Dutch Indies literature

Bookcover of De boeken der kleine zielen - Zielenschemering. First print 1901, by Couperus.[1]

Dutch Indies literature or Dutch East Indies literature (Dutch: Indische letteren or Nederlands Indische literatuur, Indonesia: Sastra Hindia Belanda.) is a section of Dutch literature encompassing Dutch language literature inspired by colonial and post-colonial Insulinde from the Dutch Golden Age to the present day. It includes Dutch, Indo-European and Indonesian authors. Its subject matter thematically revolves around the VOC and Dutch East Indies era, but also includes the postcolonial discourse.

Even though the socio-economic environment of the Dutch East Indies' colonial society was not particularly conducive to literary pursuits an influential Dutch literary subgenre developed described as follows:

[...] a descriptive quality about them in the way they treated ordinary aspects of life in the Indies. This set them for ever apart from those writings in Europe, even if the language was still Dutch. It was this backdrop, or decor, that was different. The idea that whilst the language was Dutch, the scene, the scenery, everything was somehow different. This sense of the different permeated all that was written, even if their own (authors) reference point was still a belief that they were part of the metropolitan literary tradition.

—Ian Campbell, Sydney University, 2000.[2]

Most masterpieces in this genre have international appeal and have been translated to English. In December 1958 for instance American Time magazine praised the translation of Maria Dermoût's The Ten Thousand Things, and named it one of the best books of the year.[3] Since 1985 academic working groups on Dutch Indies literature have existed in the Netherlands and the USA. The University of Massachusetts Amherst maintains a Library of the Indies and describes this literature as follows:

It is a literature of great creativity and irony, a record of the lost cause and expectations of a colonial power.[4]

Canon of Dutch Indies literature

The three iconic authors of the 19th century are Multatuli, P. A. Daum and Louis Couperus.[5]

Mandatory reading when studying Dutch Indies literature includes:

  • Multatuli: Max Havelaar; (Multatuli. Max Havelaar: Or The Coffee Auctions of the Dutch Trading Company. Translated by Roy Edwards. Introduction by D. H. Lawrence. Afterword by E. M. Beekman)
  • Louis Couperus: De stille kracht; (L. Couperus. E. M. Beekman, ed. The Hidden Force. Translated by Alexander Teixeira de Mattos. Revised and edited, with an introduction and notes by E. M. Beekman.)
  • P. A. Daum: Uit de suiker in de tabak and Goena Goena;
  • E. Du Perron: Het land van herkomst; (E.du Perron. Country of Origin. Translated by Francis Bulhof and Elizabeth Daverman. Introduction and notes by Francis Bulhof.)
  • Maria Dermoût: De tienduizend dingen; (Maria Dermoût. The Ten Thousand Things. Translated by Hans Koning. Afterword by E. M. Beekman.)
  • Vincent Mahieu (aka Tjalie Robinson): Tjoek and Tjies;
  • Hella S. Haasse: Oeroeg, Sleuteloog and Heren van de Thee; (The Lords of Tea (1992) translated into English by Ina Rilke as The Tea Lords, 2010.)
  • Brouwers: Bezonken rood;
  • Rudy Kousbroek: Het Oostindisch kampsyndroom;
  • Adriaan van Dis: Indische duinen. (My Father’s War, London, Heinemann, 2004)[6] and Familieziek (Family Fray)[7]

Academic authorities

Professor Dr. Pamela Pattynama hosting literary talk show with guest authors Ernst Jansz and Helga Ruebsamen at the 2011 Tong Tong Fair in the Hague.


The two authoritative reference books on Dutch Indies literature are the "Oostindische spiegel" by literary historian Rob Nieuwenhuys and "Paradijzen van weleer" by literary professor E.M. Beekman. Nieuwenhuys (1908–1999) born in the Dutch East Indies and of Indo descent from his mothers side is the nestor of Dutch Indies literature.[8]

The most important American literary professor specialised in Dutch Indies literature was E.M.Beekman (1939-2008), who spent his early childhood in the Dutch East Indies, and was associated with the University of Massachusetts.[9] With the support of the 'Translations Program' of the 'National Endowment for the Humanities', the 'Foundation for the Promotion of the Translation of Dutch Literary Work', and the 'Prince Bernhard Fund', Beekman has edited many translations of Dutch Indies literature and published widely on the topic.[10]

In recent years the University of California, Berkeley has shown particular interest in the Dutch Indies subject matter. Berkeley professor J. Dewulf is now a driving force behind further study and deepening of existing knowledge with initiatives such as the 'Amerindo Research Project'[11] and the 2011 'International Conference on Colonial and Post-Colonial Connections in Dutch Literature'.[12]

In the Netherlands the leading professor is Pamela Pattynama associated with Amsterdam University.[13]

Indo European authors

Seventy-five percent of the Dutch speaking community in the Dutch East Indies were so called Indo-Europeans, i.e. Eurasians belonging to the European legal class. Although most published work was written by full blooded Dutchmen, so called 'Totoks', many Indo authors have also written Dutch Indies literature covering a vast array of topics. While Louis Couperus wrote about the upper class elite, Victor Ido wrote about the lower class paupers.

After the Indo diaspora from the former Dutch East Indies (now: Indonesia) Indo authors have mostly contributed to the postcolonial discourse of a.o. identity formation.

List of Indo authors

A considerable number of authors of Dutch Indies literature are Indo-European i.e. Dutch-Indonesian Eurasians. Authors include:

Much of the postcolonial literary discourse has been written by second generation immigrant authors of Indo (Eurasian) descent. Authors include:

The most significant and influential author that studied postcolonial identity formation however is the avant garde and visionary writer Tjalie Robinson (1911–1974), a first generation repatriant.

Indonesian authors

During the "Dutch Ethical Policy" in the interbellum period of the first half of the twentieth century, indigenous authors and intellectuals from the Dutch East Indies came to the Netherlands to study and/or work. During their stay of some years they participated in and contributed to the Dutch literary system. They wrote literary works and published literature in important literary reviews such as Het Getij, De Gemeenschap, Links Richten and Forum and as such contributed to Dutch Indies literature.

By exploring new literary themes and/or focusing on indigenous protagonists, they drew at the same time attention to indigenous culture and the indigenous plight. An early example was the Javanese prince and poet Noto Soeroto, a writer and journalist from the Dutch East Indies. He was not a radical Indonesian nationalist, but a supporter of the so-called association politics, which sought collaboration between the Dutch and the native peoples of the Dutch East Indies.

Noto Soeroto came to the Netherlands to study Law in Leiden in 1910. He published in the avant-garde review Het Getij. His non-political poems were published in many volumes. They had exotic titles such as Melati-knoppen, Melati buds, De geur van moeders haarwrong, the odour/smell of mothers hair knot or Lotos of morgendauw, Lotos or morning dew. He wrote a famous brochure on Kartini, the Javanese princess and Indonesian national heroine, whose popular letters were published in 1912 and also contributed to Dutch Indies literature.

Although Dutch had no formal status in the Dutch East Indies, among the indigenous elite of the colony many were fluent in the Dutch language. Authors include: Chairil Anwar; Soewarsih Djojopoespito; Noto Soeroto; Sutan Sjahrir; Kartini.

The wider definition of Dutch Indies literature also includes Soekarno's historic defence speech at his 1930 trial in Bandung.[14] Another historic piece is Sutan Sjahrir's political pamphlet Onze Strijd (Our Struggle) or his book Indonesische Overpeinzingen (Indonesian Musings) of 1945, which were first written in Dutch and only later translated to Indonesian and English.[15]

List of Dutch Indies literature authors

See also

Notes

  1. Nieuwenhuys, Rob Mirror of the Indies: A History of Dutch Colonial Literature (Publisher: Periplus, 1999) Page.253 Online transcript in Dutch.
  2. ASAA Conference 2000 panel paper. Archived 12 February 2012 at the Wayback Machine.
  3. Note: Among several (other) iconic literary works of 1958: 'Breakfast at Tiffany´s' by Truman Capote, 'Doctor Zhivago' by Pasternak and 'Lolita' by Nabokov. See: Maria Dermout Website.
  4. University of Massachusetts Amherst - Library of the Indies Archived 24 July 2010 at the Wayback Machine. or
  5. Original quote in Dutch:"Daum is na Multatuli misschien wel de belangrijkste Nederlands-Indische schrijver, wiens romans een soms onthutsend beeld geven van het leven van de Nederlanders in Indie tijdens in het koloniale tijdperk." See: Dr. Nel van der Heijden-Rogier in NBD, Biblion review of the book 'Rondom Daum' (Nijgh & Van Ditmar, Amsterdam, 1997).
  6. Online biography and translations website.
  7. Online biography and translations website.
  8. Maria Dermout Website. See bottom note 6.
  9. Biography E.M.Beekman by Chase Publishing.
  10. University of Massachusetts Amherst - Library of the Indies Archived 24 July 2010 at the Wayback Machine.
  11. Amerindo Website, UC Berkeley.
  12. Quote: "...the Dutch language forms a common bond in a literature that was and is deeply marked by intercultural connections. In recent decades, considerable attention has been given to Dutch colonial and post-colonial literature, but the importance of intercultural connections within the Dutch colonial network has been neglected." See: 'International Conference on Colonial and Post-Colonial Connections in Dutch Literature.' University of California, Berkeley, Website.
  13. ING online biography. Role: (Dutch) Bijzonder hoogleraar koloniale en postkoloniale literatuur- en cultuurgeschiedenis ihb Nederlands Oost-Indië.
  14. Original Dutch Text:"De verdedigingsrede van Soekarno, Indonesië klaagt aan, is in 1931 gepubliceerd door de Arbeiderspers (en daarna in het Indonesisch vertaald). Deze klassieker uit onze koloniale literatuur is nog steeds te vinden in zichzelf respecterende bibliotheken." Giebels, Lambert U oordeelt over Moeder Indonesia zelf (Historisch Nieuwsblad, 2011)
  15. Note: 'Our Struggle', first written in the Dutch language and soon thereafter translated into the Indonesian language as 'Perdjoeangan Kita' in 1945. Indonesische Overpeinzingen was translated into the English language by Charles Wolf Jr. and named 'Out of Exile' published by John Day, New York, 1949. The later English version contains a considerable amount of additional text. See: Kousbroek, Rudy Het Oostindisch kampsyndroom. (Publisher: Olympus, 2005) P.233 ISBN 978-90-467-0203-1 OCLC 66435443
  16. Sultan van Bantam by Onno Zwier van Haren on DBNL website.
  17. Rubber by Madelon Szekely-Lulofs on DBNL website.
  18. Koelie by Madelon Szekely-Lulofs on DBNL website.
  19. Buiten het gareel by Soewarsih Djojopoespito on Googlebook.

References

  • Nieuwenhuys, Rob Mirror of the Indies: A History of Dutch Colonial Literature - translated from Dutch by E. M. Beekman (Publisher: Periplus, 1999)
  • Beekman E.M. Fugitive dreams: an anthology of Dutch colonial literature (Publisher: University of Massachusetts Amherst Press, Amherst, 1988) ISBN 0-87023-575-3

Further reading

  • (in Dutch) Paasman, Bert ‘Tjalie Robinson, de stem van Indisch Nederland’ (Publisher: Stichting Tong Tong, 1994) ISBN 90-801433-3-2 Review:
  • (in Indonesian) Sastrowardoyo, Subagio Sastra Hindia Belanda dan kita (Publisher: PT Balai Pustaka, Jakarta, 1990) Chapter VIII P.145-155 ISBN 979-407-278-8
  • (in Dutch) Willems, Wim Tjalie Robinson; Biografie van een Indo-schrijver (Publisher: Bert Bakker, 2008) ISBN 978-90-351-3309-9
  • (in Dutch) Willems, Wim Schrijven met je vuisten; brieven van Tjalie Robinson (Publisher: Prometheus, 2009) ISBN 978-90-446-1197-7
  • Dewulf, Jeroen, Olf Praamstra and Michiel van Kempen Shifting the Compass: Pluricontinental Connections in Dutch Colonial and Postcolonial Literature (Publisher: Cambridge Scholars Publishing, 2013) ISBN 978-1-4438-4228-0
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