Želimir Altarac Čičak

Widely known as Čičak (burdock) for his curly hair, Altarac attended the First Sarajevo Gymnasium from 1961 until 1965, a period during which he grew increasingly infatuated with Western pop culture, specifically rock music coming from the United States and United Kingdom that had already been gaining a devoted audience among the youth of communist Yugoslavia. Teenage Čičak thus often found himself skipping gymnasium classes in pursuit of activities he was more interested in – organizing local rock gigs, writing and reciting poetry, moderating music events, and editing the gymnasium newsletter Polet. He developed a particular interest in the crossover between poetry and rock music, reciting his own poetry at different student manifestations over the coming years. Among the more memorable such events from this period was a beatnik-like stage setup where upstart actors Etela Pardo and Branko Ličen were reciting Čičak's verses while budding musician Ranko Rihtman provided musical cover on keyboards.

Čičak with Indexi at the very first 'Uz malu pomoć mojih prijatelja' rock marathon, held at Sarajevo's Dom mladih in January 1979

In the late sixties in the basement of a student house Mladen Stojanović, in downtown Sarajevo, the first underground club Barutana was taking shape. Obviously not without Čičak participating from the very beginning. It was in Barutana were many, later famous musicians of BiH and former Yugoslavia started their journey in some sort of Bosnian/Yugoslavian "tower of songs". Čičak soon commenced a tailor-made program "Čičak plus Čičak" (“Burdock Plus Burdock") where Želimir Altarac Čičak and band Čičak that already gained reputation of best DJ in former Yugoslavia jointly performed, and where youngsters were getting together in Barutana to listen to the latest music productions from around the world, particularly progressive and avant-garde genres. It was also there that

Čičak made yet another successful step towards, not only working with the music but rather working on the music of his own. His cooperation with pop-rock group Kodeksi (Codex) resulted in three great hits according to the Sarajevo Radio Chart (the best media platform for progressive music waves of that time). He wrote lyrics for Eduard Bogeljić's song "Lutalica" (Wandereranduhe also o madr remaske of two great world hits "To Love Somebody" of Bee Gees and "Song of a Baker" of Small Faces.

His collaboration with famous rock group Indexi helped Želimir Altarac Čičak to further sharpen his poetic expression in pop rock music. He is the author of the lyrics of one of the most famous Index's songs such are: "Negdje na kraju u zatišju" (“Somewhere, at the end of a road, where everything goes down to silence”),"Svijet u kome živim" (The World I live In). A truth seeking of "Negdje na kraju u zatišju" was firstly published in the aforementioned Polet just to be later musically arranged and almost perfectly tuned by famous Yugoslavian guitarist and member of Indexi Slobodan Bodo Kovačević, who actually made a 12-minute-long song which starts and ends with recitation. It was a somewhat unusual and new form of musical expression at the time,[1] but was very successful according to the Radio Sarajevo Music Chart. Želimir Altarac Čičak also later wrote "Povratak Jacka Trbosjeka" (Return of Jack the Ripper) as one the hits of historical maxi single of Indexi published in 1972., although the song "The World I live In" is still holding the record as the most played song on Indexi concerts ever and furthermore as the most played and rearranged song by the other groups including Teška Industrija, Konvoj, rock legend Branimir Štulić, Gruhak,[2][3] "Krug" (The Circle), The Evolution, Texas Flood ....

Čičak circa mid-1980s, taping an episode of Šarada akustika — his weekly Radio Sarajevo show.

Besides his experiences with Barutana and collaboration with Indexi, follows Yugoslav tours entitled Top Rock disco show, and he was a winner of European competition of DJ's in Istrian city of Rovinj. Čičak has always shown a great interest in working as a music radio host. His journey to achieving this started in 1974, at the Radio Sarajevo where he was initially hosting Pop Orion and then consequently in later years radio shows such as Attention please, mind the Dynamite on the Vinyl, Balads in the shadow of skyscrapers and, Joyful Electronics. When the Radio Sarajevo started its late night programme in 1981, Čičak was among the significant few to immediately jump in. He helped Radio Sarajevo with his moving borders spirit, but he was also helped by the Radio Sarajevo to make his name in the music realm of Former Yugoslavia. His late night program started with a show called Discothèque at half past two, which was certainly just an introduction into one of the most famous radio shows in former Yugoslavia Charade of acoustic which thousands of people from Slovenia down to the Mazedonia tuned in to in the prime time between 4.30 p.m. -6.00 p.m.[4] He soon started yet another adventure by traveling to different places within former Yugoslavia with his "flying" discothèque called Top Rock Disco Show. Very positive perception of music critics and thousands of listeners encouraged Čičak to undertake yet another endeavor – discovering and promotion of new rising stars. From 1977. to 1982. at Sloga cultural club, downtown Sarajevo, Želimir Altarac Čičak was paving the way for a new generation of rock musicians to show their talent. Talented young musicians and rock groups to be, from those garage bands to the school ones, were dreaming of having an opportunity to present themselves at Sloga. Those who were proven to be the best did really get the opportunity – Žaoka (Sting), Flota (Fleet), Top (Canon), Kako had, Mali print (Small Prince), Rock Apoteka (Rock Pharmacy), Tina, Ozbiljno Pitanje (A Serious Question), Linija života (Life Line), Posljednji autobus (The Last Bus), Lucifer, Velika Porodica (The Big Family)... This healthy competition of its own had helped forging new domestic pop rock concepts and shaped up later to be among the biggest pop-rock bands in the former Yugoslavia – Zabranjeno Pušenje, Plavi orkestar, Crvena jabuka, Bombaj Štampa, Valentino, Gino Banana, and singer Mladen Vojičić Tifa...They had also opened the door of fame to somewhat at the time smaller bands who just later gained their momentum of fame- Vatreni Poljubac, Divlje jagode, Film (band), Buldožer, Galija...

Čičak onstage at Sloga club in Sarajevo in 1978

As one might expect, Čičak was not lulled by success and fame, but instead continued to spread new narratives and discover new territories. At Đuro Đaković Workers' University Amphitheatre, from 1977. to 1980., he was organizing lectures about the world and domestic trends in pop rock music. As journalist and music critic, Želimir Altarac Čičak was publishing articles and editorials in almost all leading newspapers and magazines in Sarajevo and former Yugoslavia – VEN, Večernje novine, Svijet, Oslobođenje, Džuboks, and Rock.

The year 1984. has particular significance in Želimir Altarac Čičak's carrier. In back then Olympic metropolis of the world ( that was the year of the Fourteenth Olympic Winter Games in Sarajevo), Želimir Altarac Čičak took over the editorial stick at so called Youth Centre Skenderija (Dom Mladih) where he was relentlessly working from 1984–1992[5][6] His name was well known, his experience undisputed and Sarajevo as relatively small town and very vivid music scene in comparison ti Zagreb and Belgrade was ready for its "five minutes" of fame as a cultural capital of the former Yugoslavia. It was at Dom Mladih were Želimir Altarac Čičak[7][8] for the first time organised traditional music manifestation of wider significance : “Yu heavy metal fest" (1986-1991)[9] i "Festival of pop-rock bands of BIH – significant newcomers" or in native language "Nove nade nove snage" (Dom mladih 1984-1992).[10] For all those who happen to even superficially know the pop rock scene of the former Yugoslavia names such are: Dino Merlin, Hari Mata Hari, Konvoj (Convoy), Regina (Bosnia and Herzegovina band), Letu štuke, Protest (Demonstration), Knock Out (Apokalipsa), Rupa u zidu – (Damir Avdić Diplomatz) can be enough argument for understanding a role a Youth Centre and Čičak were playing in modern music history of Sarajevo, BiH and region. All of them started their very successful carriers at Čičak's Festival "Significant Newcomers".[11]

A really special place and meaning in Želimir Altarac Čičak's entire career belong to Rock Marathons organized under the banner: "Ž.A. Čičak – with a little help from my friends".

Čičak with Tifa, Davor Gobac, Bruno Langer, and Đuro at the YU rock marathon event at Zetra in October 1989.

Every five years, exactly on his working jubilee, Želimir Altarac Čičak was organizing ten hours long program with all musicians from former Yugoslavia who either started off with his help or who appreciated in a particular way his contribution to the profession. The first one was organised at the Youth Center at Skenderija on January 18, 1979, were many friends showed up, most of whom genuine representatives of Sarajevo music school:Indexi, Vatreni Poljubac, Divlje jagode, Cod, Formula 4, Jadranka Stojaković, Slobodan Samardžić & Narcis Vučina...

The second one took place on November 24, 1984, in overcrowded Skenderija were, now famous veterans, Index played their hits alongside renowned pop-rock bands: Bajaga I Instruktori, U škripcu, Slomljena Stakla, Elvis J. Kurtovich, Kongres, Gino banana, Leb i sol, Laboratorija Zvuka, Drugi način, Galija, Vatreni Poljubac, Teška Industrija, Resonance, Formula 4... The third and the most spectacular one by far took place at the biggest hall in Sarajevo "Zetra" on October 14, 1989. Throughout a ten hours program almost all relevant musicians on former Yugoslavia showed up – from Indexi[12] and Riblja Čorba to Atomsko sklonište, YU Grupa, Galija, Vatreni Poljubac, Jura Stublić i Film, Le cinema, Zabranjeno Pušenje, Psihomodo Pop, Hari Mata Hari, Tifa Band, Formula 4, Bambinosi, Rusija, Konvoj... Especially, need to emphasize that all participants of his jubilee concerts that includes champions of pop pock music and new names BiH and former Yugoslav scene, played their music for free as a sign of successful cooperation in many years.

Želimir Altarac Čičak and Joan Baez before her concert appearance in wartime Sarajevo April 14, 1993

....but obviously not Želimir Altarac Čičak who rediscovered his own way to fight against gloomy days of besieged and suffocated Sarajevo. He continued organizing the concert at Sloga and hosting many radio shows when there was electricity to allow them to be broadcast. From 1993 to 1995. In Sarajevo's radio station The Wall, he was editor and host of show Rock 'n' roll radio, that he called, thanks to blackouts in that years, Accumulator Radio. Still, in polls among listeners, it was the most listened radio show in that years. Same thing happened with his TV Show on NTV 99 Above the Clouds (1996–1997).[13] He was the organizer of first rock concert during the war (March 23, 1993) at Chamber Theater 55, entitled Give Peace a Chance, that gathered all musicians who stayed in war-torn Sarajevo. Special event was a concert of famous Joan Baez on April 14, 1993, in cinema hall Imperial,[14] that attracted attention of world media.

The Edge guitarist of U2 band and Želimir Altarac Čičak, Septembar 23, 1997, Sarajevo

From 2006. onwards, every Friday from 4,30 p.m. to 6.00 p.m. Cicak has been hosting a radio show Izvan Vremena (Out of Time) on the so-called Open Network composed[15] of many networked radio stations in BiH who simultaneously broadcasting the same show, thus enhancing possibility for their radio signal to be listened to in all corners of the country. As he was helped Indexi to emerge as one of the most significant Yu rock band, with the same passion and dedication he worked on their come back immediately after the War. Čičak organised their first come back concert at the Bosnian Cultural Centre, downtown Sarajevo, February 2 and 3 1996.[16] He was organizer of concert Rock no war of Italian star Paolo Belli in Sloga club on March 17, 1996. and as a promoter, he participated in organization of biggest spectacle held in Sarajevo, concert of Irish rock stars U2[17][18] Held September 23, 1997 on Koševo stadium. He was organizer and promoter of musical and sport spectacle “Meeting of Harts”, first football match between singers squads od Italia and BiH. October 19, 1998 on Grbavica stadium, as well as concert of legendary band Deep Purple at the biggest hall in Sarajevo Zetra, November 3, 2007.[19] And another concert of famous Joan Baez in traditional manifestation Baščaršija Nights (Baščaršijske noći) July 16, 2008.[20] He was organizer of numerous visits from BiH to concerts of world music stars in neighbouting states,[21] what main theme of song “With Čičak on Stones” of band Zabranjeno Pušenje on their album Agent tajne sile (Agent of Foreign force) in 1999. Until 1983 he was a free artist, and since that year until 1994. he was the organizer of musical programs at the Youth Center in Sarajevo (Dom Mladih Sarajevo) from 1994 to 2007 he works in news agency BIH PRESS, that later becomes Federal News agency FENA as a promoter, journalist and editor in chief of e-magazine for culture BIH KULT. He published book "Antique Shop of Dreams“, autobiography/monography as participant of rise of Sarajevo, bh and former SFRJ rock-pop scene from the beginning of the sixties until recent days. Promotion of book was 25. November 2017. On First trade fair of book publishers "Books in shelves" after that, book had a concert promotion in Sarajevo music hall Dom mladih under title "friendship out of time for all times" where as guests performed some of his associates from past decades without any fees. He published book "Antique Shop of Dreams“, autobiography/monography as participant of rise of Sarajevo, bh and ex-yu rock-pop scene from the beginning of the sixties until recent days. Promotion of book was 25. November 2017. On First trade fair of book publishers "Books in shelves" [22][23] after that, book had a concert promotion in Sarajevo music hall Dom mladih under title "friendship out of time for all times" where as guests performed some of his associates from past decades without any fees.[24][25][26][27][28] He received numerous recognitions for his work.

• Meetings at the concerts with rock stars
• 
  Robert Plant and Želimir Altarac Čičak, February 21, 1998, Zagreb
• 
  Nick Cave and Želimir Altarac Čičak, June 8, 1997, Zagreb
• 
  Bryan Adams and Želimir Altarac Čičak, October 30, 2000, Zagreb
• 
  ZZ Top and Želimir Altarac Čičak, October 24, 2002, Zagreb
• 
  Bruce Dickinson and Želimir Altarac Čičak, June 17, 2003 Zagreb

• City of Sarajevo 6th of April Award from 1980. (Spomen placenta grade Sarajevo 06. april 1980.)
• The Gold Medal of Labour from 1983.by the Presidency of BiH ( Zlatna Medalja rada ( 1983.-Predsjedništvo SFRJ)
• The Art Award of BIH from 1990. (1990.–Savez Udruženja Estradnih Radnika SRBIH)
• The Golden Lilly of the Sarajevo -Center County from 1996. (Zlatni Ljiljan 1996. – Općina Centar Sarajevo),
• Davorin 2005 – The special award for affirmation of pop-rock culture (Posebna Nagrada za Afirmaciju BiH pop-rock culture)

• Antique Shop of Dreams ( Antikvarnica snova) autobiography/monography – Želimir Altarac Čičak, Sarajevo: publishing house Dobra kniga – ISBN 978-9958-27-384-1
• Biography Lexicon of Who is Who in BiH 2014.-2018,Tešanj(pp. 29–30): Publishing House Planjax Commerc – ISBN 978-9958-34-132-8
• Indexi – in despise to years: a documentary biography in four parts, Dujmović, Josip, Zenica: publishing house The Library of Zenica, 2016., ISBN 978-9926-423-04-9, pp. 17,116,125,126,131,133,135,141,162,163,164,231,249,260,301,302,333,334,335,346.
• Sarajevo my City 6– A Virtuoso on Guitar and Romantic, Sarajevo: Publishing House Rabic, 2016. ISBN 978-9926-428-00-6, pp. 153-160.
• A closing time in Sarajevo, Janković, Nenad alias Dr. Nele Karajlić, Beograd: publishing house Laguna ISBN 978-86-521-1564-8 and Novosti a.d., 2014. ISBN 978-86-7446-241-6, pp. 125,126,127,130.
• If you were me, Vesić, Dušan, Zagreb: publishing house Ljevak, d.o.o., 2014. ISBN 978-953-303-751-6, pp. 08,30,199
• Sarajevo My City 3- One of those days – Sloga of our youth, Sarajevo: publishing house Rabic, 2014. ISBN 978-9958-33-084-1, pp.193-201.
• Indexi – In despise to years-a biography of Indexi, Dujmović, Josip, Sarajevo: publishing house Quattro Media, 2006., ISBN 9958-9113-0-2, pp. 8, 101, 102, 108, 109, 114, 116, 117, 125, 140, 148, 183, 184, 193, 207, 215, 244, 249, 250.
• Indexi – In despise to years- Photo Monography, Dujmović, Josip:, Sarajevo: publishing house Quattro Media Sarajevo, 2006., – pp. 7,61,67,101,110,114,135,142,161,171,227 (ISBN 9958-9113-1-0)
• When the rock was young, Škarica Siniša, Zagreb: publishing house V.B.Z. Zagreb, 2005., ISBN 953-201-517-5, pp. 142, 177
• The first BH pop-rock lexicon, Misirlić, Amir, publishing house Hercegtisak, 2004., ISBN 9958-780-11-9, pp. 2, 13, 46, 59, 77, 81, 106, 115, 151.
• Ex Yu rock enciklopedija 1960–2006, Janjatović, Petar, Beograd:publishing house Čigoja štampa 2007. ISBN 978-86-905317-1-4, p. 105
• Lexicon of Yu Mithology, Beograd Publishing houses Rende, Postscriptum, 2004. (National Library Belgrad ISBN 86-83897-24-9), Nacional Library Zagreb ISBN 953-99584-0-7), pp. 96, 248
• Music-Importance and Development of Sarajevo Pop Rock Scene, Sarajevo: Music Academy, 1997 – pp. 137,138,139,140,141
• Significance And Development Of The Sarajevo Pop Rock Music Scene, Sarajevo: AINFSN, pub. AVICENA, – Open Society Soros Sarajevo,1994. Nr.647, pp. 143,144,145,146,147.
• Sarajevo War Drama – The second part, Miličević, Hrvoje, Sarajevo:1993. Pp. 143,144,145.

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