Betty Blayton Taylor

Betty Blayton-Taylor (July 10, 1937 – October 2, 2016) was an American activist, advocate, artist,[1] arts administrator/educator, lecturer and social entrepreneur.

As an artist, Blanton-Taylor was an illustrator, painter, printmaker, and sculptor. She is best known for her works often described as 'spiritual abstractions'[2]. Blayton-Taylor was a co-founder and the board secretary of the Studio Museum in Harlem, co-founder and executive director of Harlem Children's Art Carnival (CAC), and a co-founder of Harlem Textile Works. She was also an advisor, consultant and board member to a variety of other arts and community-based service organizations and programs.

Family and early life

Betty Blayton was born in Newport News, Virginia at Whittaker Hospital, the second of the four children of Alleyne Houser-Blayton and Dr. James Blaine "Jim" Blayton. Whittaker Hospital was the closest hospital for African Americans, thirty-five miles from the Blayton's home in James City County, where Dr. Blayton was the community's leading black physician. His personal and professional experiences in these times of segregation influenced him to establish the first 14-bed Emergency and Maternity facility for African Americans and later in 1961 opening of the first fully integrated medical facility Williamsburg Community Hospital. Alleyne Houser-Blayton was also a founding member of the National Black Child Developmental Institute in Williamsburg and the Williamsburg chapter of the Delta Sigma Theta sorority.

From as early as Blayton could remember she declared herself an artist and demonstrated this fact at the age of four by repeatedly crayoning murals up the steps in her home to the point that her mother declared to her father that she was convinced that they must have brought the wrong baby home from the Hospital. Before she was school age her mother would often do substitute teaching for first grade. There was an art and play activity area next to the regular classroom. She would park Betty there with paint and easel and know that she did not have to worry about her for hours.

Her three siblings are Barbara Blayton Richardson, who has a PhD in Education; James the 2nd (Jimmy), who has won many awards for his work in metal sculpture and restoration of classic Corvettes; and Oscar, a lawyer.

Education

In 1943 Blayton was enrolled at Bruton Heights Public School and stayed there until the 7th grade. In 1950 she entered Palmer Memorial Institute in the 8th grade, a boarding school in Sedalia, North Carolina.

Blayton received her higher art education from the Brooklyn Museum School, the Art Students League, and Syracuse University.[3] There was never a question as to what she would major in when she finally reached college. Pratt Institute was considered one of the leading Art schools in the US and was Blayton's first choice, but she was not accepted. Her second choice was Syracuse University because it had one of the best art schools in the nation and they accepted her application. In 1955 when she entered Syracuse, the State of Virginia was still segregated with its Jim Crow laws intact. The State of Virginia had to pay her full tuition throughout her four years of college as there were no black colleges in Virginia that had an accredited arts program. Therefore, she was able to attend the school of her choice for free. Blayton chose a double major in Painting and Illustration. Illustration put her mother's mind somewhat at ease as to the potential of her daughter's future ability to be self-sufficient. While at Syracuse she studied painting and drawing with Van der Sluse in her first year, an excellent drawing instructor. She was not allowed to take painting until Second year and had three different teachers who all wanted her to paint like them. She decided to ignore them all and create her own expression. Van der Sluse ended up giving her a C and said that he could not understand how she could draw so well and paint so badly. She graduated in 1959 with a BFA degree with honors.[4]

Exhibitions

The Wild Art Show, The Museum of Modern Art, New York (January 17 – March 14, 1982)[5]

References

  1. ↑ "Art Carnival is Creative" Aiken Standard (December 22, 1972): 29. via Newspapers.com
  2. ↑ "betty-blayton-site". betty-blayton-site. Retrieved 2018-05-23.
  3. ↑ Farrington, Lisa E (January 1, 2011). Creating their own image: the history of African-American women artists. ISBN 9780199767601.
  4. ↑ "Remembrances of Betty Blayton-Taylor, Studio Museum Co-Founder and Harlem Arts Activist". Hyperallergic. January 23, 2017. Retrieved 2017-03-14.
  5. ↑ https://www.moma.org/calendar/exhibitions/4257?locale=en. Missing or empty |title= (help)
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