G. F. Zaimis

G.F. Zaimis
Born Charleston, South Carolina
Occupation Poet, adviser & serial creative
Nationality American
Genre Poetry, essays, plays, photography
Notable works Portico and triptych poetic forms

Ginger F. Zaimis is an American poet, essayist, adviser, photographer and serial creative[1][2] who specializes in architectural forms.[3][4][5] She has appropriated and translated portions of Ancient Greek mythology, philosophy and poetry with emphasis on Heraclitus' ideology.[6]

Biography

A polymath and serial creative educated in the arts, architecture, and economics, she is both Southerner and Philhellene who lived her early years in New York City. Her professional dialogues span from advisory work, communications (i.e. lecturing, reading, writing, editing) and the ancient world from Fortune 500 companies[7] and financial institutions[8] to art collections,[9] museums,[10] centers for the contemporary arts, architecture[11] and literature [12][13] as well as New York publishing[14][15] houses, world libraries, and academic institutions.[16][17][18][19][20][21]

Grammatology

Architecture of

Ginger's grammatology recalls Derrida's understanding of the word. Her poetry unites intersections of contemporary modernisms and comparative literature through the lens of architecture braiding mythology and philosophy to connect multi-disciplinary dialogues re-integrating the arts and sciences as one through poetry. Her work with the sonnet, form and verse has been associated with the school of New Formalism. She is the architect of two poetic forms: the Portico[22][23] and Triptych.[24]

Poetry as text-tile

She is the author of three poetry collections, Therapy with Antigone and the Trilogy Verses[25] (2017), Prometheus Rebound and Other Mythology[26] (2015) and Excavated Athens to Alexandria[27][28] (2013). The author of essays and reviews[29], she is the architect of theThe Portico Convention,[30] a treatise on poetry as architecture, as well as, the co-author of Philosophy and Poetry[31] with Philosopher of Kairicity, E. Moutsopoulos, member of the Athens Academy.

Myth & logos in translation

As a polyglot, she has appropriated, progressed and translated from the Modern and Ancient archetypes from Classical Greece into her own poetic oeuvre ranging from philosophical to mythological tragedy(s) questioning the death of Alexander the Great to Aeschyllus' Prometheus and Sophocles' Antigone. These plays are represented in the works entitled: The Divine Inquisition,[32] Prometheus Rebound[33][34] and Therapy with Antigone[35]. A few examples of poetic work composed in sonnet cycles which progress mythos and logos from Ancient Greek philosophy into poetry, as well as, Cleanthes Hymn to Zeus[36] a new translation from the Ancient Greek to English verse in sestina.

Critical reviews

Therapy with Antigone and the Trilogy Verses,[25] the poet’s third collection is critically observed by Lee Slonimsky, poet, “Pythagorean”[37] and Literary Executor of the Daniel Hoffman Archive at the Library of Congress as "Extraordinary content with spiritual insight and academic depth…Few writers of our day can ground one part of the mind in the material world while allowing the other to roam in philosophical eternity like Ginger Zaimis...Part of her psyche…resides in the world of Heraclitus, Sophocles and the other in the light of presence…Her ability to unite dualities; synthesize opposites as One is greater than the sum of their parts".[38][25] Critic, translator and co-founder, Cecile Margellos of Yale University Press/Margellos Republic of Letters writes, "Ginger's idea of mythologies through an architectural lens stand boldly at the intersection of contemporary and comparative literature...her work reveals the in-between of worlds, strata and disciplines by inventing new prototypes"[25][39] while American School of Classical Studies at Athens, Maria Georgopoulou, Director of the Gennadius Library says, "Ginger is someone who bridges the arts...she doesn't fit in-to-a-box but rather perceives life out-of-the-box...bringing architectural order to the world by shaping words, poetry, and perception."[40][25]

Her second collection, Prometheus Rebound and Other Mythology, Rachel Hadas critically writes, “Ginger Zaimis sometimes sounds like Heraclitus – fragmentary, abrupt, vatic and witty. Verses resonate with breathtaking peremptory wisdom...Remarkable!”[41][26] while Paolo Colombo, writer, curator, and former head of the MAXXI, sees her poetry as installation. “Each word is sculpted into perfect form as architecture itself to fit the necessity of language…The sonnets are experienced as pages of diptychs that converge into triptychs, her new visual and literary, poetic hybrid, shaping abstraction into form, aether to volume, idea from void.”[42] and Elizabeth J. Coleman, vice-president of the Poetry Society of America observes, “I am in awe of Ginger Zaimis' knowledge of history and mythology, her skill and creativity with form. I love the way she weaves the current with the ancient, the high with the low...so wittily, so gracefully.”[43]

Ernest Hilbert critically observes of her first collection, Excavated Athens to Alexandria,[44] "her intelligence sparkles...she proves that the sonnet is more than merely a little song of love, that it can and must contain multitudes of voices and address infinite concerns."[45]

Distinctions & new poetic forms

Honors

She has been honored to lecture, read and present her work at distinguished centers for the arts, literature and world libraries such as The Keats Shelley House, Rome museum, The Athens Academy, The Gennadius Library at the American School for Classical Studies Athens, Bibliotheca Alexandrina Library, The Athens Centre, Parnassus Literary Society, the Berlin Biennial, Manifesta Biennial, Mass MoCA museum and The Century Association Arts Club in NYC to name a few.

Her debut collection, Excavated Athens to Alexandria,[46] a didactic collection inspired by Classical Greece and Hellenistic Alexandria, explores language as architecture and architecture as poetry. It was PEN AMERICA’s Joyce Osterweil Poetry finalist (2015) for best, first collection. Her poems have been collected in the Library of Alexandria, Poetry Anthologies (2014, 2015 and 2017), IFBA Press.[47][48][49] She has served as judge for the Keats-Shelley Poetry Prize and her first two collections, Excavated Athens to Alexandria and Prometheus Rebound and Other Mythology were nominated for the London Hellenic Prize. An American who “navigates the world and her life with grace, elegance…Her poetic voice is fresh and unexpected: tough, tender, funny, fierce, risky and sometimes risqué...mixing high-register diction with a vernacular of Southern sassiness”,[50] writes A.E. Stallings while Rachel Hadas and Lee Slonimsky liken her poetic voice and verse to a contemporary Heraclitus [51] and Sophocles.[52] She is the architect of the two new poetic forms: the Portico and Triptych.

The Portico

The Portico was the poet's first form she designed. It was inspired by the facade of a classical temple's porch or portico. "It is a defined poetic shape, written in verse that employs specific design elements to achieve a result of sound – silence – sound. The new form uses architecture as a connective matrix to unite the literary arts which incorporate aesthetic, rhythmic and verse qualities. It was designed in 2012-13. It is founded upon classical architectural fundamentals that emulate the design of a classical temple, specifically, the colonnaded portico from which it has appropriates its name. Its concept is premised upon Vitruvius architectural principles." Poetry's new form is outlined in her treatise entitled, The Portico Convention."[53][54]

The poems, Propylaia and The Caryatids,[55] are some of the first prototypes that were used to develop the convention. The former, Propylaia,[56] is appropriated from the Propylaia at the Acropolis and Englished from the Greek meaning an entrance; gateway to. The latter, references the Erechtheion Temple at the Acropolis and the origins of the Caryatids, re-told through her poetry, "Portico of six ||| rhomb adjacent to ||| Beauty eurhythmic ||| adjoined carefully two ||| Maidens of the Caryae ||| All from Laconia ||| Commitment lifetime ||| obligation diva..."[57] based upon M. Vitruvius Pollio provenance in De Architectura. The Portico[58][59] is dedicated to T.S. Eliot.[60]

Triptych

The poet's second poetic form, the Triptych, the design model pays homage to the ancient Homeric epigram plus two lines, the Greek haiku and Rothko. "It is a conversion of the classically contemporary visual and literary arts as I imagine it poetically, and how Rothko might have re-imagined it."[61] The triptych form was first presented in the poet's second collection, Prometheus Rebound and the Other Mythology.[62] "The triptych...distills thought that recounts impressions and incidents as rhythmic, mural imagery in bits of three brushed onto paper. Like painting or architecture, it integrates text-tile and space as it delineates the nuance of original shape redrawing boundary while solidifying synergy premised on archetype models."[63] Examples include: LULL,[64] a commission for A Poet's Agora (2016), After the last before the first[65] and Wyrd worker.[66][67]

The triptych form is further explored and experimented in the poet's third collection, Therapy with Antigone and the Trilogy Verses, encompassing a third of the collection.[68]

Bibliography

Monographs & collections

  • "Therapy with Antigone and the Trilogy Verses" (Spuyten Duyvil, 2017). ISBN 978-1-944682-40-8
  • "Prometheus Rebound and Other Mythology" (Blue Scarab Press, 2015). ISBN 978-1-938963-10-0
  • "Excavated Athens to Alexandria" (Blue Scarab Press, 2013). ISBN 978-1-938963-04-9, 978-1-938963-05-6
  • "Monumental Athens Urban" (Squared Editions, 2012). ISBN 978-1-938963-02-5
  • "The Portico Convention" (Blue Scarab Press, 2013). ISBN 978-1-938963-06-3, 978-1-938963-07-0
  • "Philosophy and Poetry", co-author E. Moutsopoulos, (Library of Alexandria, IFBA Press, 2014). ISBN 978-618-80327-1-2

Journals & anthologies

  • "The Romantics and Greece: Myth, Transcendence, Art, Beauty and Love" (Keats-Shelley Review, Taylor Francis Publications, Vol. 31, Issue 2, 2017). ISSN 0952-4142, ISSN 2042-1362
  • "Cleanthes’ Hymn to Zeus, transl. from Ancient Greek to English verse, (Library of Alexandria, 11th Poetry Anthology, “Reaching for the Stars”, IFBA Press, 2017).
  • "Fairy Tale Logic: Mythology to Philosophy and the Text-tile of" (Athens Academy, Research Centre for Greek Philosophy, PHILOSOPHIA, Vol. 46, 2016). ISSN 1105-2120
  • "O-dyss-epic, (Library of Alexandria, 9th Poetry Anthology, IFBA Press, 2014).
  • "Architecture of Public Policy: A master plan draft, architecture as politics" (VOLUME Project, Columbia University C-Lab, AMO & Archis Foundation, NYC, Vol. 30, 2012). ISBN 978-9077966303

Readings, talks, plays & exhibitions

Readings

Lectures with poetry

Book presentations

Plays

  • "Prometheus Rebound",[78] Cast: Orfeas Apergis, Eliza Jackson, A.E. Stallings, Paolo Colombo & Ginger F. Zaimis, February 2015
  • "The Divine Inquisition",[79] Cast: Elena Penga, A.E. Stallings, Joanna Papadopoulos & Ginger F. Zaimis, Parnassos Literary Society, December 2013

Exhibitions

References

  1. ↑ Author bio http://gfzaimis.wixsite.com/gfzaimis/about
  2. ↑ Biography page, p. 51, Therapy with Antigone and the Trilogy Verses, Zaimis, GF, Spuyten Duyvil Press, ISBN 978-1944682-40-8
  3. ↑ Portico form - a new poetic form, The Portico Convention, Zaimis, GF, ISBN 978-1-938963-06-3
  4. ↑ Triptych form - a new poetic form, Sonnet cycles and Sonnets, Prometheus Rebound and Other Mythology, Zaimis, GF, ISBN 978-1944682-40-8
  5. ↑ Cleanthes' "Hymn to Zeus" translation in sestina, Therapy with Antigone and the Trilogy Verses, Zaimis, GF, ISBN 978-1944682-40-8
  6. ↑ Biographical profile http://gfzaimis.wixsite.com/gfzaimis/about
  7. ↑ Bankers Trust
  8. ↑ Moore Capital Management
  9. ↑ http://www.artnews.com/2011/03/01/the-top-10-photo-collectors/
  10. ↑ http://massmoca.org/event/exchange-sol-lewitt/
  11. ↑ Netherlands Architecture Institute
  12. ↑ Keats–Shelley House, Rome http://www.keats-shelley-house.org/en/events/the-romantics-and-greece-myth-transcendence-love-and-beauty.html
  13. ↑ The Athens Centre http://athenscentre.gr/?p=7025
  14. ↑ Little, Brown and Company
  15. ↑ Spuyten Duyvil Presshttp://www.spuytenduyvil.net/
  16. ↑ Gennadius Library
  17. ↑ American School of Classical Studies at Athens
  18. ↑ http://www.ascsa.edu.gr/index.php/gennadius/eventDetails/fairy-tale-logic-the-philosophy-of-mythology-through-the-eyes-of-poetry
  19. ↑ IFBA Library
  20. ↑ Athens Academy http://www.academyofathens.gr/en/research/centers/philosophy
  21. ↑ Biography http://gfzaimis.wixsite.com/about
  22. ↑ The Portico Convention, ISBN 978-1-938963-06-3
  23. ↑ Library of Congress Collection https://lccn.loc.gov/2015297174
  24. ↑ first presented in Prometheus Rebound and Other Mythology, ISBN 978-1-938963-10-0
  25. 1 2 3 4 5 https://books.google.gr/books?id=LlQbvgAACAAJ&dq=gf+zaimis&hl=en&sa=X&ved=0ahUKEwil96W_r5baAhXEjSwKHX0kBtwQ6AEIJjAA
  26. 1 2 https://books.google.gr/books?id=r1fvjgEACAAJ&dq=gf+zaimis&hl=en&sa=X&ved=0ahUKEwil96W_r5baAhXEjSwKHX0kBtwQ6AEIKjAB
  27. ↑ https://books.google.gr/books?id=BvjLnQEACAAJ&dq=gf+zaimis&hl=en&sa=X&ved=0ahUKEwil96W_r5baAhXEjSwKHX0kBtwQ6AEILjAC
  28. ↑ http://www.iforce.gr/G-F-Zaimis/Excavated_Athens2013.pdf
  29. ↑ http://bookcritics.org/blog/archive/nbcc-reads-g.f.-zaimis-picks-six-poets
  30. ↑ ISBN 978-1-938963-06-3
  31. ↑ ISBN 978-618-80327-1-2
  32. ↑ "The Divine Inquisition" performance http://www.lsparnas.gr/uploadFiles/ExcavatedandDivineInquisition.pdf
  33. ↑ http://83.212.248.218:8991/F/2UAT6G8YLIJJVHEFJV1YM5R387X5DEB97273XSMXHXF1RJKKR3-30062?func=find-b&request=gf+zaimis&find_code=WRD&Search=+Search+&filter_code_4=WFM&filter_request_4=
  34. ↑ https://www.youtube.com/watch?v=AEZLPpEJBPY
  35. ↑ Library of Congress Collection https://lccn.loc.gov/2016059110
  36. ↑ http://www.academyofathens.gr/en/node/279
  37. ↑ E. Moutsopoulos, Athens Academy
  38. ↑ Lee Slonimsky Reviews http://docs.wixstatic.com/ugd/aa7237_7d0287b525b34bc89eda2cc9e3aca011.pdf
  39. ↑ Cecile Margellos Reviews http://docs.wixstatic.com/ugd/aa7237_7d0287b525b34bc89eda2cc9e3aca011.pdf
  40. ↑ Maria Georgopoulou Reviews http://docs.wixstatic.com/ugd/aa7237_7d0287b525b34bc89eda2cc9e3aca011.pdf
  41. ↑ Rachel Hadas Reviews http://idealabeditions.wixsite.com/gingerfzaimis
  42. ↑ Paolo Colombo Reviews http://idealabeditions.wixsite.com/gingerfzaimis
  43. ↑ Elizabeth J. Coleman Reviews http://idealabeditions.wixsite.com/gingerfzaimis
  44. ↑ Reviews https://books.google.gr/books?id=BvjLnQEACAAJ&dq=gf+zaimis&hl=en&sa=X&ved=0ahUKEwil96W_r5baAhXEjSwKHX0kBtwQ6AEILjAC
  45. ↑ Hilbert, Ernest critical review http://docs.wixstatic.com/ugd/aa7237_8752baa2f0c44cf3b0347eb37ea6d5c0.pdf
  46. ↑ Zaimis, GF https://books.google.gr/books?id=BvjLnQEACAAJ&dq=gf+zaimis&hl=en&sa=X&ved=0ahUKEwil96W_r5baAhXEjSwKHX0kBtwQ6AEILjAC
  47. ↑ IFBA Press https://en.wikipedia.org/wiki/Bibliotheca_Alexandrina
  48. ↑ 9th Anthology, p. 29-33
  49. ↑ 11th Anthology, p. 11-13
  50. ↑ A.E. Stallings writes http://athenscentre.gr/?p=7025
  51. ↑ Reviewed by Hadas, Rachel http://idealabeditions.wixsite.com/gingerfzaimis
  52. ↑ Review by Slonimsky, Lee https://books.google.gr/books?id=LlQbvgAACAAJ&dq=gf+zaimis&hl=en&sa=X&ved=0ahUKEwil96W_r5baAhXEjSwKHX0kBtwQ6AEIJjAA
  53. ↑ Portico Definition, The Portico Convention, p. 11, ISBN 978-1-938963-06-3
  54. ↑ Library of Congress Collection https://lccn.loc.gov/2015297174
  55. ↑ Excavated Athens to Alexandria, Zaimis, GF, p. 23, ISBN 978-1-938963-04-9
  56. ↑ Excavated Athens to Alexandria, Zaimis, GF, p. 15, ISBN 978-1-938963-04-9
  57. ↑ Excerpt from poem, "Caryatids", Excavated Athens to Alexandria, Zaimis, GF, p. 23, ISBN 978-1-938963-04-9
  58. ↑ The Portico Convention, Zaimis, GF, p. 14, ISBN 978-1-938963-06-3
  59. ↑ Form of Portico https://static.wixstatic.com/media/aa7237_8d306c5a32a14cfc8d06765d54114805.jpg/v1/fill/w_475,h_683,al_c,q_80,usm_0.66_1.00_0.01/aa7237_8d306c5a32a14cfc8d06765d54114805.webp
  60. ↑ Ibid
  61. ↑ Zaimis, GF, Book presentation of Prometheus Rebound and Other Mythology, February 2015, The Athens Centre
  62. ↑ pages 49-69, ISBN 978-1-938963-10-0
  63. ↑ Preface text, Prometheus Rebound and Other Mythology, Zaimis, GF, ISBN 978-1-938963-10-0
  64. ↑ Lull by Zaimis, Ginger F. https://apoetsagora.com/ginger-f-zaimis/
  65. ↑ Poetry Out-loud Series from Prometheus Rebound and Other Mythology, p. 69
  66. ↑ Back cover of Prometheus Rebound and Other Mythology
  67. ↑ Poetry Out-loud Series, https://www.youtube.com/watch?v=0sb2nzQW00w
  68. ↑ Part IV, The Trilogy Verses, p.15-48, ISBN 978-1-944682-40-8
  69. ↑ Event Invitation http://www.keats-shelley-house.org/en/events/the-romantics-and-greece-myth-transcendence-love-and-beauty.html
  70. ↑ Ginger F. Zaimis Lecture https://www.youtube.com/watch?v=5N76pw4Cffc&feature=youtu.be
  71. ↑ Lee Slonimsky & Ginger F. Zaimis Talk
  72. ↑ Invitation https://static.wixstatic.com/media/aa7237_ee5cabd4661843378139f9004de3f400~mv2.jpg/v1/fill/w_630,h_394,al_c,q_80,usm_0.66_1.00_0.01/aa7237_ee5cabd4661843378139f9004de3f400~mv2.webp
  73. ↑ Ginger F. Zaimis Lecture
  74. ↑ Event Invitation https://static.wixstatic.com/media/aa7237_50cbf390e711425e873ec5894b3c59f3~mv2_d_2598_1578_s_2.jpg/v1/fill/w_630,h_383,al_c,q_80,usm_0.66_1.00_0.01/aa7237_50cbf390e711425e873ec5894b3c59f3~mv2_d_2598_1578_s_2.webp
  75. ↑ The Athens Centre https://www.youtube.com/watch?v=Q3eHgkr85as
  76. ↑ Parnassus Literary Society, Kostis Palamas Salon http://www.iforce.gr/G-F-Zaimis/Excavated_Athens2013.pdf
  77. ↑ http://www.lsparnas.gr/
  78. ↑ The Athens Centre Athens Centre
  79. ↑ Parnassus Literary Society, Kostis Palamas Salon http://www.lsparnas.gr/
  80. 1 2 http://ibidgallery.com/wp-content/uploads/2016/10/Ibid-Sleep.pdf
  81. ↑ "Search Results : G.F. Zaimis". Artwiki.org. Retrieved 2015-03-02.
  82. ↑ "Abstract Shapes & Forms – G.F. Zaimis". E-flux.com. May 27, 2011. Retrieved 2015-03-02.
  83. ↑ "Regine Basha appointed Executive Director". e-flux. March 1, 2012. Retrieved 2015-03-02.
  84. ↑ "Ole Bouman Appointed Director of V&A-Backed Shekou Design Museum". ArchDaily. Retrieved 2015-03-02.
  85. ↑ "Katerina Gregos appointed as the Artistic Director of Art Brussels". Art Agenda. April 21, 2013. Retrieved 2015-03-02.
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