Ebony Patterson

Ebony G. Patterson
Born 1981
Nationality Jamaican
Education

Edna Manley College of Visual and Performing Arts

Sam Fox School of Design & Visual Arts at Washington University in St. Louis
Website http://ebonygpatterson.com/

Ebony G. Patterson is a Jamaican artist[1] born in Kingston, Jamaica in 1981. She studied at Edna Manley College of Visual and Performing Arts and the Sam Fox School of Design & Visual Arts at Washington University in St. Louis. She has taught at the University of Virginia and is currently an Assistant Professor in Painting at the University of Kentucky. She has shown her artwork in numerous solo and private exhibitions, such as Infinite Island: Contemporary Caribbean Art, Brooklyn Museum, (2007) National Biennial, National Gallery of Jamaica, (2006,2008,2010), Ghetto Biennale , Port-au-Prince, Haiti,Rockstone and Bootheel, Real Artways, (2010) Wrestling With the Image, Museum of the Americas,(2011). Ms. Patterson is represented by moniquemeloche gallery.

Work

Patterson’s work revolves around questions of identity and the body, and takes the form of mixed media paintings, drawings and collages, most of them on paper. Photography, found objects, installation and performance have recently become increasingly important in her practice. Early work was primarily concerned with the female body as object. Her Venus Investigations objectified the female torso, headless and anonymous, and explored the relationship between the ample-bodied "Venus" or female goddess images of prehistoric times and contemporary female self-images and beauty ideals. Subsequent works more provocatively focused on the vagina as an object and, by implication, examined the taboos that surround this body part and its functions within Jamaican culture. This also led to 3-dimensional constructions made from intimate female articles such as sanitary napkins and tampons and more abstracted and surreal hybrid organic forms that appeared in her large paper collages of 2007. This early body of work has a sober and at times even majestic visual beauty which as she puts it, references "beauty through the use of the grotesque but visceral, confrontational and deconstructed."[2]

In 2016, Patterson's solo show at the Museum of Arts and Design, Dead Treez, incorporated several appliquéd commercially-woven Jacquard weavings in which Patterson used restaged images of photographs that had been taken of murder victims in Jamaica and then circulated on social media.[3] The exhibition also included a collection of mannequins in vibrant Jamaican dance hall wear (titled Swag Swag Krew), and a series of vitrines with artificial flora and jewelry belonging to the collection of the Museum of Arts and Design and in which patterned bodies reclined (titled ...buried again to carry on growing...), again referencing the victims of violent crime.[4]

UntitledI From the Hybrid Series Mixed Media Drawing on Paper 5ftx3ft 2007

Gangstas for Life

One of Patterson's most recognized body of work, is a series entitled "Gangstas for Life," which explores conceptions of masculinity within Dancehall culture. In this series, the artist specifically explores skin bleaching as a means of marking and transformation, not as an act of racial self-loathing. Additionally the series "seeks to examine the dichotomy between Jamaican stereotypical ideologies of homosexual practices and its parallels within dancehall culture." Red floral and fish motifs throughout the series serve to represent homosexuality within a predominantly homophobic culture. Patterson's images imaginatively recreate portraits of young black males who bleach their skin, pluck their eyebrows and wear 'bling' jewellery to enhance their gangsta status. Patterson finds beauty in their psychic violence glamorizing them with glittered halos and luscious lipstick.[5] The artist explores perceptions of beauty as grotesque within the series, and her portrayal of the subjects' cracked, bleeding and oozing skins.

Untitled II-From the Gangstas for Life series, 3.5ft x 5ft mixed media on handcutpaper 2007

Awards and Scholarships

2018 United States Artists Award in Visual Art for Painter & Mixed Media Artist[6]

2012 Musgrave Award, Bronze Medal in the Arts, Institute of Jamaica

2011 Rex Nettleford Fellowship in Cultural Studies awarded by The Rhodes Trust, Young Alumni Award of Distinction, Washington University in St. Louis, MO

2008 Invited Artist for the Jamaica Biennial, National Gallery of Jamaica, Kingston, Jamaica, Vermont Studio Center Artist Fellowship

2006 Prime Minister’s Youth Awards for Excellence in Art and Culture (Jamaica) -the highest award a young person can receive in Arts and Culture in Jamaica, Peter Marcus Award for Printmaking (Washington University), Nominated for the Joan Mitchell Fellowship for Painters (Washington University), Emerson Visiting Critics and Curators Series, Museum of Contemporary Art, (St. Louis, MO) selected from a pool of over seventy artists to be visited by Curator Ingrid Schaffener

2005 Super Plus Under 40 Artist of the Year (Jamaica), Vicky Award Washington University, Printmaking Department

2004 William Danforth Fellowship (Washington University), Nancy Glanstien Scholarship for Graduate Students (Washington University), Diploma (4 years) First Class Honors (lower), Edna Manley College of the Visual and Performing Arts, Albert Huie Award for Outstanding Student in Painting (Edna Manley College)

2003 Order of French Merit Scholarship to the Pont -Aven School of Contemporary Enid Driscoll Spalleti Memorial Award (ROSL)

2002 Recipient of Two Bronze Medals from the Jamaica Cultural Development Commission Fine Arts Competition, Recipient of the Royal Over-Seas League Travel Scholarship (only recipient from the Caribbean), Brian Morgan Scholarship (Edna Manley College)

2001 Coca –Cola Jamaica Bursary, Merit Award from the Jamaica Cultural Development Fine Arts Competition [7]

Recent Exhibitions

2014

Invisible Presence: Bling Memories in Atlanta during Jamaica’s Carnival (April 27, 2014)[8]

2016

Dead Treez, Museum of Art and Design, New York (November 10, 2015 to April 3, 2016)[9]

2017

Dead Treez, University at Buffalo, New York (February 9-May 13, 2017)[10]

2018

There Were..., Stamps School of Art and Design (February 1, 2018)[11]

There Were..., University Gallery of Illinois State University (February 23 – April 1, 2018)[12]

References

  1. ↑ Castro, Heather (12 September 2008). "Arts Preview: Visual artist Ebony Patterson". Lexington Herald Leader. Retrieved 30 April 2011.
  2. ↑ Veerle Poupeye, National Gallery of Jamaica Blog
  3. ↑ "Ebony G. Patterson Reveals Deep Truths - artnet News". artnet News. 2015-08-28. Retrieved 2018-02-03.
  4. ↑ "LIFE AND DEATH IN A POISONOUS GARDEN EBONY G. PATTERSON Dead Treez". The Brooklyn Rail. Retrieved 2018-02-03.
  5. ↑ Petrine Archer- Straw, www.petrinearcher.com
  6. ↑ "United States Artists » Ebony G Patterson". www.unitedstatesartists.org. Retrieved 2018-02-03.
  7. ↑ http://ebonygpatterson.com/resources/cv.pdf
  8. ↑ https://atlantacontemporary.org/exhibitions/ebony-g-patterson. Missing or empty |title= (help)
  9. ↑ http://madmuseum.org/exhibition/ebony-g-patterson-dead-treez. Missing or empty |title= (help)
  10. ↑ https://ubartgalleries.buffalo.edu/exhibitions/ebony-g-patterson-dead-treez/. Missing or empty |title= (help)
  11. ↑ https://stamps.umich.edu/stamps/detail/ebony_g._patterson. Missing or empty |title= (help)
  12. ↑ https://galleries.illinoisstate.edu/exhibitions/2018/patterson/. Missing or empty |title= (help)
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