Arunendu Das

Arunendu Das (1938 – 2 February 2019)[1] was one of the pioneers of late 20th-century alternative Bengali songwriting. While Mohiner Ghoraguli is considered to be the first Bengali Band, Arunendu was the first person to compose Bengali lyrics for songs written specifically to be accompanied by guitar, a genus of Bengali music which has become increasingly popular over time.[2][3]

Arunendu Das
অরুনেন্দু দাস
Born1938 (1938)
Yangon (formerly Rangoon), Myanmar (formerly Burma)
Died2 February 2019 (2019-02-03) (aged 81)
Kolkata (formerly Calcutta), India
NationalityBritish
Other namesArun Da
Occupation
  • Architect
  • singer-songwriter
  • musician
Parents
  • Dr. Jodhulal Das (father)
  • Amiyabala Das (mother)
Musical career
OriginKolkata
GenresFolk rock, blues rock, psychedelic rock
Associated acts

Early life

Arunendu Das was born in Yangon, known as Rangoon at the time, to Jodhulal Das – a medical doctor – and Amiyabala Das – a housewife. The outbreak of World War II led Dr. Das to move his family from Rangoon to Bajrayogini village in Bikrampur, Bangladesh. Arunendu Das, one of six children of the Das family (four sisters and two brothers), spent his early years in Bangladesh.[4]

Arunendu was a member of the scout group of Bhowanipur Mitra Institution (Kolkata), and traveled with them on a camping trip to Puri (Orissa) in the summer of 1955. It was at that time, during a friendly singing competition between various other scout groups camping there, that he conceived the idea of composing his own lyrics. His song ‘Chanchal ek Dal Scout Bhai’ (‘A Restless Group of Boy Scouts’), applying his own Bengali lyrics to the tune of the popular contemporary song ‘Ujjawl ek-jhank Paiera’ (‘A Cluster of Bright Pigeons’).

Arunendu was introduced to the formal rudiments of music and the techniques of playing the steel guitar by his school friend Prabir Kumar Das. He sought to exploit this newfound knowledge fully during his time at Bengal Engineering College, Shibpur (1956–1961), where he studied Architecture. He continued his songwriting and composed parodies of various contemporary songs to amuse and entertain his fellow students. His songs and parodies were immensely popular and many of his friends continued to sing his songs to their friends in various places, even after leaving college.

During his time at BE College Arunendu was actually more established and appreciated as a Hawaiian guitar player and by his own admission never dared to sing publicly. Though inspired by Bengali singers like Hemanta Mukhopadhyay, Pratima, Sandhya Mukhopadhyay, Manna De, Shyamal, Satinath and Manabendra, Dhananjay who were in their heyday, he never intended to make a career out of music, preferring to write his songs purely for his own enjoyment.

Most of his songs were personal in nature and were composed primarily to exercise his newly acquired knowledge about the chords on a steel guitar and to sing to his close circle of friends. He also gained substantial popularity for his numerous "parody"versions of western classics. At this time Arunendu also started to dabble in classical Spanish guitar, not then an easily available option in Kolkata with its usage restricted to the pubs of the Park Street area and certain members of the Anglo-Indian community.

In England

Arunendu came to England in the late sixties and was immediately struck by the lyrics and renderings of contemporary American and English popular songs. Joining the folk club of the market town of Bicester in Oxfordshire where he lived and was practicing as an architect, he picked up certain guitar techniques from the resident and guest artists who performed there. He felt that these techniques could be applied to Bengali songwriting and consequently started writing lyrics in Bengali to conform to those melodic and rhythmic ideas. His cousin Prasanta De (Habul), a student of Architecture at BE College at that time and an accomplished folk guitarist in his own right, popularised those songs within the college campus and beyond during the 1970s.

Mohiner Ghoraguli

Arunendu's songs were never intended for a wider audience and this remained the case until one day Gautam Chattopadhyay paid a visit to his residence in Moore Avenue (Kolkata) in early 1987. One of Gautam's younger brothers Pradip Chatterjee (Bula), a talented musician, abstract lyricist, and expressionist, had studied at BE College during the 1970s and had introduced a number of Arunendu's songs to Gautam. Gautam loved them so much that he included Arunendu's songs in all four of his collections of contemporary Bengali songs which he released in the name of his long-disbanded group Mohiner Ghoraguli. During the release of their first come-back album "Aabaar Bochhor Kuri Pore", the accompanying brochure of the same name mentioned about Arunendu as a predecessor of Mohiner Ghoraguli. His songs are also included in "Jhora Somoyer Gaan", "Maya" and "Khyapar Gaan"

Arunendu always preferred referring to his songs as "Chhoy Taarer Gaan" (Songs for Six Strings), as the main inspiration behind writing them was to marry light Bengali songs with the strumming and picking of guitar strings to be in line with the popular songs of the 1960s and 1970s that were prevalent in the international market. In 2004, a CD of some of his songs ‘Arundaar Gaan’ was released by Presto Studio of Kolkata.

A short documentary "Le Pocha" by Qaushiq Mukherjee which talks about Bengali alternative music refers Arunendu as a pioneer to alternative music in Bengali.

Discography

Singles

  • Aaey Re Ghum Aai
  • Aache Mor Kichu Sur
  • Aage Jaanle Ki Habul
  • Aamar Priya
  • Baar Baar Tumi
  • Bari Die Tarkari
  • Bhikhetei Jabo
  • Bon Pahadir
  • Bolte Ja Chao
  • Dheer Shamiran Aro Dheere Bohe Jao
  • Dishehara Aamar Mon
  • Gaan Hoye Jai Aaj
  • Ganga
  • Ghumaore Neela
  • Janate Jato
  • Kamona Bashana Jato
  • Kete Gache Kato Na Bachor
  • Keno Kandi
  • Ki Labh Kende
  • Kisher Eto Tara
  • Klanti Jarano Akasher Chokhe
  • Ore Aamar Man
  • Purnima Chand
  • Perie Mather Seemanai
  • Sara Raat
  • Shiwli Phontar
  • Miche Kede

Live

  • Chhoy Taarer Gaan (2013; with Prabir Das, Prasanta De, Ranjit Ganguly, and Subrata Ghosh)[5]

References

  1. "Arunendu Das, pioneer of alternative Bengali songwriting, passes away". Times of India. 3 February 2019.
  2. "Back to '70s with Mohiner Ghoraguli". The Times of India. Retrieved 19 August 2017.
  3. "Bangla Band and Arunendu Das". www.abasar.net. Retrieved 19 August 2017.
  4. "Mr. Arun Das — ISPaD Interview". YouTube. 'ISPaD'. 23 January 2014. Retrieved 1 July 2017.
  5. "Chhoy Taarer Gaan". spacemusicschool.com. Space Music School. 2013. Retrieved 16 October 2017.

Notes

  1. Transliteration from Bengali "Bangla Band ebong Arunendu Das" (Band singing mainly in Bengali and their relation with Arunendu Das)
  2. Times of India, Calcutta Times section, 23 August 2002 published an article on Arunendu Das written by Himadri Sekhar Chowdhury with title "The First Urban Minstrel" where he quoted words of late Gautam Chattopadhyay, "Arun-da is an urban minstrel whose songs blossomed before all of us, even before Mohiner Ghoraguli".
  3. In the booklet distributed along with their album Aabaar Bochhor Kuri Pore Mohiner Ghoraguli founder member Ranjon Ghoshal refers Arunendu Das as the predecessor to them. Also, in the booklet distributed along with their concert "Aabar Bochhor Tirish Pore" (Once again, after 30 years) held in Nicco Park, Kolkata 2008, Moheener Ghoraguli founder member Pradip Chatterjee remembers Arunendu Das as one of their inspirations.
  4. Ekak Matra (Single beat), a popular magazine published from Kolkata, featured an interview with Arunendu Das in their 2004 November issue where he spoke about his life and introduction to guitar playing.
  5. The Telegraph (UK), 3 January 2003, featured an article by Sudeshna Banerjee where Arunendu Das jammed with former members of Mohiner Ghoraguli for an Indian popular chatshow "Addachakra" (circle of chit-chat).
  6. Collaboration with Kolkata's Bluegrass Band, No Strings Attached lead by Diptanshu Roy. Selected songs to be arranged and recorded in Bluegrass Style. The EP to be called Bongrass. https://bluegrasstoday.com/bluegrass-beyond-borders-no-strings-attached-bridge-appalachia-and-india/
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