the early Republic include eagles and five- or six-pointed stars. Large figures were carved and gilded, while smaller decorative mounts were cast in bronze and gilded.

Lannuier's earlier work included sideboards, commodes, worktables, dining tables and chairs, and game tables. As the Empire style became more entrenched, and his success grew, Lannuier produced larger, more expensive pieces including sofas, cylinder desks, and bedsteads. While his pieces are considered within the Empire style, Lannuier's work is distinct for being more delicate and for recalling the refinement found in the Directoire style. Examples of Lannuier's furniture can be seen in the White House Red Room, the Albany Institute of History and Art, the Museum of Fine Arts, Boston, and New York's Metropolitan Museum of Art and Bartow-Pell Mansion.

The New York Metropolitan Museum of Art New York published a book titled: "Honoré Lannuier, Cabinetmaker from Paris (The Life and Work of a French Ebénisté in Federal New York)" by Peter M. Kenny, Frances F. Bretter and Ulrich Leben that outlines Lannuier's work.

• Duncan Phyfe, another esteemed cabinetmaker from the period.

• Abbott, James A. A Frenchman in Camelot: The Decoration of the Kennedy White House by Stéphane Boudin. Boscobel Restoration Inc.: 1995. ISBN 0-9646659-0-5.
• Abbott James A., and Elaine M. Rice. Designing Camelot: The Kennedy White House Restoration. Van Nostrand Reinhold: 1998. ISBN 0-442-02532-7.
• Kenny, Peter M., Frances F. Bretter and Ulrich Leben. Honoré Lannuier Cabinetmaker from Paris: The Life and Work of French Ébiniste in Federal New York. The Metropolitan Museum of Art, New York and Harry Abrams: 1998. ISBN 0-87099-836-6.
• Monkman, Betty C. The White House: The Historic Furnishing & First Families. Abbeville Press: 2000. ISBN 0-7892-0624-2.

• Mary Anne Hunting, Charles-Honoré Lannuier: Cabinetmaker from New York