It Happened on Fifth Avenue

It Happened on 5th Avenue
Directed by Roy Del Ruth
Produced by Roy Del Ruth
Joe Kaufmann (associate)
Written by Story: Frederick Stephani
Herbert Clyde Lewis
Screenplay by Everett Freeman
Vick Knight
Ben Markson
Starring Don DeFore
Ann Harding
Charles Ruggles
Victor Moore
Gale Storm
Music by Edward Ward
Cinematography Henry Sharp
Edited by Richard V. Heermance
Production
company
Roy Del Ruth Productions
Distributed by Allied Artists
Release date
  • April 19, 1947 (1947-04-19) (U.S.)
Running time
 116 minutes
Country United States
Language English
Box office $1.2 million[1] or $1.3 million[2]

It Happened on Fifth Avenue (1947) is a motion picture comedy, directed by Roy Del Ruth and starring Victor Moore, Ann Harding, Don DeFore, Charles Ruggles and Gale Storm. Herbert Clyde Lewis and Frederick Stephani were nominated for the Academy Award for Best Story, losing to Valentine Davies and another Christmas-themed story, Miracle on 34th Street.

It was remade in Hindi twice in India: Pugree (1948) and Dil Daulat Duniya (1972).[3]

Plot

Aloysius T. McKeever (Victor Moore), a New York City hobo, makes his winter home in a seasonally boarded-up Fifth Avenue mansion, entering and exiting the property through a loose board in the back fence, while its owner—multi-millionaire ("the second richest man in the world") Michael J. O'Connor (Charles Ruggles)—winters in the South. McKeever winds up taking in homeless ex-G.I. Jim Bullock (Don DeFore), who has been evicted from an apartment building O'Connor is tearing down for a new skyscraper, and runaway 18-year-old Trudy "Smith" (Gale Storm) who is actually O'Connor's daughter. Jim soon invites war buddies Whitey (Alan Hale, Jr.), Hank (Edward Ryan) and their families to share the vast mansion while they seek permanent homes of their own.

Trudy falls in love with Jim, and when her father agrees to meet him, she convinces O'Connor to also take up residence, pretending to be a panhandler named "Mike". Trudy wants to win Jim's love without the temptation of her wealth. McKeever "allows" Mike to move in, but treats him as a servant. When Mike warns Trudy that he intends to have the squatters arrested, she persuades her mother Mary (Ann Harding) to fly up from Florida and pretend to be another homeless trespasser. Determined to derail Jim and Trudy's budding romance, Mike has one of his construction companies offer Jim a great job in Bolivia, but Jim turns it down to pursue his dream: he and his friends intend to buy a former Army camp and convert its barracks into inexpensive family housing, pooling the money from thousands of other ex-G.I.'s. Unbeknownst to Jim, Mike gets into a bidding war with him over the camp, where Mike wants to build an air cargo terminal. In the meantime, McKeever unwittingly helps Mike and Mary—who have long been divorced—restore their relationship.

Celebrating Christmas Eve together, they forget to hide as usual from the patrolmen who check the house every night, but McKeever convinces them to let the families stay until after the New Year. Jim then reveals that the camp has been lost to Michael J. O'Connor, and is considering the job offer in Bolivia. Angered at how Mike has manipulated the situation, Mary and Trudy tell him that they will leave for Florida. Ashamed, Mike spins a tale that he has arranged a meeting with O'Connor for Jim and his partners, who are dubious but accept. At the meeting, Mike reveals his true identity and transfers ownership of the camp to the boys, on the condition that they not reveal his identity to McKeever.

That night, everyone shares a celebratory New Year's dinner before restoring the house just as they found it. Mike, Mary, Trudy and Jim bid farewell to McKeever as he heads off to the O'Connors' mansion in Virginia, still unaware of the truth. Mike tells Mary to remind him to nail up the board in the back fence, intending to have McKeever come through the front door next winter.

Cast

Production

It marked the debut of Allied Artists Pictures, the higher-budget division of Monogram Pictures, formerly a low-budget film studio. The story was originally optioned by Liberty Films in 1945 for director Frank Capra (who decided to direct It's a Wonderful Life instead);[4] later that year producer-director Roy Del Ruth acquired the story.[5] The casting of Ann Harding and Victor Moore was announced in June 1946,[6] Don DeFore and Gale Storm in July,[7] and filming proceeded from August 5 to mid-October 1946.[8] The production schedule and Christmastime climax of the story suggest a Christmas release was originally planned, but for whatever reason, the movie's release was delayed until Easter 1947.

The screenplay was adapted for a radio version on Lux Radio Theater in May 1947, with Don DeFore, Charles Ruggles, Victor Moore, and Gale Storm repeating their roles; and a live television production for Lux Video Theatre in 1957, with Ernest Truex, Leon Ames, Diane Jergens, and William Campbell.[9]

Among the four songs in the movie, "That's What Christmas Means to Me" was not the Varnick-Acquaviva minor hit for Eddie Fisher but another song written by Harry Revel which is hard to find anywhere these days. There are at least three songs with that title, one by Stevie Wonder is a perky hit – but again, not the Eddie Fisher song of the 50s. Also, Betty Jane Rhodes recorded "You're Everywhere" in 1947.[10]

Critical reception

The Washington Post thought the celebrity endorsements (by Frank Capra, Orson Welles, Al Jolson, Constance Bennett and others)[11] used in the movie's advertising to be "high-flown" and "Hollywoodesque"; instead, the movie was a "mild, pleasant little film which probably will find many admirers."[12]

Time magazine said,

Most plausible explanations for the picture's success are: 1) the presence of Victor Moore, past master of creaky charm and pathos; 2) a show as generally oldfashioned, in a harmless way, as a 1910 mail-order play for amateurs; 3) the fact that now, as in 1910, a producer cannot go wrong with a mass audience if he serves up a whiff of comedy and a whirlwind of hokum.[13]

Bosley Crowther in The New York Times praised its "geniality and humor" and the "charming performance" by Moore.[14] The New Republic disagreed, calling it "childish stuff" and Moore "too cute for words".[15]

TV broadcast

It Happened on Fifth Avenue was part of a package of 49 Monogram and Allied Artists features from the late 1940s and early 1950s that were first licensed for television broadcast in 1954.[16]

Around 1990, the film essentially disappeared from broadcast and retail availability. Despite an Academy Award nomination, a cult following through a dedicated fan website, and many requests to Turner Classic Movies and American Movie Classics to show the film, it was not broadcast on American television for nearly 20 years. It finally aired on Turner Classic Movies in 2009 and beginning in 2014, is broadcast frequently during the holiday season. Hallmark Movie Channel also broadcast the film in 2014.

Home media

On November 11, 2008, Warner Home Video released the film on DVD, and it is now available through most major DVD retailers and distributors. The film was later made available for streaming and download in the digital format.

References

  1. ↑ OUT HOLLYWOOD WAY: The Voice of the Turtle" MORE NEWS OUT OF HOLLYWOOD Coastscripts By THOMAS F. BRADY Vandamm. New York Times (1923-Current file) [New York, N.Y] 08 Sep 1946: X1.
  2. ↑ "Mono's $1.3 million pic", Variety, 6 November 1946 p 9
  3. ↑ http://www.thehindu.com/features/cinema/cinema-reviews/dil-daulat-duniya-1972-movie-review/article6360033.ece
  4. ↑ "Mary Martin Gets Role at Warners", The New York Times, August 13, 1945, p. 22.
  5. ↑ "'Portrait in Black' To Become a Film", The New York Times, Dec. 3, 1945, p. 28.
  6. ↑ "Michael Todd Set to Film 'Great Son'", The New York Times, June 4, 1946, p. 33.
  7. ↑ "News of the Screen", The New York Times, July 29, 1946, p. 25.
  8. ↑ "News of the Screen", The New York Times, July 29, 1946, p. 25. American Film Institute Catalog of Motion Pictures (online database).
  9. ↑ Connie J. Billips and Arthur Pierce, Lux Presents Hollywood, McFarland & Co., 1995, p. 609. ISBN 978-0-89950-938-9.
  10. ↑ Record Reviews, Billboard, April 5, 1947, p. 28.
  11. ↑ Print advertisement for It Happened on Fifth Avenue.
  12. ↑ Richard Coe, “‘Fifth Avenue’ a Nice Little Film That's Been Gushed About Too Much”, The Washington Post, May 8, 1947, p. 2.
  13. ↑ "The New Pictures", Time, June 16, 1947.
  14. ↑ Bosley Crowther, "The Screen in Review", The New York Times, June 11, 1947, p. 33.
  15. ↑ The New Republic, April 1947, p. 35.
  16. ↑ "News of TV and Radio", The New York Times, Sept. 19, 1954, p. X15.
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