Beverly Semmes

Beverly Semmes is an American artist based in New York City who works in sculpture, textile, video, photography, performance, and large-scale installation.[1] She studied at the Boston Museum School, Tufts University, and at the Yale University School of Art.[1] During her graduate studies she experimented with heavy wire sculptures and with artificial objects rendered as natural ones, such as trees made of steel with painted-on leaves, which she ultimately placed in natural settings.[2] Semmes is now best known for her large-scale sculpture and installations, which often explore the relationship between craft and fine art while simultaneously dealing with issues related to feminism, gender roles and womanhood.[3] Her oversized dresses are dysfunctional in scale and composition, emphasizing the absence of the body.[2] Semmes has stated that these pieces have a theatrical, performative quality and that she uses clothing as a means to explore its power and influence on the internal and external.[4] Her ceramic works, often juxtaposed with her fabric installations, tend to be roughly shaped vessels in bright fluorescent shades, while her crystal works defy our expectations of the medium and serve as a metaphor for the female body.[2]

Beverly Semmes
Born
Washington, DC, US
NationalityAmerican
EducationBoston Museum School, Tufts University, Yale University School of Art
Known forSculpture, Textile, Fashion, Installation, Performance, Video, Photography

Semmes has had solo exhibitions at MoMA PS1, New York; Museum of Contemporary Art, Chicago; Camden Arts Centre, London; Institute of Contemporary Art, Philadelphia; Fabric Workshop and Museum, Philadelphia; and, the Wexner Center for the Arts, Columbus.[1] She has participated in group exhibitions at domestic and international institutions such as the Hirshhorn Museum and Sculpture Garden; Carnegie Museum of Art; John Michael Kohler Arts Center; Aldrich Contemporary Art Museum; Institute of Contemporary Art, Boston; Museum of Contemporary Art, Miami; Institute of Contemporary Art, Philadelphia; Denver Art Museum; and, the Kunsthalle Wien, Vienna.[1] Semmes' work is in the public collections of the Hirshhorn Museum and Sculpture Garden; Whitney Museum of American Art; Hammer Museum;Museum of Contemporary Art, Los Angeles; Nasher Sculpture Center, Dallas; and, Denver Art Museum amongst others.[1]

The artist is represented by Susan Inglett Gallery, NYC.[5]

References
  1. "Susan Inglett Gallery | Beverly Semmes". www.inglettgallery.com. Retrieved 2019-07-10.
  2. Burkard, Lene (2004). Beverly Semmes: La flor del paraiso. Kunsthallen Brandts Klædefabrik. ISBN 8777661427. OCLC 58794053.
  3. Berry, Ian, 1971- interviewer. Beverly Semmes : FRP. ISBN 0982148690. OCLC 958422919.CS1 maint: multiple names: authors list (link)
  4. MacFarland, Terence, “The Big, The Bad and The Beautiful,” Interview Magazine, June 1996 p. 92 -95.
  5. "Beverly Semmes". Susan Inglett Gallery. Retrieved 2018-07-11.
  6. “Martha Schwendener, “Museum/Gallery Listings for Feb. 28 – March 6: Beverly Semmes,” New York Times, 27 February 2014, p. C19.
  7. "Opener 27 Beverly Semmes Frp". Tang Teaching Museum. Retrieved 2019-07-10.
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