The Little Girl Found

William Blake, The Little Girl Found, from Songs of Innocence and Experience, 1794

The Little Girl Found is a poem written by the English poet William Blake. It was published as part of his collection Songs of Experience in 1794. In the poem, the parents of a seven-year-old girl, called Lyca, are looking desperately for their young daughter who is lost in the desert. During days and nights they go on looking for the girl up to the moment they find a lion which tells them where the child lies.

The Poem

All the night in woe
Lyca’s parents go
Over valleys deep,
While the deserts weep.

Tired and woe-begone,
Hoarse with making moan,
Arm in arm, seven days
They traced the desert ways.

Seven nights they sleep
Among shadows deep,
And dream they see their child
Starved in desert wild.

Pale through pathless ways
The fancied image strays,
Famished, weeping, weak,
With hollow piteous shriek.

Rising from unrest,
The trembling woman pressed
With feet of weary woe;
She could no further go.

In his arms he bore
Her, armed with sorrow sore;
Till before their way
A couching lion lay.

Turning back was vain:
Soon his heavy mane
Bore them to the ground,
Then he stalked around,

Smelling to his prey;
But their fears allay
When he licks their hands,
And silent by them stands.

They look upon his eyes,
Filled with deep surprise;
And wondering behold
A spirit armed in gold.

On his head a crown,
On his shoulders down
Flowed his golden hair.
Gone was all their care.

‘Follow me,’ he said;
‘Weep not for the maid;
In my palace deep,
Lyca lies asleep.’

Then they followed
Where the vision led,
And saw their sleeping child
Among tigers wild.

To this day they dwell
In a lonely dell,
Nor fear the wolvish howl
Nor the lion’s growl.

Analysis

As a resolution to The Little Girl Lost, this poem shows the fulfilling of Blake's image of the 'desert wild become a garden mild'; the parents' perceptions of nature have changed, and they no longer fear their natural surroundings. Blake uses this to demonstrate that positive change away from corrupt experience is possible, but only through an acceptance of that which is natural. Crucially, this poem gives hope in the surrounding bleak view of Songs of Experience, and is an effective example of a retreat into nature to learn and develop, an important motif in pastoral literature.

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