Alberto Cavallone

Alberto Cavallone (28 August 1938 12 November 1997) was an Italian film director and screenwriter. He was born in Milan, Italy.[1] Cavallone's films are anti-conventional and often contain a mixture of graphic violence, surrealism and eroticism.[1]

Alberto Cavallone
Alberto Cavallone in 1965
Born(1938-08-28)28 August 1938
Died12 November 1997(1997-11-12) (aged 59)
OccupationFilm director and screenwriter

Career

When Cavallone was 17 years old, he traveled to Algeria, then in the throes of a war of independence, with a 16mm Paillard motion picture camera. The footage he gathered there formed the structure of his first film effort, La sporca guerra (The Bloody War), intended as a non-aligned political documentary.[2] The film featured an early score by Pino Donaggio. The film, released in 1959, is now lost. His feature debut, Lontano dagli occhi (Out of Sight), the story of an Italian reporter's coverage of a trial in Frankfurt of former Nazi officers for crimes against humanity, was never completed and remains unseen.

After a five-year period of apprenticeship, assisting direction on a score of Italian pictures, Cavallone returned to directing in 1969 with the feature Le salamandre, a story of an interracial ménage-à-trois between a Swedish-American fashion photographer, her lover, a black model, and a French psychologist. It was shot in Tunisia. The film was well-received and Cavallone's profile increased tremendously.

The following year, Cavallone directed the feature Dal nostro inviato a Copenaghen (From Our Copenhagen Correspondent). That film was a story of two U.S. servicemen fresh from Vietnam who go A.W.O.L. from an American base in Germany. They travel to Copenhagen, where both remain haunted by their experiences in Vietnam. One drifts into acting in pornographic films while the other loses his ability to distinguish reality from fantasy and succumbs to violent impulses. Hot on the heels of that picture, Cavallone began directing a musical-comedy that he was forced to abandon in mid-production due to budgetary constraints.

In 1971, Cavallone directed Quickly, spari e baci a colazione, a low-budget affair that utilized discarded sets from bigger pictures and incorporated footage from the uncompleted musical. In 1973, he directed Afrika, set in Ethiopia, a tale of two Italian expatriates, a sexually-conflicted painter and his young male lover. The story is embedded in the police procedural staple, the murder investigation, in this case by an Ethiopian chief of police. In 1974, Cavallone directed Zelda, an erotic thriller. The following year, he directed in Turkey and Italy Maldoror, inspired by Comte de Lautréamont's poem Les Chants de Maldoror. The picture failed to secure a distributor and remains unseen by the public.

In 1977, Cavallone released the surreal Spell – Dolce mattatoio, known in the English-speaking world as Man, Woman and Beast. The film is generally regarded as Cavallone's masterpiece and remains his most-exhibited work. Cavallone followed this success with Blue Movie in 1978. This film, too, was a modest success, something that bewildered its director. In 1980, Cavallone directed the surrealist erotic-mystery Blow Job – Soffio erotico and later that year La gemella erotica – Due gocce d’acqua, a project along similar lines. The latter film failed to reach theaters due to the bankruptcy of its distributor.

In 1981, Cavallone directed two surrealist erotic-thrillers, each featuring an achondroplastic dwarf in the lead role: Baby Sitter and Pat. His work after this time devolved into journeyman efforts in various "porns with plots". In 1983, he contributed the story to Umberto Lenzi's fantasy film Ironmaster (aka La guerra di ferro). He also directed the 1984 film I padroni del mondo (Conqueror of the World), a violent barbarian film set in prehistoric times. The early 1990s saw him directing commercials and contributing revisions to screenplays by other screenwriters and storyboards for at least one animated feature. At the time of his death, Cavallone was attempting to helm a comeback feature he called Internet Story.

Filmography

TitleYearCredited asNotesRef(s)
DirectorScreenwriterScreen story writerOther
La sporca guerra 1963 Yes Yes Yes [3]
Z2 Operazione Circeo 1966 Yes Yes Television film [3]
Per amore... per magia... 1967 Yes [3]
La lunga sfida Yes [3]
Le salamandre 1969 Yes Yes Yes [3]
Dal nostro inviato a Copenaghen 1970 Yes Yes Yes [3]
Quickly...spari e baci a colazione 1971 Yes Yes Yes [3]
Afrika 1973 Yes Yes [3]
Zelda 1974 Yes Yes Yes [3]
Spell – Dolce mattatoio 1977 Yes Yes Yes [3]
Blue Movie 1978 Yes Yes Yes [3]
Blow Job (Soffio erotico) 1980 Yes Yes Yes [3]
La gemella erotica Yes Yes Yes [3]
Baby Sitter 1982 Yes Yes Yes as Baron Corvo [3]
Pat, una donna particolare Yes Yes Yes as Baron Corvo [3]
Ironmaster 1983 Yes [3]
Master of the World Yes Yes [3][4]
...e il terzo gode Yes Yes as Baron Corvo [3]

Bibliography

  • Poppi, Roberto (2002). I registi: dal 1930 ai giorni nostri (in Italian). Gremese Editore. p. 101. ISBN 9788884401717. Retrieved 7 March 2019.

References

Footnotes

Sources

  • Curti, Roberto (2018). Mavericks of Italian Cinema. McFarland. ISBN 978-1-4766-7242-7.CS1 maint: ref=harv (link)
  • Kinnard, Roy; Crnkovich, Tony (2017). Italian Sword and Sandal Films, 1908-1990. McFarland. ISBN 1476662916.CS1 maint: ref=harv (link)
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