Mohammad Hussain Sarahang

Mohammad Hussain Sarāhang
استاد محمدحسین سرآهنگ‬
Sarāhang
Background information
Birth name Mohammad Hussain
Born 1924
Origin Kharabat, Kabul, Afghanistan
Died 1983 (aged 58–59)
Genres Khayal, Thumri, Tarana and Ghazal
Occupation(s) Indian classical vocalist
Ustād Mohammad Hussain Sarāhang

Ustād Mohammad Hussain Sarāhang (Persian: استاد محمدحسین سرآهنگ‎ - Sarāhang; 1924–1983) was an Afghan ghazal singer and an exponent of Indian classical music from Kabul, Afghanistan.

Career and education

Mohammad Hussain Sarahang (née Mohammad Hussain) was born in 1924 in the Kharabat area of Kabul, an old district known for breeding some of the country's greatest musicians. He was the second oldest son of Peshawar musician Ghulam Hussain, who taught his son the basics of music. Sarahang studied Indian classical music in the Patiala style of singing under Ashiq Ali Khan.

After 16 years, Sarahang returned to Kabul at the age of 25 (c. 1949). Sarahang typically performed various genres of classical and semi-classical music including khayal, thumri, tarana and ghazal. He usually sang the ghazals of Amir Khusrow and Abul Ma'āni Bedil, famous Indian poets who wrote in Persian, as he was a Bedil Shenās (Bedil Expert).

At the age of 25 (c. 1949), Sarahang participated in a festival of music held at Kabul's Pamir Cinema. Amongst the participants were Qasim and Bade Ghulam Ali Khan. At this festival, Sarahang was awarded a Gold Medal. A few years later, the government of Afghanistan awarded him the title of Sarāhang.

Books

He wrote two books about classical music, Qānūn-e Tarab (The Law of Music)[1] and Mūssīqī-e Rāg-hā (Music of Ragas).[2] He has also created or composed several ragas including Hazra and Minamalee.

In addition he once also wrote articles for the Pashtun Ghag newspaper in Kabul.

Honors

He earned the following titles and degrees from various music schools of India:

  • Degrees of Master, Doctor and Professor of Music from Kalakendra School of Music, Calcutta
  • Title of “Koh-e Beland” (High Mountain of Music) from Chandigarh School of Music, Chandigarh
  • Title of “Sar Taj-e Musiqee” (Top Crown of Music) from Central School of Music, Allahabad
  • Title of “Baba-e Musiqee” (The Father of Music) in his final concert in New Delhi, 1979
  • Title of “Sher-e Musiqee” (Lion of Music) in his last performance in Allahabad, 1982

Death

Upon his last trip to India in 1982, Sarahang fell ill and was hospitalized and ordered not to sing and to keep his talking to a minimum. Sarahang told his doctors he was feeling homesick and he would get better if he went back to Afghanistan. He returned to Afghanistan but disregarded the orders of his doctors and continued his performance. In 1983 he became ill again and was hospitalized in Kabul where he died from a heart attack.

Notes

  1. ↑ Mohammad Hussain Sarahang was the lead author of Qānūn-e Tarab OCLC 48368272, along with Shahrānī, ʻInāyat Allāh and Rahīn, ʻAbd al-Rasūl. It covered a history of Afghan music with selected biographies as well as music theory.
  2. ↑ WorldCat does not list Mūssīqī-e Rāg-hā.
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