G-sharp minor
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Relative key | B major |
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Parallel key |
G♯ major enharmonic: A♭ major |
Dominant key |
D♯ minor enharmonic: E♭ minor |
Subdominant | C♯ minor |
Enharmonic | A♭ minor |
Component pitches | |
G♯, A♯, B, C♯, D♯, E, F♯ |
G-sharp minor is a minor scale based on G♯, consisting of the pitches G♯, A♯, B, C♯, D♯, E, and F♯. Its key signature has five sharps.
The G-sharp natural minor scale is:
Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G-sharp harmonic minor and melodic minor scales are:
Its relative major is B major. Its parallel major, G♯ major, is usually replaced by its enharmonic equivalent of A♭ major, since G-sharp major features an F
Music in G-sharp minor
Despite the key rarely being used in orchestral music other than to modulate, it is not entirely uncommon in keyboard music, as in Piano Sonata No. 2 by Alexander Scriabin, who actually seemed to prefer writing in it. It is also found in the second movement in Shostakovitch's 8th String quartet. If G-sharp minor is used, composers generally write B♭ wind instruments in the enharmonic B-flat minor, rather than A-sharp minor to facilitate reading the music (or A instruments used instead, giving a transposed key of B minor). Where available, instruments in D♭ can be used instead, giving a transposed key of the enharmonic G minor, rather than F
In a few scores, the sharp A in the bass clef is written on the top line.
Few symphonies are written in G ♯ minor; among them are Nikolai Myaskovsky's 17th Symphony, Christopher Schlegel's 5th Symphony, Elliot Goldenthal's Symphony in G-sharp minor (2014) and an abandoned work of juvenilia by Marc Blitzstein.
Chopin composed a Polonaise in G-sharp minor, opus posthumous in 1822. His Étude No. 6 is in G-sharp minor as well.
Liszt's La campanella from his Grandes études de Paganini is in G-sharp minor.
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The table indicates the number of sharps or flats in each scale. Minor scales are written in lower case. |