Ardeshir Mohasses

He was born in Rasht and was brought up in Lahijan.[1] His parents were from well-to-do, professional families of Lahijan. His father, ʿAbbās-Qoli, was a judge and his mother, Sorur Mahkāma, was the principal of Rasht's first girl's school and was a respected poet and literary figure in her own right.[2] He began drawing at the age of 3, illustrating his mother's bedtime stories.[3]

He graduated from Tehran University in 1962 with a degree in political science and law,[1] but never studied art formally. While still a student, one of his classmates encouraged him to submit his work to Towfiq, a widely-read satirical journal. For the next eight years, he continued to produce work to the journal, and adopted the house style which involved pictorial commentaries on Iranian daily life and satiric editorials on political figures, which exaggerated the figure's facial features and body.[2] He also worked as an illustrator and cartoonist for Kayhan and other local periodicals.

In 1967, he held his debut solo exhibitions at Qandriz Gallery Tehran, where he exhibited works that had virtually all been published in local journals over the preceding five year period. The exhibition attracted a sizeable audience and earned him considerable praise.[2]

In 1972, the weekly magazine, Jeune Afrique invited him to Paris and he began to produce satirical drawings and cartoons for this journal. Through this medium, he began to develop an international reputation as a visual satirist. Within a year, he was publishing illustrations in the New York Times. [2]

By the mid-1970s, he had come under pressure from Shah Mohammed Reza Pahlavi and the Secret Police, who took exception to his political commentary and satire, and in 1977 he fled Iran, and went travelled to New York.[3] Although he hoped to return to Iran, the revolution of 1979 and the rise of the Ayatollah Khomeini led to his settling permanently in New York.[4]

In his later life, he suffered from Parkinson's disease and failing eyesight, yet continued to work.[3] He died in New York and is buried in Green-Wood Cemetery in Brooklyn, New York.[5]

• Cactus, a special issue of Daftarha-ye Zamaneh, with an introduction by Karim Emami, including drawings from 1961 to 1966, Tehran 1971.
• With Ardeshir Mohassess and his Puppets, with an introduction by Ali Asghar Haj-Seyed-Javadi, including drawings from 1967 to 1971, Tous Publications, Tehran, 1971.
• Current Events, with an introduction by Ahmad Shamlou, a selection of drawings from 1971, Amir Kabir Publications, Tehran, 1973.
• Momenten, a selection of drawings from 1968-1972, edited by K. Farrokhi, Sun Publications, Haarlem, the Netherlands, 1973.
• Identity Card, a selection of drawings done in 1972, Tahouri Publications, Tehran, 1973.
• Ceremonies, an Introduction by Aydin Aghdashloo, a selection of drawings from 1972, Fine Arts Publications (under the auspices of Gallery Ayeh), Tehran, 1973.
• Jahan-e No, a special issue of drawings, including drawings done in 1972, Tehran, 1973.
• Ardeshir and Stormy Winds, with an introduction by Ali Asghar Haj-Seyed-Javadi, including drawings from 1967 to 1973, Tous Publications, Tehran, 1973.
• Ardeshir Mohassess: Art and Satire in Iran, Asia Society, 2008

Mohasses was a cousin of Bahman Mohasses, dubbed by some as the "Persian Picasso", Iranian painter, sculptor, translator, and theatre director.

• Life in Iran, Etched With Suspicion and Humor, The New York Times
• On Ardeshir Mohassess' 70th Birthday (in Persian), BBC, 2008-09-09.
• Closed circuit history, Oppressors and oppressed through the eyes of Ardeshir Mohassess
• The Pen is Mightier
• Iranian illustrator, Ardeshir Mohasses passed away (in Persian), Radio Zamaneh, 2008-10-11.