Albert Edelfelt

Edelfelt was born 1854 in Porvoo, son of Swedish-speaking Finns Carl Albert Edelfelt (1818–1869), an architect, and Alexandra Edelfelt, née Brandt (1833–1901).[3] His father died when he was still young, and his mother had to raise him and his younger siblings alone compounded by financial difficulties. He was very close with his mother throughout his life.[4]

He began his formal studies of art in 1869 at the Drawing School of the Finnish Art Society and continued as a student of Adolf von Becker (1871–73). He studied history painting at the Antwerp Academy of Art (1873–74) before becoming a pupil of Jean-Léon Gérôme at the École Nationale des Beaux-Arts in Paris (1874–78). He sent his mother hundreds of letters when he was away.[4] In Paris, he shared a studio with the American Julian Alden Weir, who introduced him to John Singer Sargent. Later he studied at Saint Petersburg (1881–82). He had romantic relationships with numerous women.[2][4] He married Baroness Anna Elise "Ellan" de la Chapelle in 1888,[4] and the same year they had one child, Erik.[5] Albert died from heart failure in 1905.[6] Erik also died not long afterwards in 1910.[6][7]

Conveying a Child's Coffin, 1879, there is also a similar 1880 sister work called Going to the Christening

Women outside the Church at Ruokolahti, 1887

Boys Playing on the Shore, 1884

Edelfelt was one of the first Finnish artists to achieve international fame. He enjoyed considerable success in Paris, including a gold medal at the Paris Universal Exposition of 1889. His painted portraits of many famous people, including Louis Pasteur, Aino Ackté, and the Russian imperial family.[2]

In Finland, he was one of the founders of the Realist art movement in Finland. He influenced several younger Finnish painters and helped fellow Finnish artists such as Akseli Gallen-Kallela and Gunnar Berndtson to make their breakthrough in Paris. Among his students was Léon Bakst. The painting of Louis Pasteur won him the Legion of Honour in 1886 at the exhibition at the Paris Salon.[8]

Edelfelt admired the poet Johan Ludvig Runeberg, who was a friend of the family. The company of Runeberg had a lasting impact on Edelfelt, who from time to time turned to scenes from Finnish history in his paintings. Edelfelt went on to illustrate Runeberg's epic poem The Tales of Ensign Stål.

Pasteur

Pasteur's portrait, 1885

Edelfelt's history also includes his involvement and friendship with renowned French biologist, microbiologist, and chemist, Louis Pasteur. One of Edelfelt's most important paintings is his portrait of Pasteur. Edelfelt's letters to his mother, only recently discovered and written in Swedish, reveals evidence of Edelfelt's knowledge and work with Pasteur, stating Pasteur's working habits and traits of personality.[9]

This 1885 portrait of Louis Pasteur is the most reproduced image of the scientist himself. It is the most popular portrait because it is unlike the many other typical portraits of Pasteur; where he is sitting plainly. This specific portrait paints him engaging with his environment and using the modern-day tools of his time. Pasteur actively involved himself, working with Edelfelt, in the creation of this painting. This portrait painted by Edelfelt impacted Pasteur's career as it painted his reputation towards the public positively. Depicting Pasteur in the midst of his works brought out aspects of himself and his work that the public would not see otherwise.[9][10]

Christ and Mary Magdalene, 1890

Edelfelt spent time in Antwerp and Paris, where he learned the practice of En Plein Air. He had come to a liking of En Plein Air because it was noticeable that illustrating contemporary reality rather than historical scenes were becoming popular during that time period.[11] He took on a focus towards naturalism and his paintings gave a direct reflection of the Finnish countryside and lifestyle.

Gitana Dancing I, 1881

In April and May of 1881, Edelfelt spent five weeks in Spain where he learned many new aspects of art and studied the phenomenon called espagnolisme, which is the impact that Spanish influences had on France starting from the 1830s. In Spain, Edelfelt also gained a deeper grasp of Gypsy culture and Orientalism which had always interested him. His most important picture from Granada is Gitana Dancing I, a genre portrait of a dancing Gypsy girl.[12]

Edelfelt also dabbled in religious painting, creating biblical scenes revolving around his comfort in the Finnish landscape. This can be easily interpreted in his 1890 painting, Christ and Mary Magdalene. Edelfelt also had a successful career as an illustrator and portraitist.

Albert Edelfelt was selected as the main motif on a Finnish commemorative coin celebrating the 150th anniversary of his birth, the €100 Albert Edelfelt and painting commemorative coin, minted in 2004. The reverse shows an embossed face of the artist.[13]

• Golden Age of Finnish Art
• Art in Finland

Wikimedia Commons has media related to Albert Edelfelt.

• (in English) Albert Edelfelt Studio Museum (Artist's Studio Museum Network)