Benoît Vermander

Benoît Vermander (born 1960), also known as Wei Mingde (Chinese: 魏明德) and Bendu (Chinese: 笨笃), is a French Jesuit, sinologist, political scientist, and painter. He is currently professor of religious sciences at Fudan University, Shanghai,^[1][2] as well as academic director of the Xu-Ricci Dialogue Center within the University.^[3] He has been director of the Taipei Ricci Institute from 1996 to 2009, and remains its academic advisor as well as the editor-in-chief of its electronic magazine erenlai. He is also consultor to the Pontifical Council for Inter-religious Dialogue^[4][5] and associate researcher at the Asia Centre (Paris).^[6] He holds a M.Phil in political science from Yale University, a doctorate in the same discipline from Institut d’Etudes Politiques de Paris, a Master of Sacred Theology from Fu Jen Catholic University (Taiwan) and a Doctorate in Sacred Theology from the Jesuit Faculties of Philosophy and Theology of Paris (Centre Sevres).

His research and publications focus on China's model of development and its role in the globalization process, as well as on contemporary Chinese religions and spiritual traditions.

China’s model of development and role in globalization

He has highlighted and analyzed the systemic relationship between globalization and the rise of China (La Chine ou le temps retrouvé, les figures de la mondialisation et l’ascension chinoise, Academia-Bruyant, 2008 ^[7]). More recently, he has researched the external and internal factors explaining the rise of Corporate Social Responsibility in China. "Corporate Social Responsibility in China" is a practical, business-oriented book that takes into account China's classical and contemporary thought on CSR. It is the result of a research and collaborative process with Maverlinn, from 2011 on, and supported by industry leaders (Corporate Social responsibility in China,^[8] World Scientific, 2014).^[9][10]

His research on the effect of globalization on the Chinese local fabric has also given rise to a case-study on Liangshan Yi Autonomous Prefecture, Sichuan (L’Enclos à moutons, Les Indes savantes, 2007). This case-study was linked to an ongoing local developmental project led together with Professor Stevan Harrell, University of Washington, and a group of Yi scholars.^[11]

Chinese religions and spiritualities

Several of his publications deal with the transformations of the Chinese religious landscape and the way Christianity contributes to them while being affected by the trends that redefine China’s self-understanding of its cultural tradition (Shanghai Sacred, 2018; Le Christ Chinois, DDB, 1998; Les mandariniers de la rivière Huai, DDB, 2002; L’Empire sans milieu, DDB, 2010). In the latter book and several articles he analyzes how China’s religious revival goes along the redefinition of the traditional Chinese religious psyche and societal forms.^[12][13] He also writes on the spiritual dimension of Chinese ancient philosophy and the way its re-interpretation may enrich today’s spiritual quest in interreligious perspective.^[14]

Under his Chinese name Wei Mingde, he has published several books in China and Taiwan, some of which are translated from French or English.

Art

Under the art name Bendu, he also creates works of Chinese painting and calligraphy.^[15] He studied under the Sichuanese painter Li Jinyuan. In concert with Li Jinyuan, he held expositions at the Réfectoire des Jacobins (Toulouse, 1996), the European Parliament (Strasbourg, 1996), the National Gallery (Beijing, 1997) and Gallery of Sichuan (Chengdu, 1997). He has held solo exhibitions at Fu Jen University (Taipei, 1993), University of San Francisco (1999), The French Institute in Taipei (2002), Chengdu's Academy of Painting and Calligraphy (2002), Beida Centre (Tainan, 2004), Kwanghua Centre (Hong Kong, 2005), the Tibeto-Mongolian Foundation (Taipei, 2008), Sunbow Gallery (Shanghai, 2008), Xuhui Art Museum (Shanghai, 2014)^[16], Open Space Gallery in Shanghai (2017)^[17] amongst various other places. He has published several collections of poems and paintings, in both Taiwan and China.

His art is characterized by the use of audacious calligraphic strokes, the influence of the landscapes and patterns of Tibeto-Burman ethnic groups in south western China and the blending of traditions and techniques.^[18]

Some of his works can be seen at this virtual gallery.

Distinctions

• He has been selected in October 2014 as one of the 50 personalities having most influenced the dialogue between China and France in the last 50 years ^[19]
• Knight in the Ordre des Palmes académiques
• Auguste Pavie Prize (2013) awarded by Académie des Sciences d’Outremer for “Les Jésuites et la Chine”^[20]
• Albert Thibaudet Prize (2011) for “L’Empire sans Milieu”

Selected publications

• Shanghai Sacred. The religious landscape of a global city (with Liz Hingley and Liang Zhang), Seattle University of Washington Press, 2018.
• Dancing over the Bridge. Cross-cultural Dialogue and Encounters (wu zai qiao shang, kuawenhua xinagyu yu duihua, en Chinois), (in collaboration with Lu Jin), Beijing, Peking University Press, 2016.
• Culture et Spiritualité (wenhua yu lingixng, en Chinois) (edited with Claire Shen Xiuzhen), Shanghai, Zhongxi shuju, 2016.
• Corporate Social Responsibility in China: A Vision, an Assessment and a Blueprint, World Scientific, Singapore, 2014.
• Les Jésuites et la Chine, Bruxelles, Lessius, 2012.
• Dialogue as a game (duihua ru youxi), Beijing, Beijing Commercial Press, 2012.(in Chinese)
• A reader of Ancient Roman Religion (gu luoma zongjiao duben), with WU Yaling, Beijing, Beijing Commercial Pres, 2012. (in Chinese)
• L'Empire sans milieu, essai sur la 'sortie de la religion' en Chine, DDB, Paris, 2010.
• Shamanism and Christianity: Religious Encounter among Indigenous Peoples of East Asia (edited by Olivier Lardinois and Benoît Vermander). Taipei, Taipei Ricci Institute, 2008.
• La Chine ou le temps retrouvé, les figures de la mondialisation et l’ascension chinoise. Louvain, Academia-Bruyant, 2008.
• Chine brune ou Chine verte, les dilemmes de l’Etat-parti. Paris, Presses de Sciences Po, 2007.
• Sagesse chinoise et méditation chrétienne. Paris, Arsis, 2007.
• L’enclos à moutons, un village nuosu au sud-ouest de la Chine. Paris, Les Indes savantes, 2007.
• La Chine en quête de ses frontières, le conflit Chine-Taiwan (en collaboration avec Jean-Pierre Cabestan), Paris, Presses de Sciences Po, 2005
• Creeds, Rites and Videotapes: Narrating religious experience in East Asia, edited by Elise Anne DeVido and Benoit Vermander, Taipei, Taipei Ricci Institute, 2004.
• Environmental Protection and Humanist Wisdom (edited by Tyl, D., Vermander, B.). Taipei, Kuangchi Cultural Enterprise, 2002. (in Chinese)
• Peace Education. (ed.), Taipei, Kuangchi Cultural Enterprise, 2001. (in Chinese)
• Les mandariniers de la rivière Huai, le réveil religieux de la Chine, Paris, DDB, 2002
• Conflict and Reconciliation: Peace Culture in Taiwan, Taipei, Li-hsü publishing house, 2000. (in Chinese)
• Heart of Heaven and Heart of Man (edited by Fuxing, D., Shen, V., Vermander, B.). Taipei, Li-hsü publishing house, 1999. (in Chinese)
• Harmony, Exchange and Conflict (edited by Vermander, B.). Chengdu, Sichuan People’s publishing house, 1999. (in Chinese)
• Le Christ chinois, héritages et espérance (sous la direction de B. Vermander), Paris, DDB, 1998.
• Violence and Politics. Hsinchuang, FuJen University Press, 1995. (in Chinese)

References

External links

• Bibliography
• Xu-Ricci Dialogue Institute
• The Birth of a Pan-Asian Theology: Under the sign of harmony
• Video interview on The Roundtable Perspective
• An article of Benoît Vermander published in “The Way”: “Exile and Virtual Space: The New Frontiers in Interreligous Dialogue”
• Benoît Vermander's speech during a conference on communication in Taipei (2009)
• eRenlai Magazine website
• An article of Bendu about his ink paintings
• Bendu's poems on the Pescadores Archipelago
• A short film of Bendu : 'Good morning Changxi village !'