Baby, It's Cold Outside

During the 1940s, whenever Hollywood celebrities with vocal talents attended parties, they were expected to perform songs. In 1944, Loesser wrote "Baby, It's Cold Outside" to sing with his wife, Lynn Garland, at their housewarming party in New York City at the Navarro Hotel. They sang the song to indicate to guests that it was time to leave.[3] Garland has written that after the first performance, "We became instant parlor room stars. We got invited to all the best parties for years on the basis of 'Baby.' It was our ticket to caviar and truffles. Parties were built around our being the closing act."[3] In 1948, after years of performing the song, Loesser sold it to MGM for the 1949 romantic comedy Neptune's Daughter. Garland was furious: "I felt as betrayed as if I'd caught him in bed with another woman."[4] The song won the 1949 Academy Award for Best Original Song.[5][6]

This duet is a conversation between two people, a host (called "Wolf" in the score, usually performed by a male singer) and a guest (called "Mouse", usually performed by a female), in call and response form. Every line in the song features a statement from the guest followed by a response from the host. While both the Wolf and the Mouse want the night to continue, the Mouse says they "ought to say no, no, no, sir" and return home, because of what family and neighbors will think.[7] In the film Neptune's Daughter the song is first performed by Ricardo Montalbán and Esther Williams, then by Betty Garrett and Red Skelton but with a comic parody twist: this time the man wants to leave and the woman is the host and wants him to stay.[8]

In at least one published version the tempo of the song is given as "Loesserando", a humorous reference to the composer's name.[9]

• Pearl Bailey and Hot Lips Page; released by Harmony Records[10]
• Don Cornell and Laura Leslie with the Sammy Kaye orchestra; recorded on April 12 and released by RCA Victor (reached the Billboard Best Seller chart on June 24, 1949, and lasted 10 weeks on the chart, peaking at No. 13)[11]
• Bing Crosby and James Stewart, abbreviated radio performance with Stewart taking the "mouse" part, from The Bing Crosby – Chesterfield Show; released on The Bing Crosby Christmas Gift Collection [12]
• Doris Day and Bob Hope; radio performance from The Bob Hope Show[13]
• Ella Fitzgerald and Louis Jordan; recorded on April 28 and released by Decca Records (reached the Billboard Best Seller chart on June 17, 1949, and lasted seven weeks on the chart, peaking at No. 17)[11]
• Lynn Garland and Frank Loesser (credited as Lynn & Frank Loesser); released by Mercury Records[14]
• Homer and Jethro and June Carter; released by RCA Victor[15]
• Dean Martin and Marilyn Maxwell; radio performance from The Martin and Lewis Show; released on several compilations, including The Very Best of Dean Martin and Relax, It's Dean Martin, Vol 2 [16]
• Dinah Shore and Buddy Clark; recorded on March 17 and released by Columbia Records[11]
• Margaret Whiting and Johnny Mercer; recorded on March 18 and released by Capitol Records (reached the Billboard Best Seller chart on May 6, 1949, and lasted 19 weeks on the chart, peaking at No. 4)[11] This recording is frequently mistaken as being sung by Doris Day and Bing Crosby.[17]
• Esther Williams and Ricardo Montalbán; released by MGM Records[18]

Since 2009, the song has faced criticism in some feminist circles for the alleged implications of its lyrics, with certain elements, such as the line "What's in this drink?" and the "wolf's" (man's) unrelenting pressure for the "mouse" (woman) to stay in spite of her repeated suggestions that she should go home, being described as suggestive of sexual harassment or even date rape.[92][93] However, others have noted that cultural expectations at the time of the song's writing were such that women were not socially permitted to spend the night with a boyfriend or fiancé, and that the woman states that she wants to stay, while "What's in this drink?" was a common idiom of the period used to rebuke social expectations by blaming one's actions on the influence of alcohol.[92][94][95] Susan Loesser, the daughter of Frank Loesser, blamed the song's negative connotation on its association with Bill Cosby after television programs such as Saturday Night Live and South Park depicted the song being performed by the comedian, who had been accused of sexually assaulting several women and later convicted in one case.[96][97]

In 2018, the airing of the song was cancelled by a number of radio stations including Canada's CBC streaming service, after social media criticism and public pressure regarding the song's lyrics.[1] On November 30, 2018, Cleveland, Ohio, radio station WDOK Star 102 announced that it had removed the song from its playlist due to its lyric content, based on listener input, "amid the #MeToo movement".[98] On December 4, 2018, the Canadian radio broadcasters Bell Media, CBC Radio, and Rogers Media followed suit. The decision was divisive among critics and the general public, with supporters arguing that the song's possible implications of date rape did not align with current societal norms, and others arguing that the decision was an appeal to political correctness.[99][100][101] Station KOIT in San Francisco, having placed the song "on hold" pending listener feedback, returned it to the playlist after 77% of respondents opposed its removal.[102] CBC Radio subsequently reinstated the song as well.[2] Following the controversy, the song rose to the top 10 of Billboard's digital sales list for the week of December 22, 2018, with a 70% increase in downloads.[103]

In 2019, vocalists John Legend and Kelly Clarkson recorded the song with modified lyrics (written by Legend and Natasha Rothwell, and attempting to address some of the aforementioned criticisms) for a new deluxe edition of Legend's A Legendary Christmas album.[104] Deana Martin, whose father Dean Martin recorded a popular version of the song in 1959, criticized the new interpretation as "absurd," saying her father would not have approved of altering the lyrics (which she maintained to be more sexually explicit in the new version than in Loesser's original) in order to appease contemporary sensibilities.[105]

• List of Billboard Adult Contemporary number ones of 2014, 2015, and 2017 (U.S.)

• Streisand effect

• 27 Takes On Frank Loesser's 'Baby, It's Cold Outside' Broadwayworld
• Is 'Baby, It's Cold Outside' About Date Rape? Snopes. Includes 1949 recording by the Loessers